"I'll know," said the voice.
Hagbard slashed his hand through the air disgustedly. "You're so fucking superior."
"Who are you talking to?" said George.
"Howard."
The voice said, "I've never seen machines like this before. They look something like crabs. They've just about got the temple all dug up."
"When the Illuminati do something on their own, they go first class," said Hagbard.
"Who the hell is Howard?" said George.
"It's me. Out here. Hello, Mr. Human," said the voice. "I'm Howard."
Unbelieving, yet knowing quite well what was happening, George slowly turned his head. The dolphin appeared to be looking at him.
"How does he talk to us?" said Hagbard.
"He's swimming alongside the prow of the submarine, which is where we pick up his voice. My computer translates from Delphine to English A mike here in the control room sends our voices to the computer which translates into Delphine and broadcasts the correct sounds through the water to him."
"Lady-oh, oh de-you-day, a new human being has come my way," Howard sang. "He has swum into my ken. I hope he's one of the friendly men."
"They sing a lot," said Hagbard. "Also recite poetry and make it up on the spot. A large part of their culture is poetry. Poetics and athletics- and, of course, the two are very closely related. What they do mostly is swim, hunt, and communicate with each other."
"But we do all with artful complexity and rare finesse," said Howard, looping the loop outside.
"Lead us to the enemy, Howard," said Hagbard.
Howard swam out in front of them, and as he did so, he sang:
Right on, right on, a-stream against the foe
The sallying schools of the Southern seas make their
course to go. Attack, attack, with noses sound as rock
No shark or squid can shake us loose or survive our dour shock.
"Epics," said Hagbard. "They're mad for epics. They have their whole story for the past forty thousand years in epic form. No books, no writing- how could they handle pens with their fins, you know? All memorization. Which is why they favor poetry. And their poems are marvelous, but you must spend years studying their language before you know that. Our computer turns their works into doggerel. It's the best it can do. When I have the time, I'll add some circuits that can really translate poetry from one language to another. When the Porpoise Corpus is translated into human languages, it will advance our culture by centuries or more. It will be as if we'd discovered the works of a whole race of Shakespeares that had been writing for forty millennia."
"On the other hand," said Howard, "your civilizations may be demoralized by culture shock."
"Not likely," said Hagbard grumpily. "We've a few things to teach you, you know."
"And our psychotherapists can help you over the anguish of digesting our knowledge," said Howard.
"They have psychotherapists?" said George.
"They invented psychoanalysis thousands of years ago as a means of passing the time on long migrations. They have highly complex brains and symbol-systems. But their minds are unlike ours in very important ways. They are all in one piece, so to speak. They lack the structural differentiation of ego, superego, and id. There is no repression. They are fully aware, and accepting, of their most primitive wishes. And conscious will, rather than parent-inculcated discipline, guides their actions. There is no neurosis, no psychosis among them. Psychoanalysis for them is an imaginative poetic exercise in autobiography, rather than a healing art. There are no difficulties of the mind that require healing."
"Not quite true," said Howard. "There was a school of thought about twenty thousand years ago that envied humans. They were called the Original Sinners, because they were like the first parents of your human race who, according to some of your legends, envied the gods and suffered for it. They taught that humans were superior because they could do many more things than dolphins. But they despaired, and most ended up by committing suicide. They were the only neurotics in the long history of porpoises. Our philosophers mostly hold that we live in beauty all the days of our lives, as no human does. Our culture is simply what you might call a commentary on our natural surroundings, whereas human culture is at war with nature. If any race is afflicted, it is yours. You can do much, and what you can do, you must do. And, speaking of war, the enemy lies ahead."
In the distance George could make out what appeared to be a mighty city rising on hills surrounding a deep depression which must have been a harbor when Atlantis was on the surface. The buildings marched on and on as far as the eye could see. They were mostly low, but here and there a square tower reared up. The sub was heading for the center of the ancient waterfront. George stared at the buildings; he was able to see them better now. They were angular, very modern in appearance, whereas the other city they'd flown- sailed- over had a mixed Greek-Egyptian-Mayan quality to its architecture. Here there were no pyramids. But the tops of many of the structures were broken off, and many others were heaps of rubble. Still, it was remarkable that a city which had sunk so many thousands of feet to the bottom of the ocean in the course of what must have been an enormous earthquake should be this well preserved. The buildings must be incredibly durable. If New York went through a catastrophe like that there'd be nothing left of its glass-and-alloy skyscrapers.
There was one pyramid. It was much smaller than the towers around it. It gleamed a dull yellow. Despite its lack of height, it seemed to dominate the harbor skyline, like a squat, powerful chieftain in the center of a circle of tall, slender warriors. There was movement around its base.
"This is the city of Peos in the region of Poseida," said Hagbard, "and it was great in Atlantis for a thousand years after the hour of the Dragon Star. It reminds me of Byzantium, which was a great city for a thousand years after the fall of Rome. And that pyramid is the Temple of Tethys, goddess of the Ocean Sea. It was seafaring that made Peos great. I.have a soft spot in my heart for those people."
Crawling around the base of the temple were strange sea creatures that looked like giant spiders. Lights flashed from their heads and glinted on the sides of the temple. As the submarine swept closer, George could see that the spiders were machines, each with a body the size of a tank. They appeared to be excavating deep trenches around the base of the pyramid.
"Wonder where they had those built," muttered Hagbard. "Hard to keep innovations like that a secret."
As he spoke, the spiders stopped whatever work they were doing around the pyramid. There was no motion among them at all for a moment Then one of them rose up from the sea bottom, followed by another, and another. They formed quickly into a V shape and started toward the submarine like a pair of arms outstretched to seize it. They picked up speed as they came.
"They've detected us," Hagbard growled. "They weren't supposed to, but they have. It never pays to underestimate the Illuminati. All right, George. Button up your asshole. We're in for a fight."
At that moment but exactly two hours earlier on the clock, Rebecca Goodman awoke from a dream about Saul and a Playboy bunny and something sinister. The phone was ringing (was there a pyramid in the dream?-she tried to remember- something like that) and she reached groggily past the mermaid statue and held the receiver to her ear. "Yes?" she said cautiously.
"Put your hand on your pussy and listen," said August Personage. "I'd like to lift your dress and-" Rebecca hung up.
She suddenly remembered the hit when the needle went in, and all those wasted years. Saul had saved her from that, and now Saul was gone and strange voices on the phone talked of sex the way addicts talked of junk. "In the beginning of all things was Mummu, the spirit of pure Chaos. In the beginning was the Word, and it was written by a baboon." Rebecca Goodman, twenty-five years old, started to cry. If he's dead, she thought, these years have been wasted, too. Learning to love. Learning that sex was more than another kind of junk. Learning that tenderness was more than a word in the dictionary: that it was just what D. H. Lawrence said, not an embellishment on sex but the center of the act. Learning what that poor guy on the phone could never guess, as most people in this crazy country never guessed it. And then losing it, losing it to an aimless bullet fired from a blind gun somewhere.