After a search for his small metal-rimmed army spectacles, Ross went through the discharge rigmarole with loving attention to detail. We began by destroying the secret compensation contract that Ross and I had signed in this very room almost three years ago and ended by his checking that I had no mess charges unpaid. It had been a pleasure to work with me, Provisional was clever to get me, he was sorry to lose me and Mr Dalby was lucky to have me and would I leave this package in Room 225 on the way out — the messenger seemed to have missed him this morning.
Dalby’s place is in one of those sleazy long streets in the district that would be Soho, if Soho had the strength to cross Oxford Street. There is a new likely-looking office conversion wherein the unwinking blue neon glows even at summer midday, but this isn’t Dalby’s place. Dalby’s department is next door. His is dirtier than average with a genteel profusion of well-worn brass work, telling of the existence of ‘The Ex-Officers’ Employment Bureau. Est 1917’; ‘Acme Films Cutting Rooms’; ‘B. Isaacs. Tailor — Theatricals a Speciality’; ‘Dalby Inquiry Bureau — staffed by ex-Scotland Yard detectives’. A piece of headed note-paper bore the same banner and the biro’d message, ‘Inquiries third floor, please ring.’ Each morning at 9.30 I rang, and avoiding the larger cracks in the lino, began the ascent. Each floor had its own character — ageing paint varying from dark brown to dark green. The third floor was dark white. I passed the scaly old dragon that guarded the entrance to Dalby’s cavern.
I’ll always associate Charlotte Street with the music of the colliery brass bands that I remember from my childhood. The duty drivers and cipher clerks had a little fraternity that sat around in the dispatch office on the second floor. They had a very loud gramophone and they were all brass band fanatics; that’s a pretty esoteric failing in London. Up through the warped and broken floorboards came the gleaming polished music. Fairey Aviation had won the Open Championship again that year and the sound of the test piece reached through to every room in the building. It made Dalby feel he was overlooking Horse Guards Parade; it made me feel I was back in Burnley.
I said ‘Hello, Alice,’ and she nodded and busied herself with a Nescafé tin and a ruinous cup of warm water. I went through to the back office, saw Chico — he’d got a step beyond Alice, his Nescafé was almost dissolved. Chico always looked glad to see me. It made my day; it was his training, I suppose. He’d been to one of those very good schools where you meet kids with influential uncles. I imagine that’s how he got into the Horse Guards and now into WOOC(P) too, it must have been like being at school again. His profusion of long lank yellow hair hung heavily across his head like a Shrove Tuesday mishap. He stood 5ft 11in in his Argyll socks, and had an irritating physical stance, in which his thumbs rested high behind his red braces while he rocked on his hand-lasted Oxfords. He had the advantage of both a good brain and a family rich enough to save him using it.
I walked right through the Dalby Inquiry Bureau and down the back stairs. For this whole house belonged to WOOC(P) even though each business on each floor had its own ‘front’ for our convenience. By 9.40 A.M. each morning I was in the small ramshackle projection room of Acme Films.
The sickly sweet smell of film cement and warm celluloid was so strong that I think they must have sprayed it around. I threw my English B-picture raincoat across a pile of film tins, clean side up, and sank into one of the tip-up cinema seats. As always it was seat twenty-two, the one with the loose bolt, and always by that time I didn’t feel much like moving.
The Rheostat made that horrible squeaking noise. The room lights dimmed tiredly and the little projector clattered into action. A screaming white rectangle flung animated abstract shapes of scratch marks at my eyes, then darkened to a business-like grey flannel suit colour.
In crude stick-on letters the film title said JAY. LEEDS. WARREN THREE. (Warren Three was the authority upon which it was filmed.) The picture began. Jay was walking along a crowded pavement. His moustache was gigantic, but cultivated with a care that he gave to everything he did. He limped, but it certainly didn’t impair his progress through the crowd. The camera wobbled and then tracked swiftly away. The van in which the movie camera had been hidden had been forced to move faster than Jay by the speed of the traffic. The screen flashed white and the next short, titled length began. Some of the films showed Jay with a companion, code-named HOUSEMARTIN. He was a six feet tall handsome man in a good-quality camel-hair overcoat. His hair was waved, shiny and a little too perfectly grey at the temples. He wore a handful of gold rings, a gold watch strap and a smile full of jacket crowns. It was an indigestible smile — he was never able to swallow it.
Chico operated the projector with tongue-jutting determination. Once in a while he would slip into the programme one of those crisp Charing Cross Road movies that feature girls in the skin. It was Dalby’s idea to keep his ‘students’ awake during these viewings.
‘Know your enemies,’ was Dalby’s theory. He felt if all his staff knew the low-life of the espionage business visually they would stand a better chance of predicting their thought. ‘Because he had a picture of Rommel over his bed Montgomery won Alamein.’ I don’t necessarily believe this — but this was what Dalby kept saying. (Personally I ascribe a lot of value to those extra 600 tanks.)
Dalby was an elegant languid public school Englishman of a type that can usually reconcile his duty with comfort and luxury. He was a little taller than I am: probably 6ft 1in or 6ft 2in. He had long fine hair, and every now and then would grow a little wispy blond moustache. At present he didn’t have it. He had a clear complexion that sunburnt easily and very small puncture-type scar tissue high on the left cheek to prove he had been to a German University in ’38. It had been a useful experience, and in 1941 enabled him to gain a DSO and bar. A rare event in any Intelligence group but especially in the one he was with. No citations of course.
He was unpublic school enough to wear a small signet ring on his right hand, and whenever he pulled at his face, which was often, he dragged the edge of the ring against the skin. This produced a little red weal due to excessive acidity in the skin. It was fascinating.
He peeped at me over the toes of his suède shoes which rested in the centre of a deskful of important papers, arranged in precise heaps. Spartan furniture (Ministry of Works, contemporary) punctured the cheap lino and a smell of tobacco ash was in the air.
‘You are loving it here of course?’ Dalby asked.
‘I have a clean mind and a pure heart. I get eight hours’ sleep every night. I am a loyal, diligent employee and will attempt every day to be worthy of the trust my paternal employer puts in me.’
‘I’ll make the jokes,’ said Dalby.
‘Go ahead,’ I said. ‘I can use a laugh — my eyes have been operating twenty-four frames per second for the last month.’
Dalby tightened a shoe-lace. ‘Think you can handle a tricky little special assignment?’
‘If it doesn’t demand a classical education I might be able to grope around it.’
Dalby said, ‘Surprise me, do it without complaint or sarcasm.’
‘It wouldn’t be the same,’ I said.
Dalby swung his feet to the floor and became deliberate and serious. ‘I’ve been across to the Senior Intelligence Conference this morning. Home Office are worried sick about these disappearances of their top biochemists. Committees, subcommittees — you should have seen them over there, talk about Mother’s Day at the Turkish Bath.’