Once again I was surprised by the silence of the house, and I could hear myself breathing as I sat down on the stairs. I was about to climb up to my bedroom, when I heard the low murmur or whisper of water. Was this what John Dee had heard, as the stream of the Fleet flowed down in his garden towards the Thames? Then I realized that the sound was coming from within the house. I could still hear my own breathing as I hurried into the kitchen, but nothing was wrong: I had left the tap running in the sink, and the water was flowing down the drain to the pipes beneath the earth. It was such a clear stream, too. It sparkled in the light of the sun coming through the window, and for a moment I closed my eyes in peace. When I opened them, the water was gone. The current had been stopped. And what was this? I recalled leaving my breakfast cup and plate in the sink, but now I could see them gleaming upon the shelf. I must have cleaned and dried them in some reverie, and it occurred to me that there might have been other occasions when I wandered through this house like a sleepwalker. I went up to my own room and noticed, with some surprise, that the bed had been made; as far as I was aware, I had left it in a state of disarray that morning. After a moment I realized that a small carpet had been laid across the carefully folded sheets. It was then I telephoned Daniel Moore.
He arrived soon after, and listened very quietly as I tried to explain everything that seemed to have happened within the house. For some reason I did not mention the notes about the homunculus, perhaps because it was too ridiculous a fantasy to entertain. But I did mention John Dee, and then for no particular reason started laughing. Daniel got up quickly from his chair, and went over to the window. 'Summer will be coming to an end shortly,' he said, rubbing his hands with satisfaction. 'No more late nights.'
I was about to ask him about his strange knowledge of the house — how he had found the recess under the stairs and how he knew about the sealed window — when the telephone rang. It was my mother and, before I could say anything, she began apologizing for her behaviour two days before. She would have called earlier, she said, but she had been ill ever since. 'I was coming down with something, Matty. I just wasn't myself. I wasn't myself at all.'
'How are your eyes?'
'My eyes?'
'Are you still seeing things?'
'Oh no. Of course not. I'm not seeing anything now.'
'It must have been the house, I suppose.' I was eager to have her opinion on this place. 'Did you like it?'
'How could I like it, Matthew, when I felt so ill?' Her curt manner had re-emerged, but then she apologized again and rang off.
When I came back into the room, Daniel was still looking out of the window and he started to whistle. Then he returned to his chair and leaned over to me, his hands clasped in front of him as if he were praying very earnestly. 'Let's put it this way, Matthew. Aren't we being a little too theatrical? Do you really believe that someone, or something, is living here with you?'
'But what about the dishes, and the carpet on the bed?'
'Perhaps we were doing a little sweeping, or dusting, and left it there by accident.' His hands were still clasped tightly in front of him. 'Haven't we been rather absent-minded recently?'
'Well…'
'I'm telling you, Matthew, that nothing out of the ordinary has happened here.' I suppose I was reassured by what he said, although the alternative — that something 'out of the ordinary' had occurred in this house — was too disagreeable to consider. 'Let's stick to what is known rather than what is unknown,' he was saying now. 'Tell me exactly what you found out yesterday.'
'Only that John Dee paid rates here in 1563 and that, according to Margaret Lucas, he was a black magician.'
'Oh, she always has something fanciful to say.'
'You asked me the other day how far I wanted to take this research.' I felt very tired and had the most peculiar sensation of hearing myself speaking from a distance, as if I were somewhere else within the room. 'I want to know everything, Daniel. I won't find any rest until I do. How does that poem go? "And yet can I not hide me in no dark place".'
He looked at me oddly for a moment, as if I had spoken out of turn. 'I suppose it is the right thing to do.'
'It's the only thing to do. It's my responsibility.'
'You make it sound as if you belong to the house.'
'I feel as if I belong to something. Don't you feel it, too?' It occurred to me suddenly that I might hang the carpets on the walls, so that the polished stone of the floor could reflect their colours. 'And don't you think there's a kind of duty involved? When you come to a place like this? I owe it to the house. I owe it to myself.'
'And to John Dee?'
'Of course. In a sense he's my ancestor now.'
I closed my eyes; I must have been more tired than I knew, because at once I found myself dreaming of the churchyard I had just visited. There was a tramp and a dog walking towards me. But I could only have slept for a moment because now, when I awoke, I could hear Daniel talking as if there had been no interval at all. 'In that case,' he was saying, 'John Dee may be waiting for us somewhere. Where shall we begin?'
*
Once upon a time I was afraid of libraries. Those shelves of books formed a world which had, almost literally, turned its back upon me; the smell of dust and wood, and faded pages, induced in me a sense of melancholy loss. Yet I began to repair my life when I became a researcher and entered the past: then one book led to another book, one document to another document, one theme to another theme, and I was led down a sweet labyrinth of learning in which I could lose myself. It has been said that books talk to one another when no one is present to hear them speak, but I know better than that: they are forever engaged in an act of silent communion which, if we are fortunate, we can overhear. I soon came to recognize the people who also understood this. They were the ones who always relaxed as they walked among the shelves, as if they were being comforted and protected by a thousand invisible presences. They seem to be talking to themselves but, no, they are talking to the books. And so I am a subscriber to the English History Library in Carver's Square, which, of all London libraries, is the most curious and dilapidated; the passages are narrow, the stairs circuitous, and the general atmosphere one of benign decay. The books here are often piled up on the floors, while the shelves can hardly bear the weight of the volumes which have been deposited on them over the years. Yet, somewhere among this ruin, I hoped to find John Dee.
In fact, to my surprise, there were two books devoted to him in an alcove labelled, in old-fashioned Gothic script, 'The History of English Science'. The most recent was John Dee's Natural Philosophy: Between Science and Religion by Nicholas Clulee, and as soon as I took it down from the shelf I realized that this was not the history of a black magician; there was a bibliography of thirty-four pages and it was clear, even from my brief examination of the chapters, that this was a serious account of mathematics, of astronomy, and of philosophy. Beside this volume was another, John Dee: The World of an Elizabethan Magus by Peter French; and when I took it down, he stared at me. He was depicted on the cover, and in my sudden fright I almost dropped the book. I had not expected to see him so soon, and it took me a moment before I could look at the painting again. The eyes were slightly too large, as if the artist had not known how to capture their brightness, and there was something about his expression that disquieted me. His capacious forehead was framed by a black skull cap; he had a medium-length grey beard, which spilled over his white ruff, and he seemed to be wearing a black gown. And yet what was wrong with his expression? He looked both menacing and confidential, as if he harboured some secret of great importance which he might or might not reveal to me. But his eyes were so wide, and so steady, that I could not help but meet his gaze.