WE'LL KILL THE OLD RED ROOSTER
(Hagbard was accompanied by Joe Malik when he returned to the stateroom. "You go to the beer hall in Munich," he was saying, "and steal any item, anything at all, as long as it's obviously old enough to have been there the night he tried the Putsch. Then you rejoin the rest of us in Ingolstadt. Understood?")
WE'LL KILL THE OLD RED ROOSTER
Lady Velkor, wearing a green peasant blouse and green hotpants, looked around the geodesic Kool-Aid dome. A man in a green turtleneck sweater and green slacks caught her eye, and she walked over to him, asking, "Are you a turtle?"
"You bet your sweet ass I am," he answered eagerly and so she had failed to make contact- and owed this oaf a free drink also. But she smiled pleasantly and concealed her annoyance.
WE'LL KILL THE OLD RED ROOSTER WHEN SHE COMES
Robinson and Lehrman of the Homicide Department actually started the last phase of the operation. I was in New York to see Hassan i Sabbah X about a new phase of Laotian opium operation (I had just come from Chicago, after staging that conversation with Waterhouse for Miss Servix's benefit), and I decided to check with them for those little nuances that can't go into an official report We met in Washington Square and found a bench far enough from the chess nuts to give us some privacy.
"Muldoon is on to us," Robinson told me right off. He was wearing a beard; I figured that meant he was currently in a Weather Underground group, since he was too old to pass for under twenty-one and get into Morituri.
"Are you sure?" I asked.
He made the usual reply: "Who's ever sure of anything in this business? But Barney is pure cop through and through," he added, "and his instincts are like dowsing rods. Everybody on the force knows we've infiltrated them by now, anyway. They even make jokes about it 'Who's the CIA man in your department?'- that kind of thing."
"Muldoon is on to us, all right," Lehrman agreed. "But he's not the one I worry about."
"Who is?" I brushed my walrus mustache nervously; being the first pentuple agent in the history of espionage was starting to grind me down. I really wasn't sure which of my bosses should hear about this, although the CIA certainly had to be told, since for all I know Robinson and Lehnnan might be reporting to them twice, having another contact as a fail-safe check on my own integrity.
"The head of Homicide North," Lehnnan said. "An old geezer named Goodman. He's so damned smart, I sometimes wonder if he's a double agent for the Eye themselves. His mind jumps ahead of facts just like an Adeptus Exemptus in the Order."
I looked up at the statue of Garibaldi, remembering the old NYU myth that he would pull his sword the rest of the way out of the scabbard if a virgin ever walked through Washington Park. "Tell me more about this Goodman," I said.
("Check out the pair on that chick," a Superman said enthusiastically.
("Watermelons," a second Superman agreed enthusiastically. "And you know how us cullud folk dig watermelons," he added, licking his lips.)
("Skin!" the first cried.)
("Skin!" the second agreed.)
(They slapped palms, and Clark Kent came out of his reverie. Having sampled the Kool-Aid a while earlier, he was beginning to float a little, although not yet aware of what was happening-he just felt a rather unusual tug of memory from his days as an anthropologist, and was deeply concerned with a new insight about the relationship between the black Virgin of Guadalupe, the Greek goddess Persephone, and his own sexual proclivities-and he came out of it with a start, looking at the woman whose breasts had inspired such reverence.)
("Son of a bitch," he said piously, his mouth spreading in a grin.)
Rebecca Goodman left the house at 3 P.M., hauling a shopping cart and walking past the garage. The nearest supermarket was a good ten minutes on foot, and big enough to keep her busy for a half-hour finding what she wanted and getting through one of those checkout lines. I slipped out of the car and walked right to the back of the house, perfectly secure from neighboring eyes in my Bell Telephone overalls.
The kitchen door had an easy slip-lock, and I didn't even need my keys. A playing card did the job, and I was in.
My first thought was to head for the bedroom- the old man from Vienna was right, and that's where you'll find the real clues to a man's character- but one chair in the kitchen stopped me. The vibes were so strong that I closed my eyes and psychometered it according to the difficult Third Alko of the A:.A:». It was Rebecca herself: She had sat there and thought about shooting heroin. It faded fast, before I could read what had stopped her.
The bedroom almost knocked me over when I found it "Who would have thought the old man had so much hot blood in him?" I paraphrased, backing out It was a profan-
ation to read too much in there, and what I did scan was enough. As Miss Mao would say, this man was Tao-Yin (Beta prime in the terminology of the I). No wonder Rob inson kept talking about his "intuition." '
The living room had a statue of the Mermaid of Copenhagen that stopped me. I read it and chuckled; Lord, the hangups we all have.
One wall was a built-in bookcase, but Rebecca seemed to be the reader in the family. I started scanning experimentally and found Saul's vibes on a shelf of detective stories and a Scientific American anthology of mathematical and logical puzzles. The man had no concept of his own latent powers, and thought only in terms of solving riddles. Sherlock Holmes, without even the violin and the dope for relief from all that cortical activity. Everything else went into his marriage, that hothouse bedroom upstairs.
No; there was a sketchpad on the coffee table. His, according to the aura.
I flipped pages rapidly: all detailed, precise, perfectly naturalistic. Mostly faces: criminals he had dealt with professionally, all touched with a perception and compassion that he kept out of his work hours. Trees in Central Park; Nudes of Rebecca, adoration in every line of the pencil. A surprising face of a black kid, with some Harem slum building in the background-another touch of unexpected compassion. Then a switch-the first abstract. It was a Star of David, basically, but he had started adding energetic waves coming out of it, and the descending triangle was shaded-somewhere, in the back of his head, he had been working out the symbolism, and coming amazingly close to the truth. More faces of obvious criminal types. A scene in the Catskills, with Rebecca reading a book under a tree- something wrong, gloom and fear in the shading. I closed my eyes and concentrated: The picture came in with a second woman… I opened my eyes, sweating. It was his first wife, and she had died of cancer. He was afraid of losing Rebecca too, but she was young and healthy. Another man. He thought she might leave him for a younger man. Well, that was the key, then. I flipped a few more pages and saw a unicorn-some more of the unconscious work that went into that erotic Star of David.
A quick scan of Rebecca's books then. Mostly anthropology, mostly African. I took one off the shelf and held it
Eros again, thinly sublimated. The other part of the key. As Hassan i Sabbah X once remarked to me, "Breathes there a white woman with soul so dead, she never yearned for a black in her bed?"
I returned everything to its place carefully and headed for the back door. I stopped in the kitchen to read the chair again, since relapse is as much a part of the syndrome in heroin addiction as in black-lung disease. This time I found what stopped her. If I say love, I'll sound sentimental, and if I say sex, I'll sound cynical. I'll call it pair bonding and sound scientific.