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He adhered to the Augustinian view, popular among some fundamentalists, that God intended his followers to build a “City on the Hill,” a community dedicated to his worship and greater glory. Eagle Lake became the site of his great project: a town of only six hundred souls that had never recovered from the exodus provoked by World War II, when those who came back from the war opted to remain in the cities instead of returning to the small communities in the north; a place with one or two decent roads and no electricity in most of the houses that didn't come from private generators; a community where the meat store and dry goods store had closed in the fifties; where the town's main employer, the Eagle Lake Lumber Mill, which manufactured hardwood bowling pins, had gone bankrupt in 1956 after only five years in operation, only to stagger on in various guises until finally closing forever in 1977; a hamlet of mostly French Catholics, who regarded the newcomers as an oddity and left them to their own devices, grateful for whatever small sums they spent on seeds and supplies. This was the place Faulkner chose, and this was the place in which his people died.

And if it seems strange that twenty people could just arrive somewhere in 1963 and be gone less than a year later, never to be seen again, then it was worth remembering that this was a big state, with one million or so people scattered over its 33,000 square miles, most of it forest. Whole New England towns had been swallowed up by the woods, simply ceasing to exist. They were once places with streets and houses, mills and schools, where men and women worked, worshiped, and were buried, but they were now gone, and the only signs that they had ever existed were the remnants of old stone walls and unusual patterns of tree growth along the lines of what were formerly roads. Communities came and went in this part of the world; it was the way of things.

There was a strangeness to this state that was sometimes forgotten, a product of its history and the wars fought upon the land, of the woods and their elemental nature, of the sea and the strangers it had washed up on its shores. There were cemeteries with only one date on each headstone in communities founded by Gypsies, who had never officially been born yet had died as surely as the rest. There were small graves set apart from family plots, where illegitimate children lay, the manner of their passing never questioned too deeply. And there were empty graves, the stones above them monuments to the lost, to those who had drowned at sea or gone astray in the woods and whose bones now lay beneath sand and water, under earth and snow, in places that would never be marked by men.

My fingers smelled musty from turning the yellowed clippings, and I found myself rubbing my hands on my trousers in an attempt to rid myself of the odor. Faulkner's world didn't sound like any that I wanted to live in, I thought as I returned the file to the librarian. It was a world in which salvation was taken out of our hands, in which there was no possibility of atonement; a world peopled by the ranks of the damned, from whom the handful to be saved stood aloof. And if they were damned, then they didn't matter to anyone; whatever happened to them, however awful, was no more or less than they deserved.

As I headed back to my house, a UPS truck shadowed me from the highway and pulled up behind me as I entered the drive. The deliveryman handed me a special delivery parcel from the lawyer Arthur Franklin, while casting a wary glance at the blackened mailbox.

“You got a grudge against the mailman?” he asked.

“Junk mail,” I explained.

He nodded without looking at me as I signed for the package. “It's a bitch,” he agreed, before hurrying into his truck and driving quickly onto the road.

Arthur Franklin's package contained a videotape. I went back to the house and put the tape in my VCR. After a few seconds some cheesy easy-listening music began to play and the words Crushem Productions presents appeared on the screen, followed by the title, A Bug's Death, and a director's credit for one “Rarvey Hagle.” Let the Orange County prosecutor's office chew on that little conundrum for a while.

For the next thirty minutes I watched as women in various stages of undress squashed an assortment of spiders, roaches, mantids, and small rodents beneath their high-heeled shoes. In most cases, the bugs and mice seemed to have been glued or stapled to a board and they struggled a lot before they died. I fast-forwarded through the rest, then ejected the tape and considered burning it. Instead I decided to give it right back to Arthur Franklin when I met him, preferably by jamming it into his mouth, but I still couldn't understand why Al Z had put Franklin and his client in touch with me in the first place, unless he thought my sex life might be getting a little staid.

I was still wondering while I made a pot of coffee, poured a cup, and took it outside to drink at the tree stump that my grandfather, years before, had converted into a table by adding a cross section of an oak to it. I had an hour or so to kill before I was due to meet with Franklin and I found that sitting at the table, where my grandfather and I used to sit together, sometimes helped me to relax and think. The Portland Press Herald and The New York Times lay beside me, the pages gently rustling in the breeze.

My grandfather's hands had been steady when he made this rude table, planing the oak until it was perfectly flat, then adding a coat of wood protector to it so that it shined in the sun. Later, those hands were not so still and he had trouble writing. His memory began to fail him. A sheriff's deputy, the son of one of his old comrades on the force, brought him back to the house one evening after he found him wandering down by the Scarborough cemetery on Old County Road, searching fruitlessly for the grave of his wife, so I hired a nurse for him.

He was still strong in body; each morning, he would do pushups and bench presses. Sometimes he would do laps around the yard, running gently but consistently until the back of his T-shirt was soaked in sweat. He would be a little more lucid for a time after that, the nurse would tell us, before his brain clouded once again and the cells continued to blink out of existence like the lights of a great city as the long night draws on. More than my own father and mother, that old man had guided me and tried to shape me into a good man. I wondered if he would have been disappointed at the man I had become.

My thoughts were disturbed by the sound of a car pulling into my drive. Seconds later a black Cirrus drew up at the edge of the grass. There were two people inside, a man driving and a woman sitting in the passenger seat. The man killed the engine and stepped from the car, but the woman remained seated. His back was to the sun so he was almost a silhouette at first, thin and dark like a sheathed blade. The Smith amp; Wesson lay beneath the arts section of the Times, its butt visible only to me. I watched him carefully as he approached, my hand resting casually inches from the gun. The approaching stranger made me uneasy. Maybe it was his manner, his apparent familiarity with my property; or it could have been the woman who stared at me through the windshield, straggly gray brown hair hanging to her shoulders.