“I think we should do some research before we put the house on the market. It will give the place some more cachet, and it may make up for turn-of-the-century electricity and plumbing,” Sarah said with a laugh.
“Do you know when the interior was last remodeled?” Marjorie asked her with a businesslike air, as Sarah took the keys out of her handbag.
“Well, let's see,” Sarah said cautiously, as they walked up the white marble steps to the front door. It was glass with an exquisite bronze grille over it, which was itself a work of art. Sarah had never come through the front door, but she didn't want to bring the realtor in through the kitchen. She wasn't sure Stanley had ever used the front door during his entire tenancy of the house. “Mr. Perlman bought the house in 1930. He never mentioned a remodel to me, and he always intended to sell it. He bought it as an investment, and then somehow never divested himself of it. More by accident, I think, than by design. He just got comfortable and stayed here.” She thought of his tiny little room in the attic as she spoke, the maid's room, where he had spent seventy-six years of his life. But she didn't tell the realtor that. She would probably notice it herself when they toured the house. “My guess is that it hasn't been remodeled to any significant degree since they built the house. I think Mr. Perlman said that was in 1923. He never told me the name of the family that built it.”
“They were a very well-known family that made their money in banking during the Gold Rush. They came over from France with a number of other bankers from Paris and Lyon. I believe they remained in banking for several generations here in the States until the family died out. The man who built this house was Alexandre de Beaumont, with the French spelling. He built the house in 1923 for his beautiful young wife, Lilli, when they married. She was a famous beauty at the time. It was a very sad story. Alexandre de Beaumont lost his entire fortune in the Crash of '29. I believe she left him after that, roughly around 1930.” The realtor knew a lot more about the house than Sarah did, or Stanley ever had. Although he had lived there for three-quarters of a century, he had had little or no emotional attachment to the house. It had remained for him, until the end, merely an investment, and the place where he slept. He had never decorated it, or moved to the main portion of the house. He was happy living in the maid's room in the attic.
“I think that's when Mr. Perlman bought the house, in 1930. He never said a word to me about the de Beaumonts.”
“I think Mr. de Beaumont died sometime after his wife left him, and as far as I know, she vanished. Or maybe that's just the romantic version of the story. I want to research it some more for the brochure.”
They both fell silent as Sarah struggled with the keys, and slowly the heavy bronze and glass door creaked open. Sarah had told the nurse to remove the chain closing it before she left, so that she could bring the realtor in through the front door. The door opened and revealed a yawning darkness. Sarah walked in first, and looked around for a switch to turn on the lights. As she stepped inside, the realtor followed. They both had an odd, eerie sense as they entered the house, part trespassers, and part curious children. The realtor opened the door wider behind them, so the sunlight could enter the house and light their path, and then they both saw the light switch. The house was eighty-three years old, and neither of them had any idea if the switch would still work. There were two buttons in the marble entranceway where they stood. Sarah pushed each button in turn, and nothing happened. In the dim light, they could see that the windows in the entrance hall were boarded up. Beyond them they could see nothing.
“I should have brought a flashlight,” Sarah said, sounding annoyed. This was not going to be as easy as she had hoped. As she said it, Marjorie reached into her bag, and handed one to Sarah. She had brought another for herself.
“Old houses are my hobby.” They both turned their flashlights on, and peered around. There were heavy boards on the windows, a white marble floor beneath their feet that seemed to stretch for miles, and overhead an enormous chandelier that was electrified, but the connections to the switch must have decayed over the years, along with everything else.
The hallway itself had beautiful molded panels and was very large, the ceiling high. And then on either side, they saw small receiving rooms that must have been rooms where people waited when they came to visit. There was no furniture anywhere to be seen. The floors of the two receiving rooms were beautiful old parquet, and the walls were carved antique boiseries that looked as though they had come from France. The two smaller rooms were exquisite. And in each there was a spectacular chandelier. The house had been stripped before Stanley bought it, but he had mentioned to Sarah once that the previous owners had left all the original sconces and chandeliers. They both saw then, too, that there were also antique marble fireplaces in each of the rooms. Both receiving rooms were identical in size. Both would have made exquisite studies or offices, depending on what the house became in its next life. Perhaps a fabulously elegant small hotel, or a consulate, or a home for someone incredibly wealthy. The interior had the feel of a small château, and the exterior had always suggested that to Sarah as well. It was the only house even remotely like it in the city, or perhaps even in the state. It was the kind of house, or small château, one expected to see in France. And according to Marjorie, the architect had been French.
As they proceeded farther into the enormous white marble hallway, they could see a large staircase in the center of it. Its steps were white marble, and there were bronze handrails on either side. It swept grandly toward the upper floors, and it was easy to envision men in top hats and tailcoats and women in evening gowns walking up and down those stairs. Overhead was a chandelier of incredibly vast scale. They both stepped gingerly away from it, each of them with the same thought at the same time. There was no way of knowing how secure anything was, after all those years. Sarah was suddenly terrified that it might come crashing down. And as they stepped away from it, they saw an immense drawing room beyond, with curtains covering the windows. Marjorie and Sarah both walked toward them, to see if they were boarded up. The heavy curtains shredded in their hands as they pushed them aside. The windows were actually French doors into the garden. There was a whole wall of them, and here they were only boarded with semicircles of wood at the top. The rest of the windows were filthy but uncovered, they saw, as soon as the curtains were pushed aside. Sunlight entered the room for the first time since Stanley Perlman had bought the house, and as they looked around the room they were standing in, Sarah's eyes grew wide and she gasped. There was a gigantic fireplace on one side, with a marble mantel, boiseries, and mirrored panels. It almost looked like a ballroom, but not quite. The parqueted floors looked several hundred years old. They too had obviously been removed from a château in France.
“My word,” Marjorie said in a hushed whisper. “I've never seen anything like it. Houses like this just don't exist anymore, and never did out here.” It reminded her of the “cottages” in Newport that had been built by the Vanderbilts and Astors. Nothing on the West Coast had ever compared to this. It looked like a miniature of Versailles, which was precisely what Alexandre de Beaumont had promised his wife. The house had been a wedding gift to her.
“Is this the ballroom?” Sarah asked, looking impressed beyond words. She knew there was one but had never even remotely imagined anything as beautiful as this.
“I don't think so,” Marjorie said, loving every minute of their tour. This was so much better than anything she had hoped. “Ballrooms were usually built on the second floor. I think this might be the main drawing room, or one of them.” They found another like it, though slightly smaller, on the other side of the house, with a small rotunda adjoining the two. The rotunda had inlaid marble floors, and a fountain in the center that looked as though it had worked at one time. If one closed one's eyes, one could imagine grand balls here, and the kind of parties of a bygone era that one only read about in books.