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No!

Magda fought the feeling, fought to push herself away. But ... why fight? life was nothing but disease and misery, a struggle that everyone eventually lost. What was the use? Nothing you did really mattered in the long run. Why bother?

She felt a swift undertow, almost irresistible, drawing her toward those eyes. There was lust there, for her, but a lust that went beyond the mere sexual, a lust for all that she was. She felt herself turn and lean toward those twin doorways of black. It would be so easy to let go...

... she held on, something within her refusing to surrender, urging her to fight the current. But it was so strong, and she felt so tired, and what did it all matter, anyway?

A sound ... music ... and yet not music at all. A sound in her mind, all that music was not ... non-melodic, disharmonic, a delirious cacophony of discord that rattled and shook and sent tiny cracks through the feeble remainder of her will. The world around her—everything—began to fade, leaving only the eyes ... only the eyes...

... she wavered, teetering on the edge of forever...

... then she heard Papa's voice.

Magda clutched at the sound, clung to it like a rope, pulled herself hand over hand along its length. Papa was not calling to her, was not even speaking in Romanian, but it was his voice, the only familiar thing in the chaos about her.

The eyes turned away. Magda was free. The hand released her.

She stood gasping, perspiring, weak, confused, the gale in the room pulling at her clothes, at the kerchief that bound her hair, stealing her breath. And her terror grew, for the eyes were now turning on her father. He was too weak!

But Papa did not flinch under the gaze. He spoke again as he had before, the words garbled, incomprehensible to her. She saw the awful smile on the white face fade as the lips drew into a thin line. The eyes narrowed to mere slits, as if the mind behind them were considering Papa's words, weighing them.

Magda watched the face, unable to do anything more. She saw the line of the lips curl up infinitesimally at the corners. Then a nod, no more than a jot of movement. A decision.

The wind died as if it had never been. The face receded into the darkness.

All was still.

Motionless, Magda and her father faced each other in the center of the room as the cold and the dark slowly dissipated. A log in the fireplace split lengthwise with a crack like a rifle shot and Magda felt her knees liquefy with the sound. She fell forward and only by luck and desperation was she able to grasp the arm of the wheelchair for support.

"Are you all right?" Papa said, but he wasn't looking at her. He was feeling his fingers through the gloves.

"I will be in a minute." Her mind recoiled at what she had just experienced. "What was it? My God, what was it?"

Papa was not listening. "They're gone. I can't feel anything in them." He began to pull the gloves from his fingers.

His plight galvanized Magda. She straightened and began to push the chair over to the fire, which was springing to life again. She was weak with reaction and fatigue and shock, but that seemed to be of secondary importance. What about me? Why am I always second? Why do I always have to be strong? Once ... just once ... she would like to be able to collapse and have someone tend to her. She forcibly submerged the thoughts. That was no way for a daughter to think when her father needed her.

"Hold them out, Papa! There's no hot water so we'll have to depend on the fire to warm them up!"

In the flickering light of the flames she saw that his hands had gone dead white, as white as those of that... thing. Papa's fingers were stubby with coarse, thick skin and curved, ridged nails. There were small punctate depressions in each fingertip, scars left by tiny areas of healed gangrene. They were the hands of a stranger—Magda could remember when his hands had been graceful, animated, with long, mobile, tapering fingers. A scholar's hands. A musician's. They had been living things. Now they were mummified caricatures of life.

She had to get them warmed up, but not too quickly. At home in Bucharest she had always kept a pot of warm water on the stove during the winter months for these episodes. The doctors called it Raynaud's phenomenon; any sudden drop in temperature caused constrictive spasms in the blood vessels of his hands. Nicotine had a similar effect, and so he had been cut off from his beloved cigars. If his tissues were deprived of oxygen too long or too often, gangrene would take root. So far he had been lucky. When gangrene had set in, the areas had been small and he had been able to overcome it. But that would not always be the case.

She watched as he held his hands out to the fire, rotating them back and forth against the warmth as best as his stiff joints would allow. She knew he could feel nothing in them now—too cold and numb. But once circulation returned he would be in agony as his fingers throbbed and tingled and burned as if on fire.

"Look what they've done to you!" she said angrily as the fingers changed from white to blue.

Papa looked up questioningly. "I've had worse."

"I know. But it shouldn't have happened at all! What are they trying to do to us?"

"They?"

"The Nazis! They're toying with us! Experimenting on us! I don't know what just happened here ... it was very realistic, but it wasn't real! Couldn't have been! They hypnotized us, used drugs, dimmed the lights—"

"It was real, Magda," Papa said, his voice soft with wonder, confirming what she knew in her soul, what she had so wanted him to deny. "Just as those forbidden books are real. I know—"

Breath suddenly hissed through his teeth as blood began to flow into his fingers again, turning them dark red. The starved tissues punished him as they gave up their accumulated toxins. Magda had been through this with him so many times she could almost feel the pain herself. .

When the throbbing subsided to an endurable level, he continued, his words coming in gasps.

"I spoke to him in Old Slavonic ... told him we were not his enemies... told him to leave us alone... and he left."

He grimaced in pain a moment, then looked at Magda with bright, glittering eyes. His voice was low and hoarse.

"It's him, Magda. I know it! It's him!"

Magda said nothing. But she knew it, too.

FIFTEEN

The Keep

Wednesday, 30 April

0622 hours

Captain Woermann had tried to stay awake through the night but had failed. He had seated himself at the window overlooking the courtyard with his Luger unholstered in his lap, though he doubted a 9mm parabellum would help against whatever haunted the keep. Too many sleepless nights and too little fitful napping during the days had caught up with him again.

He awoke with a start, disoriented. For a moment he thought he was back in Rathenow, with Helga down in the kitchen cooking eggs and sausage, and the boys already up and out and milking the cows. But he had been dreaming.

When he saw the sky was light, he leaped from the chair. Night was gone and he was still alive. He had survived another night. His elation was short-lived, for he knew that someone else had not survived. Somewhere in the keep he knew a corpse lay still and bloody, awaiting discovery.

He holstered the Luger as he crossed the room and stepped out on the landing. All was quiet. He trotted down the stairs, rubbing his eyes and massaging his stubbled cheeks to full wakefulness. As he reached the lowest level, the doors to the Jews' quarters opened and the daughter came out.

She didn't see him. She carried a metal pot in her hand and wore a vexed look on her face. Deep in thought, she passed through the open door into the courtyard and turned right toward the cellar stairs, completely oblivious to him. She seemed to know exactly where she was going, and that troubled him until he remembered that she had been in the keep a number of times before. She knew of the cellar cisterns, knew there was fresh water there.