This appeared to pique Newbury’s interest. He raised one eyebrow, and Veronica caught another glimpse of the old gleam in his eyes. “What brings us to this most dreadful of places, dear Charles?”
“A body. What else would it be?” snapped Bainbridge in a condescending tone.
Veronica rolled her eyes. “I’m not sure this is helping, Sir Charles…” It was clear to her that he was deeply concerned for his friend, but was far too reserved to be able to express it by any means other than frustration. Newbury would understand this, of course, but had always enjoyed baiting the older man. Recently, this combination had proved rather more explosive than was healthy for either of them.
Bainbridge sighed, relenting. “Yes. I need you to see this body, Newbury.”
Newbury grinned. The colour seemed to be returning to his cheeks. “To establish a cause of death?”
“No. To identify the victim.”
Newbury ran a hand over his bristly chin. “Very well. Lead on, then!”
Veronica couldn’t help feeling relieved at the enthusiasm evident in his voice-even if it was enthusiasm for a corpse.
The morgue was cold and unwelcoming. Veronica felt a chill pass down her spine as she stepped over the threshold and through the double doors. Or perhaps it was something more. Trepidation? Fear? Unease? She’d never felt comfortable around corpses and she hoped she never would. She’d seen plenty of them in her time-even taken a life in the course of duty-but something about seeing a human body laid out in such a way filled her with a terrible sense of dread. She hated how a person-a living, breathing, intelligent person-could be reduced to this, to nothing but an unmoving mass of flesh; how all that potential could so easily be invalidated. It was as if everything they stood for, everything they’d experienced or seen or had yet to see were suddenly worth nothing. All their deeds and loves and foibles: all of them amounting to this. A slab of meat on a slab of stone, ready to be butchered. Sometimes, seeing a corpse like that made her wish she hadn’t lost her faith in God. Living in a Godless universe could be bleak and dark, and the reality of death was a black cloud that scared her more than anything else in the world. Fear, however, could not distract her from what she saw as an ultimate truism: that God did not, and never had, existed.
Other times she wished she could be more like Newbury, able to disassociate himself from his emotions, to examine a corpse and see a puzzle there, to look past the dead person to the mystery beneath. But, truthfully, she was glad she was still shocked by such sights, and glad that she had not become so cynical or worn down by her experiences that they were now merely commonplace to her.
This, she mused, was one of those days. She wanted dearly to be anywhere but in the morgue, anywhere away from the stench of death and decay and the sight of bloated, festering corpses and the remains of people who had met untimely ends.
So when the tall, thin mortuary attendant ushered the three of them inside, giving Veronica the most disdainful of looks, she almost wished she could find an excuse to wait outside. But she knew that was out of the question and refused to bow to stereotypes. She would steel herself and press on. It was, after all, only flesh and blood. The dead people themselves had no further need of it.
The mortuary attendant-so pale himself that he could quite easily have passed for one of the corpses-looked down his nose at Newbury, then turned towards Bainbridge, raising a disapproving eyebrow. “Sir Charles. Another most irregular visit. How can I be of assistance to you and your… associates?” His voice was reedy and nasal. He held his hands out before him, his fingertips pressed together to form a spire before his chest.
Bainbridge pursed his lips and Veronica saw his knuckles whiten on the handle of his cane. For a minute she thought the chief inspector might strike the insolent fellow, but he managed to restrain himself. “You can help, my dear fellow ”-he exaggerated those last three words to indicate his impatience with the man-“by taking me and my associates to see the unidentified body that was brought in by my men two nights ago.” He twitched his moustache testily.
“The young man in the suit? The suspected criminal?” The mortuary attendant seemed incredulous, as if he couldn’t quite understand how the three people before him could want to sully themselves with such distasteful business.
Bainbridge glowered but did not respond.
After a moment, the mortuary attendant shrugged. “If you’d care to follow me.” He turned, holding his head high, and strode off into the labyrinthine warren of corridors that sprang from the reception area, his footsteps echoing loudly off the tiled walls.
Bainbridge set out after the attendant, and Veronica followed with Newbury, sliding her arm under his, supporting him as they walked. It was as much for her own comfort as for his, of course-as they wound their way deeper into the building, beneath the acid glow of the lamps and the gleaming, tiled archways, she felt a knot tightening in her stomach.
The place was filled with the stink of blood and faeces, the tang of iron. As they walked, Veronica became aware of the atrocious sounds of the surgeon’s art: the rasp of a bone saw, cutting through the voiceless dead. The sound of fluid spattering on tiles. A man coughing and spitting. The wet thump of an amputated limb dropping to the floor.
She clutched Newbury’s arm a little tighter. For the first time that day, he turned towards her and she actually felt that he was seeing her. He patted her hand, took a deep breath, and seemed to grow in stature. It was as if being needed was somehow enough to rejuvenate him, to refresh him. As if it were the lifeblood that sustained him, imbued him with vigour. Was it neglect, then, that had driven him to such terrible depths? Was it loneliness?
It seemed Bainbridge had been right, whatever the reasons. What Newbury needed was a good mystery, some solid work. She wondered what he would make of the chief inspector’s little puzzle.
The mortuary attendant led them to a quiet corner of the morgue, where the body they had come to examine was laid out on a marble slab and covered in a thin white shroud. It was cool in the morgue, but the cadaver had already started to smell. Veronica wrinkled her nose in disgust. She hoped that Newbury wouldn’t want to do anything more invasive or prolonged than take a quick look.
“If you have no further need of me…?” said the mortuary attendant in his snide, reedy voice. Bainbridge offered him a curt nod in reply, and, with a haughty expression, he turned about and left the room.
Newbury turned to smile at Veronica, then extracted his arm and approached the slab. He hovered for a few seconds by the side of the body. “So, Charles. What’s the story?”
Bainbridge frowned, as if unsure where to begin. “He was found on Shaftesbury Avenue, the night before last. Lying in the gutter. No obvious cause of death.” He shrugged. “There are some… confusing circumstances. Take a look-see if you recognise the poor beggar.”
Newbury wiped his brow with his shirtsleeve. He was sweating despite the chill. Veronica wondered if that had something to do with the opium he’d imbibed this morning, or if his body was already beginning to crave more.
Gently, Newbury took hold of the shroud and peeled it back, slowly revealing the body beneath. Veronica blanched at the sight of the waxy, bloated face, its eyes still open and staring, but now milky and sunken. The corpse had been stripped by the police surgeons and looked pale in the harsh yellow glow of the lamplight.
Newbury walked slowly around the slab, poking and prodding the body, spending a minute or two examining the face, rolling the corpse onto its side so that he could take a look at the dead man’s back. His expression gave very little away.
After a minute or two more, he stepped back from the slab and looked directly at Bainbridge. “Clearly, Charles, this is Edwin Sykes. I’m sure there are a hundred men who could have corroborated that for you. Why drag me halfway across London to see his corpse?”