He stood up and placed the palm of his hand flat against an oak panel which immediately slid to one side, revealing a winding metal staircase. Drake leading the way, the four of them descended what seemed to George five stories to a door with a combination lock. Drake opened the door and they passed through a series of other chambers, ending up in a large underground garage. The Gold amp; Appel truck was there and beside it the four statues, freed of their crates. There was no one in the room.
"Where did everybody go?" said Jung.
"They're Sicilians," said Drake. "They saw these and were afraid. They did the job of uncrating them and left." His face and Maldonado's wore a look of awe. Jung's craggy features bore an irritated, puzzled frown.
"I'm beginning to feel that I've been left out of a lot," he said.
"Later," said Maldonado. He took a small jeweler's glass out of his pocket and approached the nearest statue. "This is where they got the idea for the great god Pan," he said. "But you can see the idea was more complicated twenty thousand years ago than two thousand." Fixing the jeweler's glass in his eye, he began a careful inspection of a glittering hoof.
At the end of an hour, Maldonado, with the help of a ladder, had gone over each of the four statues from bottom to top with fanatical care and had questioned George about the manner of their seizure as well as what little he knew of their history. He put his jeweler's glass away, turned to Drake and nodded.
"You got the four most valuable pieces of art in the world."
Drake nodded. "I surmised as much. Worth more than all the gold in all the Spanish treasure ships there ever were."
"If I have not been dosed with a hallucinogenic drug," said Richard Jung, "I gather you are all saying these statues come from Atlantis. I'll take your word for it that they're solid gold, and that means there's a lot of gold there."
"The value of the matter is not worth one one ten-thousandth the value of the form," said Drake.
"That I don't see," said Jung. "What is the value of Atlantean art if no reputable authority anywhere in the world believes in Atlantis?"
Maldonado smiled. "There are a few people in the world who know that Atlantis existed, and who know there is such a thing as Atlantean art. And believe me, Richard, those few got enough money to make it worth anyone's while who has a piece from the bottom of the sea. Any one of these statues could buy a middle-sized country."
Drake clapped his hands with an air of authority. "I'm satisfied if Don Federico is satisfied. For these and for four more like them- or the equivalent if four such statues simply don't exist- my hand is joined with the hand of the Discordian movement. Let us go back upstairs and sign the papers- in pen and ink. And then, George, we would like you to be our guest at dinner."
George didn't know if he had the authority to promise four more statues, and he was certain that total openness was the only safe approach with these men. As they were climbing the stairs, he said to Drake, who was above him, "I wasn't authorized by the man who sent me to promise anything more. And I don't believe he has any more at the moment, unless he has a collection of his own. I know these four statues are the only ones he captured on this trip."
Drake let out a small fart, an incredible thing, it seemed to George, for the leader of all organized crime in the United States to do. "Excuse me," he said. "The exertion of these stairs is too much for me. Would love to put in an elevator, but that wouldn't be as secure. One of these days my heart will give out, going up and down those stairs." The fart smelled moderately bad, and George was glad when he had climbed out of its neighborhood. He was surprised that a man of Drake's importance would acknowledge that he farted. Perhaps that kind of straightforwardness was a factor in Drake's success. George doubted that Maldonado would admit to a fart. The Don was too devious. He was not your earthy sort of Latin- he was paper-thin and paper-pale, like a Tuscan aristocrat of attenuated bloodline.
They reentered Drake's office, and Drake and Maldonado each signed the parchment scroll. After the phrase, "for valuable considerations received," Drake inserted the words, "and considerations of equal value yet to come."
He smiled at George. "Since you can't guarantee the additional objects, I'll expect to hear from your boss within twenty-four hours after you leave here. This whole deal is contingent upon the additional payment from you."
ORGASM. HER BUBBIES FRITCHID BY THE GYNING DEEP SEADOODLER.
All in a lewdercrass chaste for a moulteeng fawkin. In fact, hearing Drake say that he was to be leaving the Syndicate fortress made George feel a bit better. He signed in behalf of the Discordians and Jung signed as a witness.
Drake said, "You understand, there is no way the organizations which Don Federico and I represent can be bound by anything we sign. What we agree to here is to use our influence with our many esteemed colleagues and to hope that they will grant us the favor of cooperation in the mutual enterprise."
Maldonado said, "I couldn't have said it better myself. We, of course, personally pledge our lives and our honor to further your purposes."
Robert Putney Drake took a cigar out of a silver humidor. Slapping George on the back, he shoved the cigar into his mouth. "You know, you're the first hippie I've ever done business with. I suppose you'd like to have some marijuana. I don't keep any around the house, and as you probably know we don't deal much in the stuff. Too bulky to transport, considering the amount you can make on it. Aside from that, I think you'll like the food and drink here. We'll have a big dinner and some entertainment."
The dinner was steak Diane, and it was served to the four men at a long table in a dining room hung with large, old paintings. They were waited on by a series of beautiful young women, and George wondered where the gang leaders kept their wives and mistresses. In some sort of pur-dah, perhaps. There was something Arabic about this whole setup.
During the main course a blonde in a long white gown which left one breast bare played the harp in a corner of the room and sang. There was conversation with the coffee; four young women sat down briefly with the men and regaled them with witticisms and funny stories.
With the brandy came Tarantella Serpentine. She was an amazingly tall woman, at least six feet two, with long blond hair that was piled high on her head and fell below her shoulders. She was wearing tinkling gold bracelets around her wrists and ankles, and there were diaphonous veils wrapped around her slender body, and nothing else. George could see pink nipples and dark crotch hair. When she strode through the door Banana-Nose Maldonado wiped his mouth with his napkin and began applauding gleefully. Robert Putney Drake smiled proudly and Richard Jung swallowed hard.
George just stared. "The star of our little rural retreat," said Drake by way of introduction. "May I present- Miss Tarantella Serpentine." Maldonado's applause continued, and George wondered if he should join in. Music, Oriental but with a touch of rock, flooded the room. The sound reproduction equipment was excellent, nigh perfect. Tarantella Serpentine began to dance. It was a strange, hybrid sort of dance, a synthesis of belly-dancing, go-go, and modern ballet. George licked his lips and he felt his face get warm and his penis begin to throb and swell as he watched. Tarantella Serpentine's dance was even more sensuous than the dance Stella Maris had done when he was being initiated into the Discordian movement.
After she had done three dances, Tarantella bowed and left. "You must be tired, George," said Drake, resting his hand on George's shoulder.
Suddenly, George realized he had been going on almost no sleep except for the times he'd dozed off in the car on the way from Mad Dog to the Gulf. He had been under incredible physical, and even more important, emotional pressure.
He agreed that he was tired, and, praying that he would not be murdered in his sleep, he let Drake lead him to a bedroom.