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He was recalling all this now with a pang of nostalgia, less perhaps for the past than for his lost youth, and he was doing so not a stone’s throw from the very playhouse where, as a young man, he had grown to love the plays of Lope, Tirso de Molina, and others—there he saw for the first time The Dog in the Manger and The Shy Man at the Palace—on nights that opened with poetry and staged fights and closed with taverns, wine, complaisant whores, jolly companions, and knives. This dangerous, fascinating Seville still existed, and any change was to be sought not in the city but in himself. Time does not pass in vain, he thought, as he stood leaning in the shady porchway. And a man grows old inside, just as his heart does.

“Death and damnation, Captain Alatriste, but it’s a small world!”

The captain spun around in surprise to see who it was who had spoken his name. It was strange to see Sebastián Copons so far from a Flemish trench and uttering more than eight words together. It took the captain a few seconds to return to the very recent past: the sea voyage, his recent farewell to Copons in Cádiz, the latter’s intention to spend a few days’ leave there and then to travel up to Seville on his way north.

“It’s good to see you, Sebastián.”

This was both true and not true. It was not, in fact, good to see him at that precise moment, and while they clasped each other’s arms with the sober affection of two old comrades, he glanced over Copons’s shoulder at the far end of the street. Fortunately, Copons could be relied on. He could get rid of Copons without causing offense, knowing that he would understand. That, after all, was the good thing about a real friend: he trusted you to deal the cards fairly and never insisted on checking the deck.

“Are you stopping in Seville?” he asked.

“For a while.”

Copons, small, thin, and wiry, was dressed, as ever, in soldier’s garb, in jerkin, baldric, sword, and boots. Beneath his hat, on his left temple, was the scar left by the gash that Alatriste himself had bandaged a year ago, during the battle at the Ruyter mill.

“How about a drink to celebrate, Diego?”

“Later.”

Copons looked at him, surprised and intrigued, before half turning to follow the direction of his gaze.

“You’re busy.”

“Something like that.”

Copons again inspected the street, searching for clues as to what was keeping his comrade there. Then, instinctively, he touched the hilt of his sword.

“Do you need me?” he asked phlegmatically.

“Not right now,” replied Alatriste with a warm smile that wrinkled his weathered face. “But there might be something for you before you leave Seville. Would you be interested?”

“Are you in on it?”

“Yes, and it’s well paid too.”

“I’d do it even if it weren’t.”

At this point, Alatriste spotted the accountant Olmedilla at the end of the street. He was dressed, as always, entirely in black, tightly buttoned up to his ruff, wearing a narrow-brimmed hat and the air of an anonymous government official come straight from the Real Audiencia.

“I have to go, but meet me later at Becerra’s.”

Placing one hand on his friend’s shoulder, he said nothing more, but with apparent unconcern, crossed the street to join the accountant by the house on the corner: a two-story brick building with a discreet gateway leading to an inner courtyard. They went in without knocking and without speaking to each other, exchanging only a brief, knowing glance. Alatriste had his hand on the hilt of his sword and Olmedilla remained as sour-faced as ever. An elderly servant came out, wiping his hands on his apron and looking anxious and inquisitive.

“We are here in the name of the Holy Office of the Inquisition,” said Olmedilla with terrible coldness.

The servant’s expression changed, for in Garaffa’s house and indeed in the whole of Seville, these were not words to be taken lightly. And so when Alatriste, one hand still on the hilt of his sword, indicated a room, the servant entered it as meekly as a lamb, allowing himself, without a murmur of protest, to be bound and gagged and locked in. When Alatriste came back out into the courtyard, he found Olmedilla waiting behind an enormous potted fern and twiddling his thumbs impatiently. There was another silent exchange of glances, and the two men went across the courtyard to a closed door. Then Alatriste unsheathed his sword, flung open the door, and strode into a spacious study furnished with a desk, a cupboard, a copper brazier, and a few leather chairs. The light from a high, barred window, half covered by latticework shutters, cast innumerable tiny luminous squares onto the head and shoulders of a stout, middle-aged man in silk robe and slippers, who started to his feet. This time Olmedilla did not invoke the Holy Office or anything else, he merely followed Alatriste into the room, and after a quick look around, his eye alighted with professional satisfaction on the open cupboard stuffed with papers. Just the way a cat, thought the captain, would have licked its lips at the sight of a sardine placed half an inch from its whiskers. As for the owner of the house, Jerónimo Garaffa, all the blood seemed to have drained from his face; he stood very quietly, mouth agape, both hands resting on the table on which a sealing-wax candle was burning. When he stood up, he spilled half an inkwell over the paper on which he had been writing when the intruders burst in. His dyed hair was covered by a snood and his waxed mustache by a net. He continued to hold the pen between his fingers as if he had forgotten it was there, transfixed in horror by the sword Captain Alatriste was pressing to his throat.