Now there was extra traffic in the street below. The women’s orchestra came trooping down the pavement towards the entrance – twenty laughing, talking girls carrying their instruments – violin and wind instrument cases, satchels with their scores, and four of them with the drums – a gay, happy little crocodile. Bond was reflecting that some people still seemed to find life fun in the Soviet Sector, when his glasses picked out and stayed on the girl carrying the ’cello. Bond’s masticating jaws stopped still and then reflectively went on with their chewing as he twisted the screw to depress the Sniperscope and keep her in its centre.
The girl was taller than the others and her long, straight, fair hair, falling to her shoulders, shone like molten gold under the arcs at the intersection. She was hurrying along in a charming, excited way, carrying the ’cello case as if it were no heavier than a violin. Everything was flying – the skirt of her coat, her feet, her hair. She was vivid with movement and life and, it seemed, with gaiety and happiness as she chattered to the two girls who flanked her and laughed back at what she was saying. As she turned in at the entrance amidst her troupe, the arcs momentarily caught a beautiful, pale profile. And then she was gone and, it seemed to Bond, with her disappearance a stab of grief lanced into his heart. How odd! How very odd! This had not happened to him since he was young. And now this single girl, seen only indistinctly and far away, had caused him to suffer this sharp pang of longing, this thrill of animal magnetism! Morosely, Bond glanced down at the luminous dial of his watch. Five fifty. Only ten minutes to go. No transport arriving at the entrance. None of those anonymous black Zik saloons he had half expected. He closed as much of his mind as he could to the girl and sharpened his wits. Get on, damn you! Get back to your job!
From somewhere inside the Ministry there came the familiar sounds of an orchestra tuning up – the strings tuning their instruments to single notes on the piano, the sharp blare of individual wood-winds – then a pause and then the collective crash of melody as the whole orchestra threw itself competently, so far as Bond could judge, into the opening bars of what even to James Bond was vaguely familiar.
‘The Polovtsian Dances from Prince Igor,’ said Captain Sender succinctly. ‘Anyway, six o’clock coming up,’ and then, urgently, ‘Hey! Right-hand bottom of the four windows! Watch out!’
Bond minutely depressed the Sniperscope. Yes, there was movement inside the black cave. Now, from the interior, a thick black object, a weapon, had slid out. It moved firmly, minutely, swivelling down and sideways so as to cover the stretch of the Zimmerstrasse between the two waste-lands of rubble. Then the unseen operator in the room behind seemed satisfied and the weapon remained still, fixed obviously to a stand such as Bond had beneath his rifle.
‘What is it? What sort of gun?’ Captain Sender’s voice was more breathless than it should have been. Take it easy, dammit! thought Bond. It’s me who’s supposed to have the nerves.
He strained his eyes, taking in the squat flash eliminator at the muzzle, the telescopic sight and thick downward chunk of magazine. Yes, that would be it! Absolutely for sure – and the best they had!
‘Kalashnikov,’ he said curtly. ‘Sub-machine-gun. Gas-operated. Thirty rounds in 7.62 millimetre. Favourite with the K.G.B. They’re going to do a saturation job after all. Perfect for range. We’ll have to get him pretty quick or 272’ll end up not just dead but strawberry jam. You keep an eye out for any movement over there in the rubble. I’ll have to stay married to that window and the gun. He’ll have to show himself to fire. Other chaps are probably spotting behind him – perhaps from all four windows. Much the sort of set-up we expected, but I didn’t think they’d use a weapon that’s going to make all the racket this one will. Should have known they would. A running man would be hard to get in this light with a single-shot job.’
Bond fiddled minutely with the traversing and elevating screws at his fingertips and got the fine lines of the ’scope exactly intersected, just behind where the butt of the enemy gun merged into the blackness behind. Get the chest – don’t bother about the head!
Inside the hood, Bond’s face began to sweat and his eye socket was slippery against the rubber of the eyepiece. That didn’t matter. It was only his hands, his trigger-finger, that must stay bone dry. As the minutes ticked by, he frequently blinked his eyes to rest them, shifted his limbs to keep them supple, listened to the music to relax his mind.
The minutes slouched on leaden feet. How old would she be? Early twenties – say, twenty-three. With that poise and insouciance, the hint of authority in her long easy stride, she would come of good racy stock – one of the old Prussian families probably, or from similar remnants in Poland or even Russia. Why in hell did she have to choose the ’cello? There was something almost indecent in the idea of that bulbous, ungainly instrument between her splayed thighs. Of course Suggia had managed to look elegant, and so did that girl Amaryllis somebody. But they should invent a way for women to play the damned thing side-saddle.
At his side Captain Sender said, ‘Seven o’clock. Nothing’s stirred on the other side. Bit of movement on our side, near a cellar close to the frontier; that’ll be our reception committee – two good men from the Station. Better stay with it until they close down. Let me know when they take that gun in.’
‘All right.’
It was seven thirty when the K.G.B. sub-machine-gun was gently drawn back into the black interior. One by one the bottom sashes of the four windows were closed. The cold-hearted game was over for the night. 272 was still holed up. Two more nights to go!
Bond softly drew the curtain over his shoulders and across the muzzle of the Winchester. He got up, pulled off his cowl and went into the bathroom and stripped and had a shower. Then he had two large whiskies on the rocks in quick succession, while he waited, his ears pricked, for the now muffled sound of the orchestra to stop. When at eight o’clock it did (with the expert comment from Sender, ‘Borodin’s Prince Igor, Choral Dance Number 17, I think,’) he said to Sender, who had been getting off his report in garbled language to the Head of Station, ‘Just going to have another look. I’ve rather taken to that tall blonde with the ’cello.’
‘Didn’t notice her,’ said Sender, uninterested. He went into the kitchen. Tea, guessed Bond. Or perhaps Horlick’s. Bond donned his cowl, went back to his firing position and depressed the Sniperscope to the doorway of the Ministry. Yes, there they went, not so gay and laughing now. Tired, perhaps. And now here she came, less lively but still with that beautiful careless stride. Bond watched the blown, golden hair and the fawn raincoat until it had vanished into the indigo dusk up the Wilhelmstrasse. Where did she live? In some miserable, flaked room in the suburbs? Or in one of the privileged apartments in the hideous, lavatory-tiled Stalinallee?
Bond drew himself back. Somewhere, within easy reach, that girl lived. Was she married? Did she have a lover? Anyway to hell with it! She was not for him.
The next day, and the next night-watch, were duplicates, with small variations, of the first. James Bond had two more brief rendezvous, by Sniperscope, with the girl, and the rest was a killing of time and a tightening of the tension that, by the time the third and final day came, was like a fog in the small room.
James Bond crammed the third day with an almost lunatic programme of museums, art galleries, the zoo and a film, hardly perceiving anything he looked at, his mind’s eye divided between the girl and those four black squares and the black tube and the unknown man behind it – the man he was now certainly going to kill tonight.