The role played by the thank-you letters is more complex. One can only imagine how Priscilla must have suffered at the sight of her bare left hand, ungraced by a wedding ring, repeatedly conjoined with the act of expressing sorrow at her sister's demise. Possibly this was a contradiction Priscilla could not bear. At the same time, the laborious writing may have provided a physiological underpinning for what followed. In any event, her left hand became an offense to her, reminding her of both her unmarried state and her unacceptable wishes.
Three objectives therefore became paramount. First, she must not have such a hand; she must rid herself of a hand that had no wedding ring where a wedding ring should be. Second, she had to punish herself for her wish to replace Mary as Bradley's wife. Third, she had to make the consummation of this wish impossible. Every one of these objectives was accomplished through her hysterical symptoms; the economy with which the unconscious mind performs its work is marvelous. Symbolically speaking, Priscilla rid herself of the offending hand, simultaneously fulfilling her wish and punishing herself for having it. By making herself an invalid, she also ensured that she could no longer take care of Bradley's children or otherwise, as she so tactfully put it, 'make him happy.'
Priscilla's treatment, from start to finish, took all of two weeks. After I reassured her that her wishes were perfectly natural and beyond her control, she not only shed her symptoms but became fairly radiant. News of the invalid s cure spread through Worcester as if the Savior had brought sight to one of Isaiah's blind men. The story people told was this: Priscilla had fallen ill from love, and I had cured her. My placing a palm on her forehead was imbued with all sorts of quasi-mystic powers. While this made my reputation and caused my medical practice to thrive, there were less comfortable consequences too. There came a rush of thirty or forty would-be pyschoanalytic patients to my office, each of whom claimed to be suffering from symptoms disturbingly similar to Priscilla's and all of whom expected a diagnosis of unrequited love and a cure through the laying on of hands.
The train was pulling into City Hall station when I finished. We had to change there for the BRT at Park Row, where an elevated would take us all the way to Coney. No one commented on Priscilla's case, and I began to think I must have made a fool of myself. Brill saved me. He told Freud I deserved to know what 'the Master' thought of my analysis.
Freud turned to me with, I hardly dared to believe it, a twinkle in his eyes. He said that, a few minor points aside, the analysis could not have been improved on. He called it brilliant and asked my permission to refer to it in subsequent work. Brill clapped me on the back; Ferenczi, smiling, shook my hand. This was not the most gratifying moment of my professional life; it was the most gratifying moment of my entire life.
I had never realized how splendid City Hall station was, with its crystal chandeliers, inlaid murals, and vaulted arches. Everyone remarked on it — with the exception of Jung, who suddenly announced that he was not coming with us. Jung had made no comments either during or after my case history. Now he said he needed to get to bed.
'Bed?' Brill asked. 'You went to bed last night at nine.' While the rest of us had retired well past midnight after dining together in the hotel, Jung had gone to his room as soon as we arrived and had not come down.
Freud asked Jung whether he was all right. When Jung replied that it was only his head again, Freud instructed me to take him back to the hotel. But Jung declined assistance, insisting he could easily retrace our steps. Hence Jung took the train back uptown; the rest of us went on without him.
When Detective Jimmy Littlemore returned to the Balmoral Monday evening, one of the doormen had just come on duty. This man, Clifford, had worked the graveyard shift the night before. Littlemore asked if he knew the deceased Miss Riverford.
Apparently Clifford had not received the order to hold his tongue. 'Sure, I remember her,' he said. 'What a looker.'
'Talk to her?' asked Littlemore.
'She didn't talk much — not to me, anyway.'
'Anything special you remember about her?'
'I opened the door for her some mornings,' said Clifford.
'What's special about that?'
'I'm off at six. The only girls you see at that hour are working girls, and Miss Riverford didn't look like a working girl, if you know what I mean. She would have been going out at, I don't know, maybe five, five-thirty?'
'Where was she going?' asked Littlemore.
'Beats me.'
'What about last night? Did you notice anybody or anything unusual?'
'What do you mean unusual?' asked Clifford.
'Anything different, anybody you had never seen before.'
'There was this one fella,' said Clifford. 'Left about midnight. In a big hurry. Did you see that fella, Mac? Didn't look right, if you ask me.'
The doorman addressed as Mac shook his head.
'Smoke?' said Littlemore to Clifford, who accepted the cigarette, pocketing it since he wasn't permitted to indulge on duty. 'Why didn't he look right?'
'Just didn't. Foreigner, maybe.' Clifford was unable to articulate his suspicion with any greater specificity, but he asserted positively that the man did not live in the building. Littlemore took a description: black hair, tall, lean, well dressed, high forehead, mid- to late thirties, wearing glasses, carrying a black case of some kind. The man climbed into a hackney cab outside the Balmoral, heading downtown. Littlemore questioned the doormen for another ten minutes — none remembered Clifford's black-haired man entering the building, but he might well have gone up unremarked with a resident — and then asked where he could find the Balmoral's chambermaids. They pointed him downstairs.
In the basement, Littlemore came to a hot low-ceilinged room with pipes running along its walls and a clutch of maids folding linen. All knew who Miss Riverford's girl was: Betty Longobardi. In whispers, they confided to the detective that he wouldn't find Betty anywhere in the building. She was gone. Betty had left early without saying good-bye to anyone. They didn't know why. Betty was a handful but such a nice girl. She didn't take any lip, not even from the wing manager, the women told Littlemore. Maybe she'd had another fight with him. One of the maids knew where Betty lived. With this information secured, Littlemore turned to go. It was then that he noticed the Chinaman.
Clad in a white undershirt and dark shorts, the man had come into the room carrying a wicker basket overflowing with freshly cleaned sheets. Having deposited the contents of this basket onto a table filled with like items, he was walking out again when he attracted the detective's attention. Littlemore stared at the retreating man's thick calves and sandals. These were not in themselves particularly interesting; nor was his gait, which involved the sliding of one foot after the other. The result, however, was arresting. Two wet stripes were left on the floor in the man's wake, and these stripes were flecked with a glistening dark-red clay.
'Hey — you there!' cried Littlemore.
The man froze, his back to the detective, shoulders hunched. But the next moment he started off again at a run, disappearing around a corner, still carrying his basket. The detective sprang after him, turning the corner just in time to see the man pushing through a pair of swinging doors at the end of a long corridor. Littlemore ran down the corridor, passed through the doors — and gazed out at the Balmoral's cavernous and noisy laundry, where men were laboring at ironing boards, washboards, steam presses, and hand-cranked washing machines. There were Negroes and whites, Italians and Irish, faces of all kinds — but no Chinamen. An empty wicker basket lay on its side next to an ironing board, rocking gently as if recently set down. The floor was thoroughly wet, disguising any tracks. Littlemore pushed up the brim of his boater and shook his head.