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NO- because even if you think you have it beat even if you think you can work out a reconciliation a separate peace I mean shit the war still goes on No you're only kidding yourself Even say I love Simon and that's all Holly-

wood bullshit you can't really tell in only one week no matter how good it is but even if I love Simon the war goes on as long as we're going around in separate skins White Man Black Man Bronze Man White Woman Black Woman Bronze Woman even if Hagbard claims to have gotten past all that on his submarine it's only because they're under the water and away from the world Out here the bastards are using live ammunition like it says in the old joke Maybe that's the only truth in the world Not the Bibles or poetry or philosophy but just the old jokes Especially the bad jokes and the sad jokes No they're using live ammunition I mean shit they never see me all of them White Man Black Man Bronze Man White Woman Black Woman Bronze Woman they look at me and I'm in their game I have my role I am Black Woman I am never just me No it goes on and on every step upward is a step into more hypocrisy until the game is stopped completely and nobody has found out how to do that No the more Simon says that he does see me the more he's lying to himself No he never makes it with White Woman because she's too much like his mother or some damned Freudian reason like that I mean shit No I can't go on in their game I am going to scream with rage I am going to scream like an eagle I am going to scream in the ears of the whole world until somebody does see me until I am not Black Woman and not Black and not Woman and nothing No nothing justme No they'll say I'm giving up love and sanity Well fuck them fuck them all No I won't turn back the acid has changed everything No at the end of it when I really am me maybe then I can find a better love and a better sanity No but first I have to find me

"Go on." Drake was unsmiling but undisturbed.

"The King of Swords and the Knight of Wands are both very active. You could do all this harmlessly, by becoming an artist and showing this vision of the jungle. You don't have to create it literally and inflict it on your fellow human beings."

"Stop preaching. Just read the cards. You're better at it than I am, but I can see enough to know that there is no such alternative for me. The other wand and the other sword are reversed. I can't be satisfied to do it in symbolic form. I must do it so that everybody is affected by it, not just the few who read books or go to concerts. Tell me what I don't know. Why is the line from the Fool to the Tower completed in the Lovers reversed? I know that I can't love anyone, and I don't believe that anybody else ever does, either-that's more sentiment and hypocrisy. People use each other as masturbating machines and crying towels, and they call it love. But there's a deeper meaning. What is it?"

"Start from the top: Death reversed. You reject Death, so the Fool cannot undergo rebirth and enter the right-hand path when he crosses the Abyss. Therefore: the left-hand path, the destruction of the Tower. There is only one end to that chain of karma, my son. The Lovers means Death, just as Death means Life. You are rejecting natural death, and therefore refusing natural life. Your path will be an unnatural life leading to a death that is against nature. You will die as a man before your body dies. The fire is still self-destructive, even if you turn it outward and use the whole world as a stage for your private Gotterdammerung. Your primary victim will still be yourself."

"You have the talent," Drake said coldly, "but you are still basically a fraud, like everyone in this business. Your worst victim, madam, is yourself. You deceive yourself with the lies that you have so often told others. It's the occupational disease of mystics. The truth is that it doesn't matter whether I destroy myself alone or destroy this planet-or turn around and try to find my way to the right-hand path in some dreary monastery. The universe will roll blindly along, not caring, not even knowing. There's no Granddaddy in the clouds to pass a last judgment- there's only a few airplanes up there, learning more and more about how to carry bombs. They court-martialed General Mitchell for saying it, but it's the truth. The next time around they'll really bomb the hell out of civilian populations. And the universe won't know or care about that either. Don't tell me that my flight from Death leads back to Death; I'm not a child, and I know that all paths lead back to Death eventually. The only question is: Do you cower before him all your life or do you spit in his eye?"

"You can transcend abject fear and rebellious hatred both. You can see that he is only part of the Great Wheel and, like all other parts, necessary to the whole. Then you can accept him."

"Next you'll be telling me to love him."

"That too."

"Yes, and I can learn to see the great and glorious Whole Picture. I can see all the men defecating and urinating in their trousers before they died at Chateau-Thierry, watching their own guts fall out into their laps and screaming out of a hole that isn't even a mouth any more, as manifestations of that sublime harmony and balance which is ineffable and holy and beyond all speech and reason. Sure. I can see that, if I knock half of my brain out of commission and hypnotize myself into thinking that the view from that weird perspective is deeper and wider and more truly true than the view from an unclouded mind. Go to the quadruple-amputee ward and try to tell them that. You speak of death as a personified being. Very welclass="underline" Then I must regard him as any other entity that gets in my way. Love is a myth invented by poets and other people who couldn't face the world and crept off into corners to create fantasies to console themselves. The fact is that when you meet another entity, either it makes way for you or you make way for it. Either it dominates and you submit, or you dominate and it submits. Take me into any club in Boston and I'll tell you which millionaire has the most millions, by the way the others treat him. Take me into any workingman's bar and I'll tell you who has the best punch in a fistfight, by the way the others treat him. Take me into any house and I'll tell you in a minute whether the husband or the wife is dominant. Love? Equality? Reconciliation? Acceptance? Those are the excuses of the losers, to persuade themselves that they choose their condition and weren't beaten down into it. Find a dutiful wife, who truly loves her husband. I'll have her in my bed in three days, maximum. Because I'm so damned attractive? No, because I understand men and women. I'll make her understand, without saying it aloud and shocking her, that the adultery will, one way or another, hurt her husband, whether he knows about it or not. Show me the most servile colored waiter in the best restaurant in town, and after he's through explaining Christianity and humility and all the rest of it, count how many times a day he steps into the kitchen to spit in his handerchief. The other employess will tell you he has a 'chest condition.' The condition he has is chronic rage. The mother and the child? An endless power struggle. Listen to the infant's cry change in pitch when Mother doesn't come at once. Is that fear you hear? It's rage- insane fury at not having total dominance. As for the mother herself, I'd wager that ninety percent of the married women in the psychiatrists' care are there because they can't admit to themselves, can't escape the lie of love long enough to admit to themselves, how often they want to strangle that monster in the nursery. Love of country? Another lie; the truth is fear of cops and prisons. Love of art? Another lie; the truth is fear of the naked truth without ornaments and false faces on it. Love of truth itself? The biggest lie of alclass="underline" fear of the unknown. People learn acceptance of all this and achieve wisdom? They surrender to superior force and call their cowardice maturity. It still comes down to one question: Are you kneeling at the altar, or are you on the altar watching the others kneel to you?"