"I beg your pardon," the commissaris said. "We shouldn't have spoken in Dutch. Yes, I thought it very good, certainly very interesting."
"Performed in a very unorthodox manner," Dorin said. "That's the first time I have ever seen a woman act in a Noh play. It's a pity the art professors of Kyoto University weren't here to watch it. If the daimyo directed the play, he has missed his calling."
"He did direct it," the commissaris said. "That man is an artist and yet he is a criminal, a profiteer. Most extraordinary. One would think that he would never have had to become a yakusa, not if he could express himself in this way. But the man is to be detested. Undoubtedly, he destroys the order of the state. But why? Out of habit? Because he slipped into a routine which didn't give him alternate possibilities?"
"You like the daimyo, don't you?" Dorin asked. His voice had grown cold again.
The commissaris turned and faced him. It seemed as if he didn't recognize the major.
"Ah," he said. "Yes, certainly. I like the daimyo very much, and I think I got to know him tonight."
\\\\\ 28 /////
The Jenever was served in style. the forty-eight bottles had been taken out of the freezers and placed on the bar with a show of reverence. The bartenders filled small frosted brandy glasses with careful gestures, supervised by a fierce-looking Kono. The daimyo and the guests were served; the others lined up at the bar, bowing before they accepted their glasses. When everyone had his drink the daimyo climbed onto the stage.
"Kampai! Bottoms up!"
He poured the soft yellow liquid into his widely opened mouth, pressing the glass against his thick underlip. He swallowed and bent his knees, waiting for the shock, and roared with pleasure when it came.
"GOOD!" the daimyo shouted. "Fire from Holland! More!"
The chief bartender came running with a bottle, and the yakusa crowded around the bar. The piano started a rhumba and Ahboombah was escorted to the middle of the hall. A bartender brought her a tumbler filled to the brim with the icy explosive, and drums rolled while she drank. Cymbals clashed when she swallowed. The glass flew off and was neatly caught by the bartender while Ahboombah jumped, coming down nine feet away and leaping off into the dance, choosing the daimyo as her partner. The yakusa joined in, taking their girlfriends with them, and after a while the rhumba changed into a slow foxtrot that seemed to be better suited to the squat and still somewhat lumpy-looking men, but loosened later into a more modern shuffle, as more alcohol had been consumed.
De Gier watched the merriment from his corner near the dragon screen, close enough to the bar to be served frequently. The shuffle went on and on. Every now and then an instrument would be silenced because its player had been given a fresh drink, but the others continued, improvising endlessly. The yakusa, flushed and noisy, were jostling each other, grabbing glasses from the bar. De Gier was spotted occasionally and they would wander over, grinning.
"Hello!" "Hello!"
"Kampai!" "Kampai!"
Another glass emptied. The crowd pushed, and de Gier would spill some, but a new glass was always on its way. "Your very good health!" Down with the jenever. Into the stomach and through the stomach into the blood.
He felt hot and took a bottle, rolling it on his cheeks and neck. How many drinks now? Eight? Nine? He recognized the well-known symptoms. Increased speed of thought, images following each other so quickly that they overlapped, intense identification with the music and a great love for everybody around.
"A great love for the yakusa," he said aloud. This came out unclear. "Drunk," he said. Drunk because he was told to get drunk. How nice. How many drinks did I have? He wanted to count something, so he counted the yakusa, stopping at ninety. The counting took a while, for everybody moved around as he pointed at them with an unsteady finger. Half a bottle each, he thought, and closed his eyes. He recalculated. Ninety divided by forty-eight. A hundred by fifty. That's two. Two bottles each. No. Other way around. Half a bottle. But half the people were women, and very small women too, but Ah-boombah was rather a large woman. An important factor to be taken into account. He opened his eyes. Ahboom-bah was coming right at him. Pity, he almost had the formula. Another few seconds. No, too late. He felt her strong hands on his shoulders and her wide moist lips on his cheek. He followed her, a well-behaved toddler trusting the nursery school teacher. They danced, at double arms' length, their fingers intertwined. The yakusa stood around and applauded and the musicians sang, a rowdy song mottled with dirty words, underlined by drumbeats and the hum of the bass. The daimyo and Kono sang too, arm in arm, dirty words too, no doubt, but they sang in Japanese. The commissaris was doing his dance again, all on his own, and Ahboombah went to give him his prize, a kiss on the top of his head.
De Gier returned to his corner to work on his formula, and the daimyo called the commissaris. They sat on the edge of the stage, each on a small crate, with Yuiko in between.
"Did I ever tell you about my hashish experience?" the daimyo asked. "No?"
"No," the commissaris said, "but I would like to hear it."
"It was a little like tonight, strange but true, very true. And yet hashish is very different from alcohol. With hashish you see things; with alcohol whatever you see becomes exaggerated. Or perhaps it's all the same. Who knows!" The daimyo swung forward and almost slipped off the stage; the commissaris and Yuiko held him just in time. The commissaris also swung forward, but was caught by his suspenders and heaved back. "You listening?" the daimyo asked, leaning on Yuiko with both arms and looking at the commissaris owlishly.
"Yes," the commissaris said. He was trying to clean his spectacles by rubbing them with his necktie. "Yes, hashish!"
"Hashish," the daimyo said triumphantly. "Exactly! That's what I wanted to talk about. I smoked it, lots of it, a whole bag, a white bag tied with a red cord, same color as those ridiculous suspenders of yours. Haha."
"Haha," the commissaris said. "De Gier bought them for me. Pants kept on slipping down because of that crazy pistol."
"Where is your pistol?"
"Home," the commissaris said and raised a finger. "Jin-gi!"
The daimyo leaned forward, intending to pat the commissaris on his back, but fell all over him because Yuiko had slipped away.
"Come here!" the daimyo shouted, and Yuiko came back. "What?… She says that she can't translate if I lean on her. Right, so I won't lean on her anymore."
"Hashish," the commissaris said.
"Yes, a bagful, a sample bag. An Arab brought it, wanted to become our supplier. Kono also smoked but he fell asleep. I didn't. I went to the beach."
"Beach?"
"Beach. But first something else happened. I won't tell you what it was. Very terrible, I never smoked hashish again. There was nothing left, nothing at all, and I fell and I fell. But I won't tell you about that."
"No," the commissaris said.
"And then I was on the beach. Clean crisp sand, waving trees, enormous trees, mangroves they were, standing on strangely twisted roots and there were palm trees too with huge leaves, split right through, and they moved above me with great sweeps. Oh, beautiful! I stood on the beach and I felt the surf breaking over my feet and I felt how the water moved the hairs on my toes. Did you ever feel that?"
"No," the commissaris said. "I don't have hairs on my toes."
"No?" the daimyo asked. "What a pity, then you can't feel that, the most lovely feeling a man can experience. Hallucinations have more detail than…"
"Than?"
"Yes," the daimyo said, and moved on his crate. Yuiko reached out and held him. "I was going to say 'than reality' but perhaps I don't know what reality is. Well, anyway, there I was with the water moving the hairs on my toes and I knew I was going to see something very important, the answer to the great question, the question, the question of my life." He rubbed his chin.