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But the emeralds in stock were mostly small and shop-soiled and Neepy Thang had to set out at once before he had had as much as a week in London. I will briefly sketch his project. Not many knew it, for where the form of business is blackmail the fewer creditors you have the better (which of course in various degrees applies at all times).

On the shores of the risky seas of Shiroora Shan grows one tree only so that upon its branches if anywhere in the world there must build its nest the Bird of the Difficult Eye. Neepy Thang had come by this information, which was indeed the truth, that if the bird migrated to Fairyland before the three eggs hatched out they would undoubtedly all turn into emeralds, while if they hatched out first it would be a bad business.

When he had mentioned these eggs to Messrs. Grosvenor and Campbell they had said, "The very thing": they were men of few words, in English, for it was not their native tongue.

So Neepy Thang set out. He bought the purple ticket at Victoria Station. He went by Herne Hill, Bromley and Bickley and passed St. Mary Cray. At Eynsford he changed and taking a footpath along a winding valley went wandering into the hills. And at the top of a hill in a little wood, where all the anemones long since were over and the perfume of mint and thyme from outside came drifting in with Thang, he found once more the familiar path, age-old and fair as wonder, that leads to the Edge of the World. Little to him were its sacred memories that are one with the secret of earth, for he was out on business, and little would they be to me if I ever put them on paper. Let it suffice that he Went down that path going further and further from the fields we know, and all the way he muttered to himself, "What if the eggs hatch out and it be a bad business!" The glamour that is at all times upon those lonely lands that lie at the back of the chalky hills of Kent intensified as he went upon his journeys. Queerer and queerer grew the things that he saw by little World-End Path. Many a twilight descended upon that journey with all their mysteries, many a blaze of stars; many a morning came flaming up to a tinkle of silvern horns; till the outpost elves of Fairyland came in sight and the glittering crests of Fairyland's three mountains betokened the journey's end. And so with painful steps (for the shores of the world are covered with huge crystals) he came to the risky seas of Shiroora Shan and saw them pounding to gravel the wreckage of fallen stars, saw them and heard their roar, those shipless seas that between earth and the fairies' homes heave beneath some huge wind that is none of our four. And there in the darkness on the grizzly coast, for darkness was swooping slantwise down the sky as though with some evil purpose, there stood that lonely, gnarled and deciduous tree. It was a bad place to be found in after dark, and night descended with multitudes of stars, beasts prowling in the blackness gluttered1 at Neepy Thang. And there on a lower branch within easy reach he clearly saw the Bird of the Difficult Eye sitting upon the nest for which she is famous. Her face was towards those three inscrutable mountains, far-off on the other side of the risky seas, whose hidden valleys are Fairy-land. Though not yet autumn in the fields we know, it was close on mid-winter here, the moment as Thang knew well when those eggs hatch out. Had he miscalculated and arrived a minute too late? Yet the bird was even now about to migrate, her pinions fluttered and her gaze was toward Fairyland. Thang hoped and muttered a prayer to those pagan gods whose spite and vengeance he had most reason to fear. It seems that it was too late or a prayer too small to placate them, for there and then the stroke of mid- winter came and the eggs hatched out in the roar of Shiroora Shan or ever the bird was gone with her difficult eye and it was a bad business indeed for Neepy Thang; I haven't the heart to tell you any more. "'Ere," said Lord Castlenorman some few weeks later to Messrs. Grosvenor and Campbell, "you aren't 'arf taking your time about those emeralds."

1

See any dictionary, but in vain.

The Long Porter's Tale

There are things that are known only to the long porter of Tong Tong Tarrup as he sits and mumbles memories to himself in the little bastion gateway.

He remembers the war there was in the halls of the gnomes; and how the fairies came for the opals once, which Tong Tong Tarrup has; and the way that the giants went through the fields below, he watching from his gateway: he remembers quests that are even yet a wonder to the gods. Who dwells in those frozen houses on the high bare brink of the world not even he has told me, and he is held to be garrulous. Among the elves, the only living things ever seen moving at that awful altitude where they quarry turquoise on Earth's highest crag, his name is a byword for loquacity wherewith they mock the talkative.

His favourite story if you offer him bash-the drug of which he is fondest, and for which he will give his service in war to the elves against the goblins, or vice-versa if the goblins bring him more-his favourite story, when bodily soothed by the drug and mentally fiercely excited, tells of a quest undertaken ever so long ago for nothing more marketable than an old woman's song.

Picture him telling it. An old man, lean and bearded, and almost monstrously long, that lolled in a city's gateway on a crag perhaps ten miles high; the houses for the most part facing eastward, lit by the sun and moon and the constellations we know, but one house on the pinnacle looking over the edge of the world and lit by the glimmer of those unearthly spaces where one long evening wears away the stars: my little offering of bash; a long forefinger that nipped it at once on a stained and greedy thumb-all these are in the foreground of the picture. In the background, the mystery of those silent houses and of not knowing who their denizens were, or what service they had at the hands of the long porter and what payment he had in return, and whether he was mortal.

Picture him in the gateway of this incredible town, having swallowed my bash in silence, stretch his great length, lean back, and begin to speak.

It seems that one clear morning a hundred years ago, a visitor to Tong Tong Tarrup was climbing up from the world. He had already passed above the snow and had set his foot on a step of the earthward stairway that goes down from Tong Tong Tarrup on to the rocks, when the long porter saw him. And so painfully did he climb those easy steps that the grizzled man on watch had long to wonder whether or not the stranger brought him bash, the drug that gives a meaning to the stars and seems to explain the twilight. And in the end there was not a scrap of bash, and the stranger had nothing better to offer that grizzled man than his mere story only.

It seems that the stranger's name was Gerald Jones, and he always lived in London; but once as a child he had been on a Northern moor. It was so long ago that he did not remember how, only somehow or other he walked alone on the moor, and all the ling was in flower. There was nothing in sight but ling and heather and bracken, except, far off near the sunset, on indistinct hills, there were little vague patches that looked like the fields of men. With evening a mist crept up and hid the hills, and still he went walking on over the moor. And then he came to the valley, a tiny valley in the midst of the moor, whose sides were incredibly steep. He lay down and looked at it through the roots of the hing. And a long, long way below him, in a garden by a cottage, with hollyhocks all round her that were taller than herself, there sat an old woman on a wooden chair, singing in the evening. And the man had taken a fancy to the song and remembered it after in London, and whenever it came to his mind it made him think of evenings-the kind you don't get in London-and he heard a soft wind again going idly over the moor and the bumble-bees in a hurry, and forgot the noise of the traffic. And always, whenever he heard men speak of Time, he grudged to Time most this song. Once afterwards he went to that Northern moor again and found the tiny valley, but there was no old woman in the garden, and no one was singing a song. And either regret for the song that the old woman had sung, on a summer evening twenty years away and daily receding, troubled his mind, or else the wearisome work that he did in London, for he worked for a great firm that was perfectly useless; and he grew old early, as men do in cities. And at last, when melancholy brought only regret and the uselessness of his work gained ground with age, he decided to consult a magician. So to a magician he went and told him his troubles, and particularly he told him how he had heard the song. "And now," he said, "it is nowhere in the world."