"I did," Rogozhin said after some silence.
"Where are . . . the cards?"
"They're here ..." Rogozhin said after a still longer silence, "here . . ."
He pulled a used deck, wrapped in paper, out of his pocket and handed it to the prince. The prince took it, but as if in perplexity. A new, sad, and cheerless feeling weighed on his heart; he suddenly realized that at that moment, and for a long time now, he had not been talking about what he needed to talk about, and had not been doing what he needed to do, and that these cards he was holding in his hands, and which he was so glad to have, would be no help, no help at all now. He stood up and clasped his hands. Rogozhin lay motionless, as if he did not see or hear his movements; but his eyes glittered brightly through the darkness and were completely open and motionless. The prince sat on a chair and began to look at him in fear. About half an hour went by; suddenly Rogozhin cried out loudly and abruptly and began to guffaw, as if forgetting that he had to talk in a whisper:
"That officer, that officer . . . remember how she horsewhipped that officer at the concert, remember, ha, ha, ha! A cadet, too . . . a cadet . . . came running ..."
The prince jumped up from the chair in new fright. When Rogozhin quieted down (and he did suddenly quiet down), the prince quietly bent over him, sat down beside him, and with a pounding heart, breathing heavily, began to examine him. Rogozhin did not turn his head to him and even seemed to forget about him. The prince watched and waited; time passed, it began
to grow light. Now and then Rogozhin sometimes suddenly began to mutter, loudly, abruptly, and incoherently; began to exclaim and laugh; then the prince would reach out his trembling hand to him and quietly touch his head, his hair, stroke it and stroke his cheeks . . . there was nothing more he could do! He was beginning to tremble again himself, and again he suddenly lost the use of his legs. Some completely new feeling wrung his heart with infinite anguish. Meanwhile it had grown quite light; he finally lay down on the pillows, as if quite strengthless now and in despair, and pressed his face to the pale and motionless face of Rogozhin; tears flowed from his eyes onto Rogozhin's cheeks, but perhaps by then he no longer felt his own tears and knew nothing about them . . . In any case, when, after many hours, the door opened and people came in, they found the murderer totally unconscious and delirious. The prince was sitting motionless on the bed beside him, and each time the sick man had a burst of shouting or raving, he quietly hastened to pass his trembling hand over his hair and cheeks, as if caressing and soothing him. But he no longer understood anything of what they asked him about, and did not recognize the people who came in and surrounded him. And if Schneider himself had come now from Switzerland to have a look at his former pupil and patient, he, too, recalling the state the prince had sometimes been in during the first year of his treatment in Switzerland, would have waved his hand now and said, as he did then: "An idiot!"
XII
Conclusion
The teacher's widow, having galloped to Pavlovsk, went straight to Darya Alexeevna, who had been upset since the previous day, and, having told her all she knew, frightened her definitively. The two ladies immediately decided to get in touch with Lebedev, who was also worried in his quality as his tenant's friend and in his quality as owner of the apartment. Vera Lebedev told them everything she knew. On Lebedev's advice, they decided that all three of them should go to Petersburg so as to forestall the more quickly "what might very well happen." And so it came about that the next morning, at about eleven o'clock, Rogozhin's apartment was opened in the presence of the police, Lebedev, the
ladies, and Rogozhin's brother, Semyon Semyonovich Rogozhin, who was quartered in the wing. What contributed most to the success of the affair was the evidence of the caretaker, who had seen Parfyon Semyonovich and his guest going in from the porch and as if on the quiet. After this evidence they did not hesitate to break down the door, which did not open to their ringing.
Rogozhin survived two months of brain fever and, when he recovered—the investigation and the trial. He gave direct, precise, and perfectly satisfactory evidence about everything, as a result of which the prince was eliminated from the case at the very beginning. Rogozhin was taciturn during his trial. He did not contradict his adroit and eloquent lawyer, who proved clearly and logically that the crime he had committed was the consequence of the brain fever, which had set in long before the crime as a result of the defendant's distress. But he did not add anything of his own in confirmation of this opinion and, as before, clearly and precisely, confirmed and recalled all the minutest circumstances of the event that had taken place. He was sentenced, with allowance for mitigating circumstances, to Siberia, to hard labor, for fifteen years, and heard out his sentence sternly, silently, and "pensively." All his enormous fortune, except for a certain, comparatively speaking, rather small portion spent on the initial carousing, went to his brother, Semyon Semyonovich, to the great pleasure of the latter. Old Mrs. Rogozhin goes on living in this world and seems to recall her favorite son Parfyon occasionally, but not very clearly: God spared her mind and heart all awareness of the horror that had visited her sad house.
Lebedev, Keller, Ganya, Ptitsyn, and many other characters of our story are living as before, have changed little, and we have almost nothing to tell about them. Ippolit died in terrible anxiety and slightly sooner than he expected, two weeks after Nastasya Filippovna's death. Kolya was profoundly struck by what had happened; he became definitively close to his mother. Nina Alexandrovna fears for him, because he is too thoughtful for his years; a good human being will perhaps come out of him. Incidentally, partly through his efforts, the further fate of the prince has been arranged: among all the people he had come to know recently, he had long singled out Evgeny Pavlovich Radomsky; he was the first to go to him and tell him all the details he knew about what had happened and about the prince's present situation. He was not mistaken: Evgeny Pavlovich took the warmest interest in the fate
of the unfortunate "idiot," and as a result of his efforts and concern, the prince ended up abroad again, in Schneider's Swiss institution. Evgeny Pavlovich himself, who has gone abroad, intends to stay in Europe for a very long time, and candidly calls himself "a completely superfluous man in Russia," visits his sick friend at Schneider's rather often, at least once every few months; but Schneider frowns and shakes his head more and more; he hints at a total derangement of the mental organs; he does not yet speak positively of incurability, but he allows himself the saddest hints. Evgeny Pavlovich takes it very much to heart, and he does have a heart, as he has already proved by the fact that he receives letters from Kolya and even sometimes answers those letters. But besides that, yet another strange feature of his character has become known; and as it is a good feature, we shall hasten to mark it: after each visit to Schneider's institution, Evgeny Pavlovich, besides writing to Kolya, sends yet another letter to a certain person in Petersburg, with a most detailed and sympathetic account of the state of the prince's illness at the present moment. Apart from the most respectful expressions of devotion, there have begun to appear in these letters (and that more and more often) certain candid accounts of his views, ideas, feelings—in short, something resembling friendly and intimate feelings have begun to appear. This person who is in correspondence (though still rather rarely) with Evgeny Pavlovich, and who has merited his attention and respect to such a degree, is Vera Lebedev. We have been quite unable to find out exactly how such relations could have been established; they were established, of course, on the occasion of the same story with the prince, when Vera Lebedev was so grief-stricken that she even became ill, but under what circumstances the acquaintance and friendship came about, we do not know. We have made reference to these letters mainly for the reason that some of them contain information about the Epanchin family and, above all, about Aglaya Ivanovna Epanchin. Evgeny Pavlovich, in a rather incoherent letter from Paris, told of her that, after a brief and extraordinary attachment to some émigré, a Polish count, she had suddenly married him, against the will of her parents, who, if they did finally give their consent, did so only because the affair threatened to turn into an extraordinary scandal. Then, after an almost six-month silence, Evgeny Pavlovich informed his correspondent, again in a long and detailed letter, that during his last visit to Professor Schneider in Switzerland, he had met all the Epanchins there (except, of course, Ivan