"You'd better get some new sources, Culhane. Kevin Shannon would probably be highly amused to hear me described as a friend of his. He knows how I feel about politics and politicians."
"Oh? How do you feel about politics and politicians?"
"Anybody who expresses a desire to run for any office should automatically be disqualified."
"An interesting notion."
"Not original. Power doesn't necessarily corrupt, but power always holds a fascination for people who are easily corrupted."
Culhane's highly polished manner was growing a coat of tarnish; his smile had wrinkled into something approaching a sneer, and something that looked very much like contempt was glowing like banked coals in his black eyes. "Come now, Frederickson. Would you deny that Frederickson and Frederick-son has grown enormously wealthy and powerful because of business that has been steered your way by this administration?"
"If it has, I don't know about it. I assume that Mr. Shannon and his associates have better things to do than steer business our way. Sometimes they even make decisions I agree with."
"Surely you're aware that yours is the investigative agency of choice for those corporations and individuals who want to stay in the good graces of this administration."
"I'd like to think that Frederickson and Frederickson is the investigative agency of choice for corporations and individuals who want topflight investigatory work done."
His sneer was becoming even more pronounced. "I've offended you."
Ordinarily I would have considered it time for a tart exit line, but I continued to experience the feeling that Culhane was after more from me than casual conversation. I couldn't imagine what, but my curiosity was sufficiently strong to keep me toe-to-toe with him for a while longer. I glanced over my shoulder, found that Jay Acton was gone. "Not at all," I said, returning my gaze to the other man. "You were suffering from a misconception, which I hope I've corrected. I've observed that not many people ever get a chance to get a word in edgewise with you, much less enjoy the opportunity to try to straighten you out on some of your quaint notions."
He didn't much like that, and he flushed slightly. "I've even heard it said that you and your brother, with certain knowledge in your possession, could perhaps have prevented the election of this accursed administration; I have to assume that the same information could bring down this administration. It wouldn't be hard for a neutral observer like myself to conclude that more than natural market forces have been at work in your firm's huge and relatively recent success. There may be powerful people who don't want to see you or your brother. . disgruntled."
I was going to have to try to ignore the gross insult, because the first part of his statement happened to be true, and Elysius Culhane was the last person in the world I wanted to know. The knowledge he'd referred to could not only topple an administration but send a lot of people, including Garth and me, to prison. The realization that Elysius Culhane, with his complex web of confidants, contacts, and rumor-mongers, was sniffing the shreds of flesh left on these particular political skeletons chilled me.
I smiled, said, "You've got to be kidding me."
"Is it true?" he asked in a flat tone. A bead of perspiration had appeared on his upper lip, just as if he were on television, and he quickly wiped it away.
I smiled even harder, baring my teeth. "If it was, would I tell you?"
"There might come a time when your sense of patriotism and duty to your country will-"
"What are you doing in Cairn, Culhane?"
The interruption seemed to throw him off balance. He stared at me for a few moments, obviously debating whether or not to pursue his examination of my sense of patriotism and duty to country, apparently thought better of it. "I live here," he said with a shrug. "I moved from Washington to Cairn just about a year ago."
"Oh. Nice town."
"And you? Would you, uh. . be here on business? I can't imagine what there would be in Cairn that would require or test the keen investigative skills of the famed Mongo Frederickson."
"You're too kind. Actually I'm just visiting; I happened to be passing by here, saw there was an art show, and decided to check it out."
"See anything you like?"
"As a matter of fact, yes," I replied, turning around in the otherwise empty corridor and pointing toward Jack Trex's dimly lighted painting. "I was rather taken with that work over there."
Culhane grimaced, as if something he'd had for lunch or dinner had just repeated on him. "Really? I don't like it at all. It doesn't make any sense, and it's depressing. In fact, I recommended that it not be included in the exhibit, but since the artist is the commander of this particular chapter of Vietnam Veterans of America, I was overruled."
"You recommended that it not be included? What are you, the local censor?"
"No," he replied in what I may only have imagined was a wistful tone, perhaps missing my sarcasm. "I underwrite a good many activities of the Vietnam veterans; as a matter of fact, this exhibit was my idea, and I'm sponsoring it. That painting has no place in a show like this. It does nothing to improve the image of the Vietnam veterans; it gives people the wrong impression. I think it was Patrick Buchanan who wrote that the food you put in a man's mind is at least as important as the food you put in his stomach."
"By golly, that sounds almost Marxist. I think most people would rather have food in their bellies and be left alone."
"That painting is just garbage, and it's not good for people to eat garbage."
"You think image ranks high on the Vietnam veterans' list of problems?"
"Yes. I think their image ranks high on the nation's list of problems. They're perceived as a bunch of drug addicts, alcoholics, adulterers, and sissies who can't handle stress."
"I always thought they were perceived as a group of fighting men who have some special problems because they were unfortunate enough to have been caught up in a special kind of war we weren't really prepared to fight."
"They have problems because they fought in a war America lost, Frederickson," Culhane said with real emotion, his slur once again becoming pronounced. "America now has special problems because it fought a war and lost, a war that was lost because of fuzzy-headed thinking and cowardly actions by leaders like Kevin Shannon. The Vietnam veterans were betrayed; the country was betrayed. Many of these men don't really understand that to this day. When they do understand it, and when they, or men like them, can be unleashed to fight communists once again and win for a change, they'll feel better. The country will feel better. When people see a painting like Trex's, their image of the veterans is that they're a group of cowards who blame America for what happened to them. It's defeatist."
"An intriguing political and artistic analysis."
"You're patronizing me."
"What do you expect me to say, Culhane? You expect me to argue with you? I'm not interested in politics, and I'm even less interested in political discussions. Sometimes I suspect that strong political ideology, like religious fervor, has a genetic as well as a cultural basis. Maybe they're just two faces of the same psychological phenomenon."
"You don't believe in God? You don't believe in your country?"
"I believe in gravity, mathematics, and mystery, as a friend of mine once said. As far as my country is concerned, I'm constantly amazed that our institutions have enabled us, at least so far, to survive the band of fools we keep on elevating to positions of power, not to mention the dunces, liars, thieves, and hypocrites."
"You're naive."
"Hmm. Does that mean you don't agree with me?"
"What does that painting mean?"
"I wouldn't presume to try and second-guess the artist. You probably wouldn't see it the same way in any case."