By growing up together and learning how to battle in the arenas had made them as close as brothers could be without the blood ties.
They had been orphaned at an early age at the expense of assassinated family members and brought to the Vatican for resurgence. What they got was a chance to be the crusaders of a modern world — where unity, faith and devotion had become ingrained within their character.
But as children of tragedy it had taken them longer to conform to new surroundings in a new land.
As teens they had grown together, studied together, and learned to fight with faux knives and wooden katanas. They had become exceptionally learned, studying the tomes and eclectic philosophies from such men as Aristotle, Epicurus and Thomas Aquinas. Masterful pieces of art also had their place in the teachings with certain works serving to develop insight by those who could point out and interpret the artistic subtleties of Da Vinci and Michelangelo. For a Vatican Knight it was believed that the development of the mind was equally as important as the body, the two coalescing into a combination that fashioned men of impervious will, staunch character, and the mindset that loyalty was above all else, with the exception of honor.
After classes they were given time to grow as children do and given time to play and, at least to a degree, granted moments of mischievous deeds, which were met with punitive actions. The cardinal saw this as an important element of growth. The punishments meted out as a tool to show them which deeds were acceptable and which were not: The difference between right and wrong.
In times of play they often found an affinity for playing with the pinball machines in the sacristy above St. Peter’s, which were mostly used by the altar boys in training with the Vatican. And as teens they experimented with wine, discovering the worlds of intoxication and hangover, which Bonasero Vessucci thought was punishment enough.
Everything had become a formula for learning and discovering the world within, as well as the world without. And no three people could have learned to become closer in bond then Job, Joshua and Ezekiel.
They had become inseparable.
In a room about 100 meters south of the chamber where the Society of Seven often met to determine missions and teams of the Vatican Knights, was a small armory where the Knights often gathered to choose the best weapon to fit the needs of the assignment. The room was windowless and walled with granite, mortar and limestone. Above them hung bright reservoirs of fluorescent lighting, and an ancient door that was thick and wooden and held together with black iron bands and rivets, which led to a larger room bearing a cache of weapons.
“This is different,” said Job, racking the barrel of a Glock for smooth action and release. “We never fought a phantom before. There was always a face or a name or something to go by.”
“True,” said Ezekiel, “but isn’t that what a Vatican Knight is all about? To be tested?” He held a KA-BAR in his hand and began to spin it with the same ease and skill as a majorette twirling a baton, the knife spinning in blinding revolutions before he finally placed it on the table.
Job smiled. “Show off.”
Ezekiel gave off a small chuckle and went for an assault weapon. “Being tested is what makes us better,” he added. “There’s always something new to learn. If we don’t, then we stagnate.” He held the point of the weapon ceilingward and pulled the slide. The noise of the action rebounded off the walls in emphasis.
“Still,” said Joshua, “tested or not, I like to know who we’re up against.”
“Ditto,” said Job.
“As do I,” returned Ezekiel. “But that’s not the case here, is it?”
“No. I guess not.”
They examined the weapons, breaking them down to the minimal piece and putting them back together. Gearing up was optimum and a weapon going defunct in the middle of battle was often fatal. So they made sure their weapons were always primed.
When Job placed his readied combat rifle aside he suddenly caught the spangled glitter of something beneath the flare of the fluorescent lighting. It flashed like a diamond, the sparkle just enough to draw his attention away from his duties.
Inside a canvas bag to the right of the table, lying partially beneath a folded camouflaged boonie cap, was something that held a mirror polish to it. Looking over his shoulder he noted that Joshua and Ezekiel continued with their prepping.
Reaching into the bag he moved the cap aside and traced his fingers over the smoothness of the metal cylinder.
What’s this?
Removing it from the bag he held it aloft, turning the item from side to side in clear examination. It was silver and polished, and he could see his reflected image in a funhouse sort of way, warped and disfigured. And it was cold to the touch.
There was a red button on the cylinder, a perfect placement should it be depressed by the thumb.
With curiosity a large part of Job’s nature, he pressed the button.
From the head of the cylinder a pick shot up so quickly that he almost did not perceive the action of the pick extend at all. The tip was wickedly sharp and keen, the point capable of boring through most surfaces with the right force applied behind it, especially the human skull.
“Well, well, well — what do we have here?”
Footsteps, from behind, the approach of someone coming closer for examination, and then silence.
“Can I see that?”
“Sure.” Pressing the button, the pick fell back into the cylinder with the same lightning speed. And then as if passing the baton in a relay race, he handed the Knight the cylinder. “Be careful,” he said. “That thing can do some damage.”
The cylinder was taken away.
“I bet it does,” said the receiving Knight.
And then he ejected the pick.
Kimball’s world was that of thin corridors and stone walls the color of desert sand. As he raced down the hallways his mind reeled, the photo in his hand crushed due to tension. The assassin had walked right through the front door, past security, and directly into his chamber. This man was definitely a ghost, he considered — something that was becoming truly unstoppable.
The halls were for the most part vacant as he hastened his way toward the armory, once in a while passing a bishop who gave him an inquisitive look as he rushed past them.
Passing through darkened corridors that led to the chamber where the Society of Seven often congregated, passing medieval doors and numerous ancient torches that lined the flat rock walls, Kimball found his way to the armory, a small room approximately thirty feet beyond an arched entryway.
The Knights were here, no doubt. And he would quickly galvanize them into action. But when he opened the door to area the smell of blood and copper hit him with such impact that he instantly knew that he arrived too late.
Two teammates were downed, crimson pools of blood as thick as oil spread evenly across the floor, the smell of blood hung cloyingly thick in the air as a pall.
For a dizzying moment Kimball stood over the bodies without expression, his mind quite desensitized as the scene took on something surreal, something that was dark and dreamlike and hanging on the fringes of the macabre.
But when he slowly craned his head to a marking on the wall made with cold sweeps of a bloodied hand, he noted a single word written on the stone.
ISCARIOT
Suddenly Kimball felt the pang of reality strike him, that dreamlike quality of the surreal suddenly gone like a wisp of smoke cast apart by a wind that left nothing behind but the truth: His team was gone.
Slowly, Kimball closed his eyes, the word ISCARIOT burning like an afterimage beneath his lids.
The assassin had made his statement.