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“It’s lucky the explosion happened in March.” Luiz was tall with deep-set eyes and the rough beginnings of a beard, a few clicks shy of handsome.

“How’s that?” My brother was dead. Nothing about this situation seemed lucky.

“Soon it will be winter,” he said. “It’s dark all the time. It would have been impossible for you to come.”

“I don’t know how you stand it.” The spaces underneath my eyes ached.

My husband hadn’t wanted me to come to Antarctica at all, and when our son saw where I was going on a map, he had cried. My husband had tried to convince me everything could be handled from afar. You’re a wife, he’d reminded me as I packed. A mother, too.

“Did you know about your brother’s work?” Luiz said. “With the seismograph?”

“Of course.” I listened to wind batter the building. “We were very close.”

I couldn’t stop thinking about him as a boy, many years before everything went wrong: tending to his ant farms and catching snowflakes in his mouth during winter. Peering into a telescope and quizzing me on the stars. Saying tongue twisters—I wish to wish the wish you wish to wish—to help his stutter. We had not spoken in over a year.

Luiz clapped his hands lightly. Even though we were indoors, he’d kept his gloves on. I had drifted away and was surprised to find myself still in the room.

“You have collected your brother’s things, such as they are. There will be an official inquiry, but you shouldn’t trouble yourself with that.”

“I’m booked on a flight that leaves in a week. I plan to stay until then.”

“The explosion was an accident,” he said. “A leak in the machine room.”

“I get it.” Exhaustion was sinking into me. My voice sounded like it was coming from underwater. “Nobody’s fault.”

I had flown from JFK to New Zealand, where I picked up a charter plane to an airstrip in Coats Land. There had been gut-popping turbulence, and from the window I could see nothing but ice. Luiz had been the one to meet me on the tarmac and drive me to Belgrano II in a red snow tractor. I’d packed in a hurry and brought what would get me through winter in New Hampshire: a puffy coat that reached my knees, a knit hat with a tassel, leather gloves, suede hiking boots. I’d had to lobby hard to come to Antarctica; the stations weren’t keen on civilians hanging around. When I spoke with the director of McMurdo, I’d threatened to release a letter that said details of the explosion, the very information needed to properly grieve, were being kept from the victims’ families. I knew Luiz was looking me over and thinking that the best thing I could do for everyone, including my brother, including myself, was to just go on home.

“Are there polar bears here?” I felt oddly comforted by the idea of a white bear lumbering across the ice.

“A common mistake.” He drummed his fingers against the table. He had a little gray in his eyebrows and around his temples. “Polar bears are in the north pole.”

“My brother and I were very close,” I said again.

* * *

There was a time when that statement would have been true. We had been close once. During our junior year of college, we rented a house in Davis Square, a blue two-story with a white front porch. Our parents had died in a car accident when we were in middle school — a late spring snowstorm, a collision on a bridge — leaving behind the grandparents who raised us and an inheritance. My brother was in the earth sciences department at MIT; I was studying astronomy at UMass Boston (I was a year older, but he was on an accelerated track). Back then I thought I would never grow tried of looking at the sky.

When it was just the two of us, we did not rely on language. He would see me cleaning chicken breasts in the sink, and take out breadcrumbs and butter for chicken Kiev, our grandmother’s recipe. After dinner, we watched whatever movie was on TV. E.T. played two nights in a row and maybe it was an iguana became something we said when we didn’t know what else to do, because even though we had been close, we never really learned how to talk to each other. Sometimes we didn’t bother with clearing the table or washing dishes until morning. We went weeks without doing laundry. My brother wore the same striped polos and rumpled khakis. I showed up for class with unwashed hair and dirty socks. His interest in seismology was taking hold. He started talking about P-waves and S-waves. Fault lines and ruptures. He read biographies on Giuseppe Mercalli, who invented a scale for measuring volcanoes, and Frank Press, who had land named after him in Antarctica, a peak in the Ellsworth Mountains.

It was at MIT that he met Eve. She was a theater arts major. They dated for a semester and wed the same week they graduated, in the Somerville courthouse. I was their only guest. Eve wore a tea-length white dress and a daffodil behind her ear. She was lithe and elegant, with straight blond hair and freckles on the bridge of her nose. When the justice of the peace said “man and wife,” she had called out “wife and man!” and laughed and then everyone started laughing, even the justice. I wasn’t sure why we were laughing, but I was glad that we were.

There were three bedrooms in the house. It might have seemed strange, brother and sister and his new wife all living together, but it felt like the most natural thing. Our first summer, we painted the walls colors called Muslin and Stonebriar and bought rocking chairs for the porch. We pulled the weeds that had sprung up around the front steps. All the bedrooms were upstairs. When I was alone in my room, I played music to give them privacy. At dinner, I would watch my brother and Eve — their fingers intertwined under the table, oblivious — and wonder how long it would take them to have children. I liked the idea of the house slowly filling with people.

That fall, my brother started his earth sciences PhD at MIT. He kept long hours in the labs, and when he was home, he was engrossed in textbooks. Eve and I spent more time together. She lived her life like an aria — jazz so loud, I could hear it from the sidewalk; phone conversations that sprawled on for hours, during which she often spoke different languages; heels and silk dresses to the weekend farmers’ market. She always wore a gold bracelet with a locket. I would stare at the oval dangling from her wrist and wonder if there was a photo inside. I helped her rehearse for auditions in the living room, standing on a threadbare oriental rug. I got to be Williams’s Stanley Kowalski and Pinter’s Max, violent and dangerous men. I started carrying slim plays around in my purse, like Eve did, even though I had no plans to write or perform; the act alone felt purposeful. I learned that her father was an economics professor and she had majored in theater to enrage him, only to discover that she loved the stage. I’d never met anyone from her family before.

One afternoon I went to see her perform in The Tempest at a community theater in Medford. My brother had been too busy to come. She was cast as Miranda. Onstage she wore a blue silk dress with long sleeves and gold slippers. In one scene, Miranda argued with her father during a storm; somewhere a sound machine simulated thunder. Everything about her carriage and voice worked to convey rage—“Had I been any great god of power, I would have sunk the sea within the earth…”—but for the first time, I noticed something was wrong with her eyes. Under the lights, they looked more gray than blue, and her gaze was cold and flat.

Afterward, we drank at the Burren. The bar was bright and crowded. A band was unpacking instruments from black cases. We jammed ourselves into a small table in the back with glasses of red wine. Eve was depressed about the production: the turnout, the quality of the lighting and the costumes.