Our cognacs arrived. She picked hers up and drank some.
‘Do you like it?’ I asked.
‘It’s great.’ She leaned over, kissed me again. ‘Maybe we can try it out tonight.’
‘Is your car here?’ I asked.
‘Yeah. It’s outside.’
I drained my glass. ‘Let’s drive somewhere.’
We drove east, through the city. She talked about her car — what make it was, where she’d got it from, how many times she’d crashed in it. It was old and pretty beaten-up, but she loved it. The crack in the back window, for instance. That was one of the reasons she’d bought the car; she thought it looked just like some gangster’s bullet hole. She had a mascot, too — a plastic doll, which hung from the rear-view mirror. I reached up, touched the doll. I hadn’t noticed it the first night. My eyes must have been too occupied with her.
‘Her name’s Doris,’ Nina said. ‘She’s got the best tits in the city.’
‘Second-best,’ I said.
‘You wouldn’t say that if you could see her nipples. They’ve got red lights in them.’ Nina was grinning.
Suddenly she turned off the road and stopped the car.
‘Let’s do it here.’
I looked round. ‘Where are we?’
‘Nowhere. Just a car-park.’
She moved closer to me and we kissed. Then she reached down. Her hand found my zip and opened it. Out of the corner of my eye I saw the dark curve of a wheel.
‘What’s wrong?’ she said. ‘Don’t you want to?’
‘It’s not that.’
I told her about the shooting, how it had happened. Then I told her the rest: the months I’d spent in the clinic, the operations, the convalescence. I described the exact path of the bullet. I said the difference between life and death was one millimetre. She was nodding, her dark eyes moving between the empty car-park and my face. I could tell she liked this kind of talk. There was a danger, though. I wanted to tell her everything: the miracle in the gardens, Smulders naked, Nurse Janssen stripping — everything. I felt she might believe me, too. I had a thought that was treacherous and yet seductive: secrets become more powerful if you dilute them just a little.
‘I’ve got an idea,’ she said.
She started the car, turned on the radio. Then we were driving again. She lit a cigarette. The smoke from it flowered against the windscreen.
‘Am I the first person you’ve slept with since it happened?’ she asked me after a while.
I looked at her, but she was watching the road.
‘Yes,’ I said.
‘I can’t take responsibility for you. You know that, don’t you.’
‘Yes, I know that. I’m not asking you to.’ I rested one hand on her shoulder. ‘Don’t worry.’
I turned and stared out of the window. The streets were still foreign to me. Unlit buildings. Wire-mesh fences and abandoned cars. It could have been anywhere.
‘Where are we?’ I said. ‘Where are we going?’
‘There’s a motel about five kilometres from here.’ She crushed her cigarette out in the ashtray and slid the ashtray back into its socket with the heel of her hand. ‘It’s called Motel Cherry.’ She laughed. ‘Do you like motels?’
Motel Cherry was a drab one-storey place, with rows of net-curtained rooms laid out along a strip of tarmac. On one side was a twenty-four-hour restaurant. Long-distance lorry-drivers hunched over cups of coffee. Cooks stood about in soiled white aprons, biting their nails. On the other side, there was a petrol station: ELF or DERV or ERG — the usual prehistoric brand-name. Between the tarmac and the road I could see a line of newly planted trees; they looked starved and grey, unreal.
We walked into reception. The man behind the desk reminded me of my father. The same sense of a life that could not be changed or redefined, a life that had to be endured. I thought of calling my father, but I knew it would only bring grief to the surface. It was like longing for a cigarette: the moment you had it lit, you wondered why you’d wanted it so much.
Almost the first thing Nina said when we were in the room was, ‘I don’t want you to get used to this.’
I looked at the orange bedspread and the yellow walls. ‘You’re right. Next time we should spend a bit more. Go somewhere nice.’
She came up behind me, put her arms around me. She’d taken off her shirt and I could feel her breasts flattening against my back. ‘You know what I mean, Martin.’
I turned and kissed her. I could hear voices through the wall. A man and a woman talking. I thought I heard the word divorce. I began to undo Nina’s jeans, but she pushed away from me.
‘First I want to do something.’ She took my arm and led me to a chair by the window. ‘Sit there, would you?’ She moved back towards the bed.
‘I’d prefer it if the lights were out,’ I said.
‘Like people in the suburbs?’
I smiled. ‘Is that how they do it?’
‘Of course.’ Nina walked to the door and switched the light off, then crossed the room again and climbed on to the bed. ‘Is that better?’
I nodded. ‘Much better.’
I could see her in great detail now; I could even see the tiny golden hairs glinting on her thighs as she eased her jeans down to her ankles. She kneeled among the blankets, facing away from me, her hair falling to the top edge of her shoulderblades. I noticed how her body tapered to her waist, two straight lines converging, then curved outwards suddenly below it. She leaned sideways, supporting herself on one hand while the other reached between her legs. She bent over, her face pressed into the pillow. With two fingers, she pushed her g-string to one side and parted the dark lips beneath it. Her breath caught, as if somebody had startled her.
She rolled, almost toppled, slowly on to her back. Her chin resting on her chest, she watched her left hand drift limp-wristed from one breast to the other, hovering above each nipple in turn, then dipping down to it, the way a humming-bird drinks from a flower.
‘Do you know what I’m doing?’
It was hard for her to keep her voice level. Perhaps that was part of it.
I didn’t answer.
‘You don’t know,’ she said, ‘do you.’
She seemed to favour her right breast, and the touching became rhythmical, repetitive, semi-circular. Her other hand was still hidden between her legs; the arm looked amputated at the wrist.
As she reached her first orgasm, there was a kind of fluttering on the surface of her skin, then her whole body shuddered, as though she was cold suddenly, and her back arched and lifted clear of the bed. Her head was turned towards me, her mouth half-open. She came twice more in that position, watching the man who was sitting on the chair by the window, a man who couldn’t see what she was doing — or so she thought — and yet he was in the room with her, he was close to her, almost close enough to touch. Exhausted, she let her head tip backwards, over the edge of the bed. Her breasts falling softly in opposite directions, the neat pincushion of her pubic hair pushed high above her hip-bones. Her thighs, at a slight angle to each other. Her knees bent, her ankles still loosely bound by the g-string she’d only half-kicked off.
At last she called me to her. I stood up and walked over.
‘You didn’t mind, did you?’ she said.
I didn’t say anything.
‘Now I’m going to do something for you.’ Smiling, she handed me the blindfold I had given her. ‘Tie this over my eyes, would you?’
Later, when she was in the bathroom, I lay on my stomach with my cheek resting on my arm. What had she said? Something about not getting used to this. I listened to the rush of cars on the motorway. You could almost believe you were in the country, with a river running just outside the window.
Towards the end of that week I invited Nina to the Hotel Metropole for dinner. It wasn’t the food or the service that you went there for (they were both mediocre); it was the setting. You entered through a baroque archway laden with gilt from the previous century and draped in swathes of scarlet velvet. The room itself was painted cream and gold. Two storeys high, it had rows of windows looking down on it from other parts of the hotel. There was a stage on one side, with a dance-floor in front of it. The waitresses were always middle-aged, for some reason; they wore white, ruffled blouses and maroon skirts.