She climbed the steps to the dark house. A few knocks on the door, a few rings of the bell, told her what she’d already suspected. No one was home.
Not a problem.
She found the key where it was always hidden, wedged under the stack of firewood on the porch, and let herself in. Flipping on the light, she found the living room exactly as she remembered it since she’d last visited two years ago. The same clutter filled every available shelf and niche, the same photos framed in Mexican tin shadow boxes hung on the walls. She saw sunburned faces grinning from beneath broad-brimmed hats, a man leaning on a shovel in front of a crumbling wall, a redheaded woman squinting up from the trench where she knelt with trowel in hand. Most of the faces in those photos she did not recognize; they belonged to another woman’s memories, another woman’s lifetime.
She left her suitcases in the living room and went into the kitchen. There the same clutter reigned, blackened pots and pans hanging from ceiling racks, the windowsills a depository of everything from sea glass to bits of broken pottery. She filled a teakettle and put it on the stove. As she waited for it to boil, she stood in front of the refrigerator, studying all the snapshots taped to the door. In the midst of that jumbled collage was one face she did recognize. It was her own, taken when she was about three years old, seated in the lap of a raven-haired woman. She reached up and gently stroked the woman’s face, remembering the smoothness of that cheek, the scent of her hair. The kettle whistled, but Josephine remained transfixed by the photo, by those hypnotic dark eyes gazing back at her.
The whistle of the kettle abruptly cut off, and a voice said, “It’s been years since anyone’s asked me about her, you know.”
Josephine whirled around to face the lanky middle-aged woman who’d just shut off the burner. “Gemma,” she murmured. “You’re home after all.”
Smiling, the woman strode forward to give her a powerful hug. Gemma Hamerton was built more like a boy than a woman, lean but muscular, her silvery hair cropped in a practical bob. Her arms were ridged with ugly burn scars, but she brazenly showed them off to the world in a sleeveless blouse.
“I recognized your old suitcases in the living room.” Gemma stepped back to give Josephine a thorough perusal. “My God, every year you look more and more like her.” She shook her head and laughed. “That’s some formidable DNA you’ve inherited, kid.”
“I tried to call you. I didn’t want to leave a message on your answering machine.”
“I’ve been traveling all day.” Gemma reached into her purse and pulled out a newspaper clipping from the International Herald Tribune. “I saw that article before I left Lima. Does this have anything to do with why you’re here?”
Josephine looked at the headline:CT SCAN OF MUMMY STUNS AUTHORITIES. “So you know about Madam X.”
“News gets around, even in Peru. The world’s become a small place, Josie.”
“Maybe too small,” Josephine said softly. “It leaves me no place left to hide.”
“After all these years? I’m not sure you need to anymore.”
“Someone’s found me, Gemma. I’m scared.”
Gemma stared at her. Slowly she sat down across from Josephine. “Tell me what happened.”
Josephine pointed to the clipping from the Herald Tribune. “It all started with her. With Madam X.”
“Go on.”
At first the words came haltingly; it had been a long time since Josephine had spoken freely, and she was accustomed to catching herself, to weighing the dangers of every revelation. But with Gemma, all secrets were safe, and as she spoke, she found the words spilling faster in a torrent that could no longer be held back. Three cups of tea later, she finally fell silent and slumped back in her chair, exhausted. And relieved, although her situation had scarcely changed. The only difference was that now she no longer felt alone.
The story left Gemma stunned and staring. “A body turns up in your car? And you left out that little detail about the notes you got in the mail? You didn’t tell the police?”
“How could I? If they knew about the notes, they’d find out everything else.”
“Maybe it’s time, Josie,” said Gemma quietly. “Time to stop hiding and just tell the truth.”
“I can’t do that to my mother. I can’t pull her into this. I’m just glad she isn’t here.”
“She’d want to be here. You’re the one she’s always tried to protect.”
“Well, she can’t protect me now. And she shouldn’t have to.” Josephine rose and carried her cup to the sink. “This has nothing to do with her.”
“Doesn’t it?”
“She was never in Boston. She never had anything to do with the Crispin Museum.” Josephine turned to Gemma. “Did she?”
Gemma shook her head. “I can’t think of any reason why the museum should have those links to her. The cartouche, the newspaper.”
“Coincidence, maybe.”
“That’s too much coincidence.” Gemma wrapped her hands around her teacup, as though to ward off a sudden chill. “What about the body in your car? What are the police doing about it?”
“What they’re supposed to do in a murder case. They’ll investigate. They’ve asked me all the questions you’d expect. Who might be stalking me? Do I have any sick admirers? Is there anyone from the past I’m afraid of? If they keep asking questions, it’s only a matter of time before they find out who Josephine Pulcillo really is.”
“They may not bother to dig that up. They’ve got murders to solve, and you’re not the one they’re interested in.”
“I couldn’t take that risk. That’s why I ran. I packed up and left a job I loved and a city I loved. I was happy there, Gemma. It’s an odd little museum, but I liked working there.”
“And the people? Is there any chance one of them might be involved?”
“I don’t see it.”
“Sometimes you can’t see it.”
“They’re completely harmless. The curator, the director-they’re both such kind men.” She gave a sad laugh. “I wonder what they’ll think of me now. When they find out who they really hired.”
“They hired a brilliant young archaeologist. A woman who deserves a better life.”
“Well, this is the life I got.” She turned on the faucet to rinse her cup. The kitchen was organized exactly as it had always been, and she found the dish towels in the same cabinet, the spoons in the same drawer. Like any good archaeological dig, Gemma’s kitchen stood preserved in a state of domestic eternity. What a luxury to have roots, thought Josephine as she placed the clean cup back on the shelf. What would it be like to own a home, to build a life she would never have to abandon?
“What are you going to do now?” asked Gemma.
“I don’t know.”
“You could go back to Mexico. She’d want that.”
“I’ll just have to start over again.” The prospect of that suddenly made Josephine sag against the countertop. “God, I’ve lost twelve years of my life.”
“Maybe you haven’t. Maybe the police will drop the ball.”
“I can’t count on that.”
“Watch and wait. See what happens. This house will be empty for most of the summer. I need to be back in Peru in two weeks, to oversee the excavation. You’re welcome to stay here as long as you need to.”
“I don’t want to cause you any trouble.”
“Trouble?” Gemma shook her head. “You have no idea what kind of trouble your mother saved me from. Anyway, I’m not convinced the police are as clever as you think they are. Or as thorough. Think how many cases go unsolved, how many mistakes we hear about in the news.”
“You haven’t met this detective.”
“What about him?”
“It’s a her. The way she looks at me, the questions she asks-”