"It was wonderful."
"I could see you were enjoying yourself."
"I love working for him, don't you?"
"I surely do."
"Did you ever see him do a TV taping before?"
"Once or twice. He's an incredible person."
"I know, oh, I know."
They fell silent, anticipating the precinct protests tomorrow morning, awed by the fact that they both worked for this marvelous human being who was doing so much for race relations in this city. Lorraine had been assigned to a precinct all the way out in Majesta. She wasn't even sure she knew where it was.
"I hope it won't be raining," she said. "Tomorrow."
"Or snowing," he said. "Snow would be even worse."
"Where will you be?"
"The Fifth. Down in The Quarter. Near Ramsey U."
"My building's just up ahead," she said. "On the right."
"Okay."
He eased the car to the curb, looked at the dashboard clock. It read :.
"Damn," he said. "I'm going to miss it."
"I'm sorry?"
"The news. It goes on at eleven. I'm sure he'll be the lead story."
"Oh," she said. "Yes. Oh, that's too bad."
"Well, there'll be other stories."
"Why don't you . . . well. . . would you like to come up? Watch it with me?"
"It's late," he said. "Tomorrow's a big day."
"If we don't hurry, we'll both miss it," she said.
He parked and locked the car, and they dashed through the rain to her building, her spindly umbrella virtually useless now, the rain relentless. Once inside the small apartment, she went immediately to the television set and turned it on, and then asked him if he wanted a beer or anything.
"Help yourself, they're in the fridge," she said, and pointed toward the tiny kitchen, and then went into the bathroom across the hall. He took two bottles of beer from the refrigerator, found a bottle opener in the top drawer of the kitchen counter, and uncapped both bottles. He found two glasses in the cabinet over the sink, and poured beer into each of them. Glancing toward the closed bathroom door, he took a pair of blister-packed white tablets from his jacket pocket, and popped both of them into one of the glasses.
He was sitting on the couch in the living room when she joined him a moment later. The news was just coming on. As he'd suspected, the Gabriel Foster announcement was the lead story. He handed her one of the glasses.
"Thanks," she said.
"This is Bess MacDougal at the First Baptist Church here in Diamondback . . ."
"There it is," she said.
"Cheers," he said.
"There you are! Oh, look, there you are!"
"Cheers," he said again.
"There's me, too! Look!"
". . . has called a press conference."
The pan shot over the photograph of Martin Luther King worked exactly as Foster might have hoped, forging a dramatic pictorial link between the slain civil rights
leader and himself. They both fell silent as he began speaking.
"I don't care what color you are out there," he said, "you have to believe that what the Mayor said today was untruthful and unjust. Truth and justice! That's all there is, and all we need to know!"
"Yes, Rev!" someone shouted.
"Look at him," Lorraine said.
"Beautiful."
"The Mayor said that it was not any of his detectives who marched into The Catacombs downtown on Saturday night and beat up Hector Milagros, and that is not truth!"
"Character is what comes through."
"Sincerity."
"Character and sincerity, right."
"The Mayor said that Hector Milagros is a self-confessed murderer and not entitled to the pity of the people of this great city, and that is not justice!"
"Right on!"
"I don't care if you are some kind of belligerent black man, all he needs is a gun . . ."
"Tell 'em, Rev!"
"I don't care if that's the kind of bellicose person you are, or whether you are an abstemious soul goes smiling at white folks and behind their backs wishes they were dead . . ."
"OhLordy!"
"Whatever kind of African-American you are, rich or poor, whether you a doctor or a homeboy, whether you clever or dim ..."
"Cheers," Lorraine said at last, and raised her glass.
"Cheers," he said.
". . . whether you a telephone operator or somebody scrubs floors on her hands and knees . . ."
They clinked glasses and drank.
There were at least three dozen people marching back and forth and chanting in front of the station house when Arthur Brown got to work on Wednesday morning. A black man carrying a sign reading truth and justice gave Brown a dirty look and said, "I wouldn't go in there I was you, brother."
"I work here, brother."
"You should fine another job."
Brown walked right on by, and up the familiar steps, and past the uniformed officer standing on the top step in front of the scarred wooden doors flanked by green globes with the numerals on each. Sergeant Murchison, sitting behind the muster desk said, "They still dancing out there?"
"Looks like," Brown said, and started up the iron-ranged steps leading to the second-floor squadroom.
Actually, he didn't know how he really felt about those people outside marching and yelling. He knew it was wrong for two detectives to have gone in there and beaten up a prisoner in custody, white or black. But that man down there in The Catacombs worked for a dope dealer and the job he performed for him was the same as what had happened to him: he beat people up. Sometimes killed them, in fact, like he'd done to Danny Nelson. The question Brown had to ask—and this was a question the reverend Foster never asked—was whether the man had been beaten up cause he was black or just cause he was an evil piece of shit. Wasn't no way you could learn the truth of that situation till you found the deuce of dicks who'd gone in there for whatever reason. Way Brown figured it, you let somebody beat up any black man just cause he was black, then next time it could be your own ass. He knew there were white sons of bitches in this world would think nothing of laying a pipe upside his head just for his color alone, he knew that. But he was a cop. And in his day and
time, he had clipped many a black son of a bitch coming at him, and in those instances color'd had nothing to do with anything. Nor had he regretted it. That was the truth. Justice was another story.
First thing he saw on his way into the squadroom was a redheaded girl sitting at Bert Kling's desk.
Meyer told him she was waiting for somebody from the Rape Squad.
She didn't look like a cop at all, much less someone here to talk to Lorraine about a rape. She was in her mid-thirties, Lorraine guessed, with black wedge-cut hair and brown eyes behind designer eyeglasses, a slender woman of medium height wearing what looked like a naval officer's greatcoat, hatless and gloveless though the temperature outside this morning was in the low twenties and the wind was blowing fiercely. A blue leather shoulder bag dangled from a strap over her left shoulder. Lorraine guessed there'd be a pistol in it if she was a cop, though she didn't look at all like a cop. "Miss Riddock?" she said, and extended her hand, "I'm Detective Annie Rawles." They shook hands briefly. "Let's go down the hall, okay?" she said. "Be a bit more private."
Lorraine nodded and followed her through the gate in the slatted wooden railing, and then down the corridor to a door marked interrogation on its upper frosted-glass panel. There were no windows in the room. They sat at a long table scarred with cigarette burns. A mirror hung on one wall. Lorraine wondered if it was a one-way mirror. She wondered if anyone was watching and listening beyond the smudged apple green wall.
"Want to tell me about it?" Annie said.
The girl did not look like your average rape victim. Usually, there was a stunned demeanor, a glazed look to the eyes. Usually, the shoulders were slumped, the fingers
interlaced as if in prayer, the knees pressed together defensively, a shamed expression on the face. Instead, Lorraine Riddock's eyes were filled with anger, her mouth a tight little line across her face, her fists clenched. When she spoke, her voice was clear and resonant.