The thought cheered him up, and he set off for town, covering the kilometre distance at a brisk pace.
Once inside the ring wall, the wind was not as blustery. The narrow lanes were silent and deserted. At such an early hour on a Saturday, not a soul was around. Up near the heart of town, at Stora Torget, which was the central marketplace, he encountered the first sign of life. A bakery van stood outside the ICA supermarket. The doors at the back of the store were open to accept deliveries, and he could hear a clattering sound from inside.
As he approached the gallery his stomach twisted into a knot. On Monday he was going to leave the art business to which he had devoted his entire professional life. He had put his heart and soul into this gallery; he couldn’t begin to count the number of hours he’d spent here.
He stopped and stood outside on the street for a moment, staring at the facade. The big modern glass windows faced the open square and the thirteenth-century ruins of St Karin’s church. Inside the medieval church were arches and underground passages from the same period. Against this historic backdrop he had created a modern and discriminating gallery using light, airy colours, and had added a few unique details that gave the place a personal touch. Visitors to the gallery often praised him for his exquisite combination of the old and the new.
He unlocked the front door, went up to his office and hung up his coat. Not only was this weekend going to be a turning point for him personally, it marked the opening night of the first art show of the year. It would also be his last. At least here in Visby. The sale of the gallery had gone through all the legal red tape, and the new owner had signed the contract. Everything was now in place. And he was the only person on Gotland who knew about the sale.
He went back downstairs to survey the gallery space. The paintings had all been hung as they should. He straightened one that was slightly crooked. The invitations had been sent out several weeks earlier, and the advance interest indicated that they could expect a large turnout.
The catering company would arrive soon. He made one last check of the paintings and the lighting. He was always very particular about such things. The paintings had been carefully arranged to showcase them at their best. They were very striking, exploding with strong colours. Expressionistic and abstract, filled with youthful energy and power. Some were brutal, violent and horrifyingly dark. The artist, Mattis Kalvalis, was a young Lithuanian, until now unknown in Sweden. So far his work had been shown only in the Baltic countries. Egon Wallin enjoyed taking a risk on unknown quantities, new artists who had their whole future ahead of them. He went to the front of the gallery and put the black-and-white photo of Mattis Kalvalis on display in the window.
As he raised his eyes and looked out at the street, he noticed a man standing a short distance away, staring right at him. He had on a baggy, black down jacket, with a knitted cap pulled low over his forehead, and surprisingly he was wearing big dark sunglasses in the middle of winter. There wasn’t even a hint of sunshine.
It was odd how he just stood there. Maybe he was waiting for someone.
Unconcerned, the art dealer continued pottering about the gallery. The local radio station was playing listener requests, and at the moment Lill-Babs was singing, or Barbro Svensson as he preferred to call her. He smiled a bit as he straightened one of the more violent paintings, which had an almost pornographic theme. What a contrast to the tune coming from the radio: ‘Do you still love me, Klas-Goran?’
When Egon turned around to face the street again, he gave a start. The man he had seen in the distance had moved. He was now standing very close to the big display window, so close that the tip of his nose was practically touching the glass. For some reason the stranger was looking Egon right in the eye, although he made no sign of offering any sort of greeting.
Instinctively Egon took a step back and nervously began looking for something to do. He pretended to be arranging the wine glasses that had been set out the night before. Then he moved on to the platters for the hors d’oeuvres that the catering company would be bringing.
‘Klas-Goran’ had faded away, to be replaced by Magnus Uggla singing a lively pop tune from the eighties.
Out of the corner of his eye Egon saw the mysterious man still standing in the exact same place. An uneasy feeling crept over him. Was he a nutcase released from St Olof? He wasn’t about to let this idiot provoke him. He’ll leave soon, Egon thought. He’ll get tired of standing there if he doesn’t see me. The front door was locked, he was sure of that. The gallery wouldn’t open until one o’clock since they were having an opening reception for the new exhibition.
He climbed the stairs to his office, went in and shut the door. He sat down and started fiddling with some papers, but the feeling of uneasiness refused to let up. He needed to do something. Confront that man on the street. Find out what he wanted.
Annoyed at being interrupted in this way, he got up and quickly went back downstairs, only to find that the man was gone.
With a sigh of relief, Egon went back to work.
A fierce wind woke him. The windowpanes were rattling and a branch was slamming against the wall of the house. The sea was roaring, and a whistling sound came from the treetops. The covers had slipped off on to the floor, and he was cold. The few electric-heating units weren’t enough to warm the cottage properly. It wasn’t usually rented out in the wintertime, but he had managed to persuade the woman who owned the place to make an exception. He had claimed that he was doing research for the Agricultural Ministry about the threat to the Gotland sugar industry, but it was on a freelance basis, which meant that he couldn’t afford a hotel room. The owner hadn’t really understood his explanation, but she didn’t bother to ask any further questions. Renting the place out didn’t involve any more work for her; it was just a matter of handing over the key.
He climbed out of bed and pulled on a shirt and trousers. He had to go out, despite the bad weather. The cottage had both a kitchen and a toilet, but the water had been turned off.
He was met by a blast of wind when he opened the door, which slammed shut behind him as he stepped outside. He went around the corner and took up a position as close to the wall as possible at the back of the cottage, which faced the woods. There it was somewhat calmer. He unzipped his fly and aimed the stream at the wall.
Back inside the kitchen, he ate a couple of bananas and mixed himself a protein drink, which he downed as he stood at the counter. Ever since he’d come up with the plan two months earlier, he’d felt a certainty, a conviction that there was no other option. Hatred had invaded his body, making his tongue sour and his thoughts sharp. Methodically he had worked out all the preparations, ticking them off point by point with meticulous precision. Everything had been done in secret. The fact that nobody knew what was going on incited him even more. He was in control, and that was an advantage that would make all his plans succeed. Time after time he had gone over the details until not a single flaw or pitfall remained. The time had now arrived. It was a cunning and ingenious idea that would not be easy to execute.
He leaned forward and peered out of the window. The only drawback was the bloody wind. That would make it more difficult for him, and in the worst case might even upset the whole plan. At the same time, it presented certain advantages. The worse the weather, the fewer people would be out, and that lessened the risk of discovery.