THE INFORMATION

In any event Richard was persisting in the belief that a rewarding experience lay ahead of him, despite his immediate discomforts, despite his adhesive doubts about Bold Agenda, Inc., and despite the pillow of crimson tissue paper that he clutched to his face. Soon after take off, while the plane was still climbing, about a period's worth of blood had burst from his right nostril. Now, as he settled down with his beer and his biography, and looked forward to the lunch that was edging ever nearer, about a period's worth of blood burst from his left nostril. Richard's nose, it seemed, was once again a reliable instrument; it just happened to contain a gallon of restless gore. He bent and squeezed

himself toward the aisle, past the child, its single parent, and another,

older child, and joined the queue for that most despised section of the aircraft, Toilet World-deep in the machine's rump. After his first visit there he had rested on the haunch of the emergency-exit door andlooked down at the rink of London and tried to connect it with his own journey from home to airport in the silver courtesy car so affably skippered by Gwyn: that staggered sideways drift through the pale and permanent Sunday of west West London with its patches of green beneath patches of gray, past files of houses tortured by the road you drove; then the ground thinned and flattened in preparation for the netherlands of sky launch (freight, catering), while above a quivering crucifix was spearing down toward you, with its arms out to get you, and screaming at you with its machine scream. "America will kill me," he had said to Gina, on the doorstep, smiling but hot-eyed, and the fine-grained hair of his sons' heads feeling hot beneath his hands-"It's just going to kill me."

Half an hour later Richard emerged, leaving behind a toilet resembling the kitchen of a serial murderer in slapdash but hyperactive career phase; bent over the basin, he had started like a guilty thing when the PA system identified him by name and demanded that he make himself known to the cabin staff. A few last bubbly snorts into the paper towels, and then he squelched his way out of there. In the aisle he saw that a stewardess was coming toward him, looking to left and right and dutifully saying,

"A Mr. Tull? A Mr. lull. A Mr. Tull at all?"

He watched her. He knew her. He had already singled her out for attention. And we are inclined to speculate whether anyone would really want this-Richard's attention. She was the stewardess who, before takeoff, had been obliged to demonstrate the safety procedure, standing a few feet from Richard's knees. Normally of course the task would have been assigned to a surrogate: to the electronic stewardess on the video screen. But the image had fluttered and stalled; and so, in some bewilderment, they'd all had to settle for the real thing. The stewardess, and her sign language-the hard old dame of the middle air, nearing retirement, her systems warped by the magnetosphere, and by disuse (he understood disuse), like a madam summoned out of deep retirement for the last thing she wanted, going through the motions with the hand stroke, the knee bend-the cursey curtseys of the stewardess.

"A Mr. Tull? A Mr. Tull at all."

This too was the language of the air, this was airspeak; no one on terra firma would ever talk like that. But to Richard's ears, still papery with blood loss, it seemed well said. A Mr. Tull. A Mr. Tull at all.

He owned up.

The stewardess escorted him down the length of Economy, and then another stewardess escorted him through Business World; he ducked under a curtain, and then another stewardess led him into First. As hemade this journey, this journey within a journey, getting nearer to America, Richard looked to see what everyone was reading, and found that his progress through the plane described a diagonal of shocking decline. In Coach the laptop literature was pluralistic, liberal, and humane: Daniel Deronda, trigonometry, Lebanon, World War I, Homer, Diderot, Anna Karenina. As for Business World, it wasn't that the businessmen and businesswomen were immersing themselves in incorrigibly minor or incautiously canonized figures like Thornton Wilder or Dostoevsky, or with lightweight literary middlemen like A. L. Rowse or Lord David Cecil, or yet with teacup-storm philosophers, exploded revisionist historians, stubbornly Steady State cosmologists or pallid poets over whom the finger of sentimentality continued to waver. They were reading trex: outright junk. Fat financial thrillers, chunky chillers and tublike tinglers: escape from the pressures facing the contemporary entrepreneur. And then he pitched up in the intellectual slum of First Class, among all its drugged tycoons, and the few books lying unregarded on softly swelling stomachs were jacketed with hunting scenes or ripe young couples in mid swirl or swoon. They all lay there flattened out in the digestive torpor of midafternoon, and nobody was reading anything-except for a lone seeker who gazed, with a frown of mature skepticism, at a perfume catalogue. Jesus, what happened on the Concorde? Scouring the troposphere at the limit of life, and given a glimpse of the other side-a glimpse of what the rest of the universe almost exclusively consisted of (unpunctuated vacuum)-the Mach 2 morons would be sitting there, and staring into space. The space within. Not the space without. In the very nib of the airplane sat Gwyn Barry, who was reading his schedule.

"Hi," said Richard.

Gwyn pulled a lever which caused him to surge up from the supine to the sedentary. He pointed to a little bulkhead table. Richard sat on it, next to the vase of tulips. There were posies everywhere, here in First.

"How are you doing?" said Gwyn. And his eyes returned to his schedule: six or seven sheets, with many a box and bullet-punch, and highlit and color-coded-TV, radio, press. "Wow, they've really got me grid-locked in LA," he went on. "It's all the interest leaking down from San Francisco. Look at that. How can I do the Chronicle and then Pete Ellery back to back?" He turned to Richard as if he expected an answer. Then he said, "What have your people got lined up for you?"

"I told you. My editor moved on, They've given me some other

Chuck or Chip." And it was true. Roy Biv, Richard's editor-so full of enthusiasm and ideas-had moved on from Bold Agenda, and every time Richard called he got shuffled around from Chip to Chuck, from Chuckto Chip. "Is Chuck there?" You mean Chip. "Then give me Chip." You ?want Chuck. And they were never there. Richard couldn't decide whether Chuck and Chip were the same person (like Darko and Ranko), who was permanently absent, or whether both Chip and Chuck were the inventions of a third person called something like Chup or Chick. The only editor he ever got through to, these days, was an inoffensive-sounding guy who went by the name of Leslie Evry.

Gwyn said, "So what have they got lined up?"

"I said. I won't know till I get there."

"But this is America, man! You got to get out there. You got to go for it."