His body is the doorway, he heard the Impaler say, and Markham stepped back in numb horror—the lion’s head falling to the floor, his eyes glued to the temple doors at Kutha. His partner was sitting beneath them with his head cut off.
That’s what the chains were for, he said to himself, his mind reeling. The son of a bitch gutted and beheaded him—beheaded others, too. Their bodies are the doorway through which he speaks to the lion god in Hell!
Markham’s chest grew heavy with sorrow and with rage, but he continued to back away—out of the room and into the hallway, where he hit his shoulder against another doorjamb. Turning, impulsively he reached inside—pins and needles shooting through his fingers as he found the light switch.
The scene in this room made the one across the hall look like a Disney movie—the dentist’s chair, the newspaper articles on the walls, the blood everywhere—dear God, it was worse than he could have ever imagined!
This is where they are sacrificed! Markham thought, and the sight of the leg brackets at the bottom of the chair sent a wave of nausea through his stomach. He could hear them screaming: the Impaler’s victims—Donovan, Canning—but Andy Schaap was with them, too. Yes, the blood on the chair was still fresh; appeared wet and glistening in the light from the single overhead bulb. Had the Impaler murdered his partner while Markham was unconscious?
For the briefest of moments the thought of it threatened to drive him insane, when suddenly he heard more screaming and thumping above his head—farther away now, from another part of the house. Markham spun around—registered the large 9:3 and 3:1 taped to either side of the doorway—and quickly made his way to the opposite end of the passageway. He found the cellar stairs; found the light switch there, too, and flicked it—his stomach sinking when he saw the heavy steel door staring down at him.
Then he saw the trail of blood leading up to it.
But Sam Markham did not pause. And without thinking he rushed up the stairs, his hammer poised to strike even as he assured himself that he would have to go back to the workroom for something bigger to break down the door.
Chapter 87
Cindy cried for help again and again as Edmund carried her down the hallway—her screams echoing in the emptiness as he kicked open a door and threw her down on the bed. The room was dark, but a shaft of light cut across the bed from somewhere to her right—the outline of a doorway and the wall of another hallway beyond.
Without thinking she scrambled toward it—then thwack!—a hard backhand across her cheekbone sent her flying onto the bed, the room at once turning from black to bright orange pain.
“Edmund, please,” Cindy cried, holding her face. “Don’t do this!”
Edmund passed through the shaft of light and disappeared back into the shadows—a belt unbuckling and the sound of it hitting the floor. Cindy screamed, but in a flash Edmund was on top of her, his breath hot and foul on her mouth as she struggled against his nakedness. He was incredibly strong, and with one hand he pinned her wrists above her head while the other tore at the zipper of her jeans. She could hardly breathe.
“No,” she managed to squeak out, and Edmund stopped.
“Not here,” he whispered. “Not on Mama’s bed.”
He left her, and Cindy gasped for air—had little time to move before she felt the cold barrel of his gun under her jaw. She was being lifted off the mattress, was being pushed toward the light.
“Carry that rope for me,” Edmund growled. Then the light, the hallway—not a hallway, Cindy realized, but a long and narrow closet with stairs at the end—rushed past her in a blur. In her terror, she seemed to arrive at the top of the stairs in a single bound. But what she saw there sent her spinning, made her legs feel like electric spaghetti.
It was Bradley Cox.
I HAVE RETURNED! George Kiernan cried out from the theater in her mind, and Cindy felt as if she would vomit. But there was no time to vomit—not even time to scream—for Edmund scooped her up and hurled her across the room.
She landed on the floor in a crack of crushing pain. Her elbow, her left arm had to be broken—but she could not cry out, her mouth twitching like a fish out of water as her lungs went into spasm.
Edmund came for her again, set down his gun on the floor, and stood over her roaring loudly. It was the sheer terror of that roar that finally brought her wind back; but before Cindy could scream, Edmund Lambert was upon her, tearing off her blouse.
“Edmund, please,” she whimpered, trying to rake her nails across his cheek. She felt no pain now, could even move both her arms, but Edmund Lambert was too quick and too strong for her—only snarled and grabbed her by the wrists and pinned her hands behind her head as he buried his face between her breasts.
Then she felt his teeth sink into her flesh.
Cindy thought for the briefest of moments that she had been teleported outside her body—watched the scene below as if from the attic ceiling, and thought it strange when she heard the girl on the floor howl like a coyote. But then came the pain, and in a lightning strike of unimaginable agony she was back inside her body and staring up at the twisted visage of her attacker.
He was chewing.
Dear God! she cried out in her mind, the blood running warm across her chest. He’s going to eat me alive!
“My body is the doorway,” Edmund said. And then he swallowed.
Cindy’s muscles went rigid and the room began to spin. And amid a swirling kaleidoscope of pain, she could hear a young woman begging God to make him stop.
But as Edmund Lambert sank his teeth again and again into her flesh, a voice that sounded a lot like her father’s told her that God was busy elsewhere.
Chapter 88
The taste of the goddess’s flesh was indescribably delectable—sent shock waves throughout his entire body—and brought with it the chorus of the god’s return.
C’est mieux d’oublier! C’est mieux d’oublier!
The General saw it all so clearly now. There was no need for the lion’s head. The Prince had made that clear when he came through the doorway—a flash of revelation that was for the General both momentary and endless.
And now the Prince had transported them both back in time. No, the General understood—outside time. They were still in the attic, yes, but also in the Underworld palace of Ereshkigal, their surroundings both familiar and strange—the stone pillars, the high vaulted ceilings, the lush fabrics that adorned the goddess’s bed chamber. And there on the other side of the room was the bathtub in which the goddess had let the Prince glimpse her nakedness for the first time.
The General could feel the eyes of the dead, the eyes of the other gods on his back. But his mother was there, too—hanging by her neck from the rafters, watching him. And there was the little boy looking up at her, smiling with under- standing as the lines of the impaled stretched out along the road as far as he could see. There was no fear now. Only the end of the road; only the temple at Kutha and the hordes of worshippers calling his name; the battlefields and the souls of the impaled rising in the smoke to join with him in the stars.