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The terror’s something else, no man who sails is every free of feeling that a ghost, (maybe his own) is lying at his back about to show the thing that’s always there. It doesn’t stand defining. Any name you lay to it will not describe the feel of madness that starts working in your head, when you come close to looking in its eye.
You get it most in search, when someone’s lost and you’re afraid you’ll find them, though for that you stay out looking longer than there’s need. A suicide will do it, or a fire; a floater in the harbor, or a plane that’s going in, the man still on the air yelling his position as he falls. A death is always lonely, but at sea it’s almost like denial of the soul.
A bad one that I had was just last year. Our coaster stood below the Portland Head. The sea was calm, but right below its face; a certain turbulence. Nothing to fear, but one that sailors know and understand. The water’s in a boil, it’s not a rip. It moves in circling underwater waves that scour the bottom. On the surface though it’s hard to tell it’s there until the helm tells you, but that’s not always sure, not even when you’re full and riding low. You learn to read the surface of the sea, but more than that you have to feel it too.
We’d cleared the lightship forty minutes back. There was no traffic, just one lobster boat we didn’t think or care about until we got in close, within a mile or less and it cut a course across our bow, just barely making way in such a style of ‘I don’t give a damn about your size,’ that for a minute stopping her seemed wrong. We cut the engines, threw her down to port and cleared with maybe twenty yards to spare. We’d started yelling ‘bastard’ as she cleared. We choked up fast, the boat kept under way without a man aboard, she’d turned her stern and from our bridge we had a perfect view.
He’d been pulling out traps and like a fool he’d brought no one along. A lot of them do that, they think they won’t slip up and can’t believe that they might ever drown. To make it worse he’d pulled them under way. It helps to do that if you’re working fast, you don’t drift on your line, the slight seaway, will help to clear your trap, it saves some pull, but if it’s snagged you’re going to get a jerk. His trap had snagged and pulled him overboard. His boat still under way had left him there.
We ran her down to put a man aboard and checked her fuel, the tanks were almost full. He couldn’t have been in the water long. We called it in, of course, a cutter came and in the meantime we were on the search. Our crewman took the boat and looked inshore. We went to seaward, searching for the dead.
It’s then it gets you, knowing that they’re dead. Knowing in that North Atlantic cold, the body’s warm, the life is only gone. You wonder what he thought when he went in. A shock at first, a fight to clear his boots that sucked him under down into the boil. Did he break surface? Had he seen your ship? And had he thought, ‘C’mon now, just hang on and clear these goddamn boots and start to swim. Just hang on for a little, just hang on, they’re bound to get you when they see the boat.’
You stand your bridge and wonder, then you fear. It works inside you, dragging your mind down below the surface, down below your keel, into the boil and tells you, makes you know, that somewhere under you, a man like you, does silent freezing handsprings in the sea.

About the Author

Jack Cady (1932–2004) won the Atlantic Monthly “First” award in 1965 for his story, “The Burning.” He continued writing and authored nearly a dozen novels, one book of critical analysis of American literature, and more than fifty short stories. Over the course of his literary career, he won the Iowa Prize for Short Fiction, the National Literary Anthology Award, the Washington State Governor’s Award, the Nebula Award, the Bram Stoker Award, and the World Fantasy Award.

Prior to a lengthy career in education, Jack worked as a tree high climber, a Coast Guard seaman, an auctioneer, and a long-distance truck driver. He held teaching positions at the University of Washington, Clarion College, Knox College, the University of Alaska at Sitka, and Pacific Lutheran University. He spent many years living in Port Townsend, Washington.

Resurrection House, through its Underland Press imprint, is publishing a comprehensive retrospective of his work in a project called The Cady Collection.

The Cady Collection

Novels

The Hauntings of Hood Canal

Inagehi

The Jonah Watch

McDowell’s Ghost

The Man Who Could Make Things Vanish

The Off Season

Singleton

Street

Dark Dreaming [with Carol Orlock, as Pat Franklin]

Embrace of the Wolf [with Carol Orlock, as Pat Franklin]

Other Writings

Phantoms

Fathoms

Ephemera

The American Writer

Praise for Jack Cady

“Jack Cady, former Coast Guardsman, writes with authority about the sense of mystery and unreality, the mixed emotions and the abrasive relationships that exist among the crew of the cutter… The mood of the sea in intense.”

Seattle Times

“Fascinating… vividly written… highly recommended.”

Library Journal

“A hard-edged narrative that conceals within its intricate voice the imminence of the supernatural…”

Tulsa World

“ An exceptional writer.”

—Joyce Carol Oates

“A writer of great, unmistakable integrity and profound feeling.”

—Peter Straub

“[Jack Cady is] a lasting voice in modern American literature.”

Atlanta Constitution