At one point, Tom thought he had his man. He caught a slender man with a craggy face sneaking around Dickens's door. It turned out to be a speculator from New York who had taken rooms near Dickens's hoping to overhear the time and location of the next ticket sale.
When Dolby was away for tour business and Mr. Fields and Mr. Osgood occupied, Tom would accompany Dickens on his long walks.
At a shop window, Dickens would have only a few moments before a crowd would surround him. He was pleased with the bookstores in Boston celebrating his visit by filling their window displays with his photographic portraits and towering stacks of his novels, often displacing Guardian Angel, the new novel by Dr. Oliver Wendell Holmes, and the recently published literary sensation, Longfellow's Dante. The novelist also slowed down to see how enterprising cigar stores put Pickwick Snuff, Little Nell Cigars, and a Christmas Game of Dickens (for Old and Young) out front.
“The ingenuity of the Hub of the Universe! That's an Americanism, you see,” he'd explain. “The hub being the name in this country of the nave of a wheel. Little Nell cigars! Remember to tell Forster that for my biography.”
Dickens handed Tom his walking stick while he went in for a closer look. Tom, while waiting, nearly sliced his hand on a large screw that he had not noticed sticking out from the side of the handle.
When Dickens emerged happily smoking a Little Nell, Tom asked whether he should remove the screw so that Dickens would not accidentally injure himself.
“Heavens no, Branagan! Why, that is a most purposeful screw to strengthen it. You see, I sometimes find myself walking in the marshes,” he said as they crossed the street. “Nearby the convicts perform their labors. In case one escapes, the tip of this cane can be used as a weapon. Come,” he said suddenly in a high-pitched voice, grabbing Tom's arm. “Let us avoid Mr. Pumblechook, who is crossing the street to meet us.” Then, in a different voice, “No, down this alley. Mr. Micawber is coming, let us get out of his way.”
Tom was already used to this. Dickens would often act out the roles of Pip, Ralph Nickleby, or Dick Swiveller to practice his readings while on his walks. He'd sometimes take his after-breakfast constitutionals along Beacon Street, which was also called New Land, where there had still only been a bleak swamp on his last visit to Boston. With snowfalls alternating with rain, a thick, sloppy mud now coated the sidewalks. On this particular walk, as Dickens and Tom rounded the corner, a woman in a formal gown walking several paces behind paused, taking unusual care where she stepped. She leaned down gingerly, removing a piece of paper from a carpetbag. This she pressed against the gravel where the two men had stepped a few moments earlier. After allowing it to soak up the mud, she then lifted the paper. With a razor, she then sliced the paper around the edges of the novelist's boot print. A Dickens print. A perfect Dickens print.
All the while, the two men rushed ahead to find shelter from the rain, never noticing the woman or her ecstasy as she clutched her prized footprint.
THE DAY OF the first public reading was spent by the Dickens staff readying Tremont Temple. Dickens was testing the best place on the stage from which to read. Henry Scott was tiptoeing around him like a ballerina laying out Dickens's water and books on the reading table. George Allison was meticulously arranging gas burners that would throw just the right light onto just the right places on Dickens's face.
Dolby had chosen that hall over newer ones like the Boston Theater because the gradual rising floor meant all seats were good. Dickens had liked this idea. “Exact equality for my hearers!” he'd said. He hated the notion of the wealthier being able to buy a better view and refused to allow the cost of the tickets to be raised above a democratic one dollar, even if it might have inhibited speculation to have done so.
Tom, meanwhile, was assigned to inspect the hall's entrances.
“Does all seem well?” Dolby inquired.
“You say there will be hundreds of people here, Mr. Dolby?”
“The largest audience ever assembled in Boston since they threw the cargoes of our tea ships into the harbor!” Dolby seemed agitated when Tom did not smile.
“This will be the first public appearance of Mr. Dickens here. I am concerned, to be candid, Mr. Dolby, that whoever was after him at the hotel will look for him here.”
“What are you talking about?” asked Dolby, shaking his head vigorously. “That fellow? The Great Yankee Pillow Thief, you mean?”
Tom was amazed that the manager could have put the incident so far out of his mind. “It is only possible, sir, and I fear without knowing what his intention was that night and what the man even looks like-”
“Enough! You're quite candid enough!” Dolby cried out. He chewed at his lip while examining his porter. “It is a matter of pride for me, young Branagan, that I make a tour successful and, at the same time, pleasing to the Chief-not to rattle him and risk undermining his genius.”
Dickens, standing at his mahogany table at the platform to test the acoustics, glanced toward the spot of Dolby's outburst.
“Chief, you sound first rate from this spot!” said Dolby. “I'll move to the other gallery and listen from there.” Then, turning back to Tom, he said quietly, “Did you know when my predecessor died, it was the Chief himself who wrote the lines on his tombstone?”
“No,” returned Tom. Did Dolby plan on needing a tombstone soon?
Tom thought for a moment of walking right up to the platform and telling the Chief himself his concern. Perhaps Dolby sensed this, as he gave him new orders.
“Remember, Branagan, the special guest is to be seated before anyone else. If there is one thing you will learn from the Chief while in America, it is a consideration for others,” he said. The special guest Dolby referred to had earlier written a letter to Dickens saying she was paralyzed and asking whether the doors to Tremont Temple could be opened for her early. Dickens had complimentary tickets sent to her and had instructed Dolby to make arrangements to ensure her comfort.
When the paralyzed woman arrived, almost weeping with excitement, Tom lifted her inside. As he did, he could see the hundreds of people waiting outside the building for the doors to open. The tangle of carriages in the streets around the theater had in fact nearly stopped the whole business of Boston. Those who didn't have tickets loitered around the building staring with resentment at the theatergoers pushing their way inside where Tom and police officers finally directed them to seats. At one point, there was a sudden sound like an explosion from one of the galleries.
Tom raced to the spot. The sound had come from a man who had sat on his neighbor's opera hat that had been left on the wrong seat, popping it and sending the crown into the brim. An argument between the two blue bloods ensued over who was to blame, then over the price of the hat, then moving to how the hatless gentleman was ever to hail a hackney coach later with his head uncovered like a tramp.
Dickens finally climbed the platform at fifteen minutes after eight, a dark suit chosen by Henry set off by a white and red flower on the lapel. A roar of applause, shouts of welcome, a waving sea of handkerchiefs, and Dickens bowed left, right, ahead. The only sounds that could quiet the audience were the novelist's first words: