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In those ten years of wandering, Joseph Rayna begat fifty-two sons and daughters. Women saw him (as one woman put it in a letter preserved in the Nazi archive, titled: "Female claims concerning the imaginary virility of individual Hebrews who abused the innocence of Aryan women and bred with them with impure blood (A) Hebrew gestation, (B) contrition of Aryan women, (C) example of Francesca Glauson who delivered her son to the Gestapo in Bonn in 1942 and after the boy died, in an incident that took place in a camp, she described in detail the cunning of Hebrew wooing and taught a class of girls in Haan and later in Hamburg how to escape those and other errors, Heidelberg, 1944") as a harsh and deformed angel noble as beggars can sometimes appear: delicate and sensual. Women, says the letter of that woman, Frau Helma Rauchsfinger, loved the arrogant indulgence of Joseph Rayna, his self-confidence demonstrated in a generous and light manner. By submitting to that man-like other Hebrews-they thought they were fighting sins that wanted so much to be committed and overcoming themselves to be worthy afterward for somebody who would compensate them for all the suffering mixed with tormented joy, a person who would grant them bliss and safety and would wipe away the disgrace they had to experience in their flesh to know it up close. There's nothing like carnal experience to grant a woman what a man can get from abstract thought, maybe, writes Frau Helma Rauchsfinger, a woman can't even think an abstract thought, only abstract hating and loving are allowed both men and women.

When I read that material years later I laughed also because all my lovers were sons of Joseph and also because all my life I had been searching for Joseph and didn't find him and even though I thought he was my father, I was the only person of all the descendents of Joseph who couldn't really have been his son.

Joseph remembered all his offspring and all his women. He loved them no more than they loved him, but he understood their lust for him, just as the flower surely understands that not every butterfly is in love with it, but needs its smell and its pollen.

Joseph treated his women with a chivalry that many people in the late nineteenth century said had disappeared from the world. After wandering in many countries, he came to Denmark. In a fishing village in northern Jutland, where the Baltic Sea and the Atlantic Ocean meet, at different water levels, in a restrained dreary and bewitched light, the most enchanted light he had ever seen, he met a good-looking painter, fair and sickly, she sat in the strong cold, wrapped in a yellow wool shawl that glowed in the distance and painted purple waves where a scarlet hue poured a sense of ancient death and a boat, abandoned by gray-faced sailors who would never return, was bobbing on them. In the enchanted light, the painter looked like a goddess carved from rock. And she said: In that boat sits my brother, who disappears every winter and someday will return. Later on, she told Joseph that her mother brought soil from the Holy Land and her father was buried there, I think, she said, that he was a wandering Jew who came upon Jutland as a youth, and lived his whole life as a Dane but before he died he recalled his origin and asked his family to bury him on the Mount of Olives. She expressed no opinion on the subject and didn't care if her father was a Jew or not. She was a painter and painted the strong light.

As the winter intensified, they wandered to the Netherlands, went to Paris, from there to Italy, sailed to Alexandria and from there to the Land of Israel. Those were good times in Joseph's life. He listened to the painter's story about the paintings she was to paint, loved her exciting asceticism, her lack of lust for him, and her sharp and unique love.

She also feared he would fall in love with her as she loved. Her belly swelled and when they came to Jerusalem, she died in his arms in the seventh month of her pregnancy. Joseph buried her next to her father's grave. Then he toured the Land of Israel and saw the vistas described by his mother who was the last queen of the Hasmonean line. On Mount Tabor, he met a German aristocrat, Adorno von Melchior who wanted to establish a Jewish kingdom in the Land of Israel. When Joseph met Sarah, the wife of the German aristocrat, he felt he was liable to sin against his great love hung around his neck as an amulet. Joseph became the secretary of the aristocrat von Melchior. He wrote his letters in a florid handwriting and the woman he loved almost more than all the women he had met slept like an animal with mustached men who would beat her, Druses in white kaffiyehs with sullen eyes, and she said: I do that to forgive you for your errors, and the aristocrat said: She doesn't sleep with me because she's my wife and she loves me. Joseph understood the profound bond between the two queens he had met in his life, his mother and Sarah the wife of the aristocrat, and when he saw how much she yearned for him, he tried to touch her but she rejected him even though her womb began to stab and she wanted to give him children. After she told him things in that vein, Joseph wrote seventeen poems, each a description of a part of her body he didn't know. In one of the poems he described Frau von Melchior's neck as it looked in the transparent and strong Jerusalem light when her collar fell down and the cleft of her bosom looked like the winding of a beloved snake. The Frau loved the poems and he read them to her standing at perfect and absurd attention. On his travels for von Melchior he met the Jewish Pioneers who were establishing the first settlements. He pitied their hard life and suffered the pain of their enslavement to Baron Rothschild. He liked to feast his eyes on the handsome daughters of the settlers in the burning afternoons of the Land of Israel. They were full of yearnings for their dream from the moment they started building their miserable houses. With gloomy expressions, they tried to celebrate, contracted malaria, and wept.

A year Joseph Rayna stayed in the Land of Israel. He wrote in one of his poems that the discovery of God among the rocks of the wasteland is testimony to the destruction of the nation. He parted from the farmers' daughters who, having no other songs, sang his songs as if they were hymns. He parted from the wife of the German aristocrat who loved him so much she fled for a month to some Druse sheikh who kept her tied to a rock in the mountains of Transjordan. After leaving a bouquet of flowers on the fresh grave of the Danish painter who had carried his son in her womb, he left the Land of Israel, went to Alexandria, wandered to Persia, came to India, and on a gloomy day in the winter of eighteen ninety-eight, he came back to our city. He went to his mother's grave, and then to the grave of Rebecca Secret Charity, the wife and daughter of Secret Charity, and closed himself in a room and wrote elusive songs about the splendid, pedigreed, and desired Land of Israel, and then he was discovered by a group of young people who'd gather in the forest, wave flags in secret, and dream of a settlement in the Land of Israel. In the exhausting cold, around a bonfire, the young people sat and sang songs brought by an emissary. They sang Joseph's songs without knowing it. Nehemiah Schneerson, the leader of the group, met Joseph in the cemetery when he went to say kaddish on his father's grave and invited him to tell his group about the Land of Israel.

In the group of young people craving salvation was one girl, a close friend of Rebecca Sorka who would ascend to the Land of Israel on the first day of the twentieth century and be called Rebecca Schneerson and would be the mother and grandmother of Boaz Schneerson. Joseph looked at Rachel and she trembled at the sight of the gigantic organ that was like a beam between the eyes of the well-born prince who told about the Land of Israel, without emotion or yearnings. Shutting her eyes, Rachel Brin gleaned a little of the light Joseph had taken from his great-grandmother's grave. The light balled up into pain in her womb. When Nehemiah heard Joseph's songs, which he had sung before without paying attention to their words (Joseph read the poems despondently but unashamedly), the blood drained from his face and at that moment Joseph would look at Rachel. Nehemiah was furious at the songs without knowing why. He was a genius in the yeshiva who had disappointed his rabbi, who had expected great things from him. But when Joseph read all his poems and Rachel felt stabbings in her belly, at that very moment, on the other side of the city, at the entrance to the forest, Rebecca Sorka got up, and far from her friend Rachel, whom she had recently abandoned, looked out the window of her room and saw a light glowing in the forest but she didn't see its reflection in the windowpane. In the forest, naked winter trees awaited her. It was evening and she didn't leave her house. These things are the absolute truth. When she woke up in the morning, at the sight of the ceiling above her, she said to herself: My death canopy! In the shadows of the chiaroscuro, in her eyes black dogs were depicted slicing a person's body. The person she didn't know but for some reason she thought she should know him. After she dismissed the maid who came to brush her long delicate hair, she crossed her legs, sat up in bed, and thought about the man she had seen before in her fantasies, which were still too tormenting for her to think about now. So she formulated them to herself with fake indifference and wrote Yeshua, deliverance, on the wall of the stove bulging into her room.