By now, we’ve all been interviewed a million times about the tour. One of Cal Thompson’s books covers it the best; he was there watching our backs the whole way. Most of what he says is true, as far as I can remember.
The only really new thing I can add to all those stories is this:
It happened in a small town outside Tulsa, about halfway through the Heartland Tour. That night’s gig had been fawesome, us thrashing through a twenty-minute version of “Piece Two” while the crowd killed the local enemy, a giant bull worm whose death throes tore up that Sears parking lot like a rabid dog does a newspaper.
At the after-party, one of the local angels came up to me. She had short hair, wild makeup, and intense eyes. Her broadsword was strapped across her back like a guitar.
She stood there for a second, eyes flashing in the light of the bonfire. The comforting smell of burning worm-flesh filled the air.
“Hey, good work tonight,” I said, raising my hand. “You guys in the Oklahoma Watch are great!”
I was sort of expecting her to say, “No, you’re great!” But she didn’t answer, just stared at me.
After a moment, I said, “Tough old worm, though, huh?”
“You owe me a Strat,” she said.
I blinked, finally recognizing her.
She was that crazy woman, the one who’d thrown her life out the window onto Sixth Street the night Pearl and I had met. We’d seen the angels taking her away, to New Jersey—or maybe even Montana, because it was that far back—so of course she’d been cured and had become one of them…
I wondered how she’d wound up way out here. Maybe she’d loved New York too much to go back home; the anathema hangs on real hard sometimes. I’ve seen angels cower at the sight of old friends or flinch when they hear the chorus of a favorite song. Hell, I still don’t look in mirrors much.
“Wow,” I said, starting to smile. “It’s you.”
Her dark eyes flashed. “You broke it, one of your bodyguards told me. Smashed it on the stage, like you’re Jimi Hendrix or something?”
I shook my head. “It wasn’t like that. I was going through the anathema.”
“That was a nineteen seventy-five Strat with gold pickups and hardware,” she said slowly. “Do you know how hard those are to find? Especially these days?”
I knew exactly. I’d been looking for another one since we’d started touring. The last few in existence were so valuable even I didn’t have enough money for one. Here was me helping save the world, and I couldn’t even afford a decent ax. How messed up was that?
But I’d had about enough of her attitude. “Hang on a second. Last thing I saw, you were throwing it out a window!”
“Yeah, well, I was nuts then!”
“So was I when I smashed it!”
“Um, Moz?” It was Pearl walking up, carrying two precious bottles of precrisis beer. She frowned. “Is there a problem here?”
The woman glared at me, then her hands unbent from claws and she shook her head. “No problem.”
The acid scent of angels about to get into a fistfight faded from the air.
I let out a sigh, muttering, “She says I owe her a Stratocaster.”
Pearl’s eyes widened slowly. “Whoa… it’s you.” Her face broke into a smile. “Well, I guess you get Moz’s beer, then.”
The woman snorted, then took the offered bottle. Homemade liquor was common enough by then, but nobody ever turned down the civilized stuff.
I stood there and watched as Pearl told her how fawesome the local Watch had been tonight. Pearl asked if we could tell headquarters about anything they needed, already the politician, effortlessly charming—saving me once again.
Now that I thought about it, I’d always meant to find this woman, at least to say how much the Strat had meant to me, maybe to explain how it had met its end. But I’d never quite gotten around to it.
It was like Zahler said: Pearl was always fixing the things I’d smashed or dropped or just let slip into disrepair. She’d even helped me and Minerva patch things up more than a few times—anything for the good of the band.
Their conversation paused when another hunk of worm was thrown onto the pyre, making a rattling hiss like a radiator in a New York winter, a fresh scattering of sparks spitting forth and lifting into the sky, another round of drunken cheers.
“Thanks,” I said to the woman.
“For what?”
“For dropping that guitar at exactly the right moment.” I smiled at Pearl. “For bringing us together.”
Pearl grinned back at me.
“Well, you’ve got a funny way of repaying me,” the woman said.
“For what it’s worth,” Pearl said, “I was there, and he was bat-shit crazy at the time.”
“You only break the things you love,” I said.
The woman shook her head slowly. “But don’t you get it, Moz? Anathema or not, it wasn’t yours to fall in love with.”
I swallowed, not knowing what to say, and Pearl came to my rescue again. “We don’t always get to choose what we love.”
The woman just scowled, sighing heavily as we turned together toward the blaze. It was growing hotter, its center turning blue as the beast’s fat and muscle rendered, dripping down into the bonfire’s sizzling core. Pearl’s fingers wrapped gently around my arm and drew me closer.
The worm kept burning.
AUTHOR’S NOTE
In case you haven’t noticed, all the chapter titles in The Last Days are band names. Some of them are great bands, some lame, and a few I’ve never actually heard play—I just needed their names for chapter titles, okay? But for your edification, and so that you can see that I didn’t just make them up, here’s the list of all chapter names, with a little info about each band.
Enjoy.
ACKNOWLEDGMENT
Thanks to Morgan Butts and her pals for "fawesome."
ABOUT THE AUTHOR
Texas native Scott Westerfeld has written several acclaimed novels for adults and teens, including So Yesterday, The Risen Empire, the Midnighters sequence, and the Uglies/ Pretties/Specials trilogy. His books have been named New York Times Notable Books of the Year, made the Times’s essential summer reading list, been awarded the Philip K. Dick Special Citation and the Victoria (Australia) Premier’s Prize. Scott and his wife live in New York City and Sydney, Australia.
Visit Scott’s Web site at www.scottwesterfeld.com