Among other works of art in which he was engaged, he had projected the erection of a national gallery for statues and pictures. He possessed many himself, which he designed to present to the Republic; and, as the edifice was to be the great ornament of his Protectorship, he was very fastidious in his choice of the plan on which it would be built. Hundreds were brought to him and rejected. He sent even to Italy and Greece for drawings; but, as the design was to be characterised by originality as well as by perfect beauty, his endeavours were for a time without avail. At length a drawing came, with an address where communications might be sent, and no artist’s name affixed. The design was new and elegant, but faulty; so faulty, that although drawn with the hand and eye of taste, it was evidently the work of one who was not an architect. Raymond contemplated it with delight; the more he gazed, the more pleased he was; and yet the errors multiplied under inspection. He wrote to the address given, desiring to see the draughtsman, that such alterations might be made, as should be suggested in a consultation between him and the original conceiver.
A Greek came. A middle-aged man, with some intelligence of manner, but with so common-place a physiognomy, that Raymond could scarcely believe that he was the designer. He acknowledged that he was not an architect; but the idea of the building had struck him, though he had sent it without the smallest hope of its being accepted. He was a man of few words. Raymond questioned him; but his reserved answers soon made him turn from the man to the drawing. He pointed out the errors, and the alterations that he wished to be made; he offered the Greek a pencil that he might correct the sketch on the spot; this was refused by his visitor, who said that he perfectly understood, and would work at it at home. At length Raymond suffered him to depart.
The next day he returned. The design had been re-drawn; but many defects still remained, and several of the instructions given had been misunderstood. “Come,” said Raymond, “I yielded to you yesterday, now comply with my request—take the pencil.”
The Greek took it, but he handled it in no artist-like way; at length he said: “I must confess to you, my Lord, that I did not make this drawing. It is impossible for you to see the real designer; your instructions must pass through me. Condescend therefore to have patience with my ignorance, and to explain your wishes to me; in time I am certain that you will be satisfied.”
Raymond questioned vainly; the mysterious Greek would say no more. Would an architect be permitted to see the artist? This also was refused. Raymond repeated his instructions, and the visitor retired. Our friend resolved however not to be foiled in his wish. He suspected, that unaccustomed poverty was the cause of the mystery, and that the artist was unwilling to be seen in the garb and abode of want. Raymond was only the more excited by this consideration to discover him; impelled by the interest he took in obscure talent, he therefore ordered a person skilled in such matters, to follow the Greek the next time he came, and observe the house in which he should enter. His emissary obeyed, and brought the desired intelligence. He had traced the man to one of the most penurious streets in the metropolis. Raymond did not wonder, that, thus situated, the artist had shrunk from notice, but he did not for this alter his resolve.
On the same evening, he went alone to the house named to him. Poverty, dirt, and squalid misery characterised its appearance. Alas! thought Raymond, I have much to do before England becomes a Paradise. He knocked; the door was opened by a string from above—the broken, wretched staircase was immediately before him, but no person appeared; he knocked again, vainly—and then, impatient of further delay, he ascended the dark, creaking stairs. His main wish, more particularly now that he witnessed the abject dwelling of the artist, was to relieve one, possessed of talent, but depressed by want. He pictured to himself a youth, whose eyes sparkled with genius, whose person was attenuated by famine. He half feared to displease him; but he trusted that his generous kindness would be administered so delicately, as not to excite repulse. What human heart is shut to kindness? and though poverty, in its excess, might render the sufferer unapt to submit to the supposed degradation of a benefit, the zeal of the benefactor must at last relax him into thankfulness. These thoughts encouraged Raymond, as he stood at the door of the highest room of the house. After trying vainly to enter the other apartments, he perceived just within the threshold of this one, a pair of small Turkish slippers; the door was ajar, but all was silent within. It was probable that the inmate was absent, but secure that he had found the right person, our adventurous Protector was tempted to enter, to leave a purse on the table, and silently depart. In pursuance of this idea, he pushed open the door gently—but the room was inhabited.
Raymond had never visited the dwellings of want, and the scene that now presented itself struck him to the heart. The floor was sunk in many places; the walls ragged and bare—the ceiling weather-stained—a tattered bed stood in the corner; there were but two chairs in the room, and a rough broken table, on which was a light in a tin candlestick;—yet in the midst of such drear and heart sickening poverty, there was an air of order and cleanliness that surprised him. The thought was fleeting; for his attention was instantly drawn towards the inhabitant of this wretched abode. It was a female. She sat at the table; one small hand shaded her eyes from the candle; the other held a pencil; her looks were fixed on a drawing before her, which Raymond recognized as the design presented to him. Her whole appearance awakened his deepest interest. Her dark hair was braided and twined in thick knots like the head-dress of a Grecian statue; her garb was mean, but her attitude might have been selected as a model of grace. Raymond had a confused remembrance that he had seen such a form before; he walked across the room; she did not raise her eyes, merely asking in Romaic, who is there? “A friend,” replied Raymond in the same dialect. She looked up wondering, and he saw that it was Evadne Zaimi. Evadne, once the idol of Adrian’s affections; and who, for the sake of her present visitor, had disdained the noble youth, and then, neglected by him she loved, with crushed hopes and a stinging sense of misery, had returned to her native Greece. What revolution of fortune could have brought her to England, and housed her thus?
Raymond recognized her; and his manner changed from polite beneficence to the warmest protestations of kindness and sympathy. The sight of her, in her present situation, passed like an arrow into his soul. He sat by her, he took her hand, and said a thousand things which breathed the deepest spirit of compassion and affection. Evadne did not answer; her large dark eyes were cast down, at length a tear glimmered on the lashes. “Thus,” she cried, “kindness can do, what no want, no misery ever effected; I weep.” She shed indeed many tears; her head sunk unconsciously on the shoulder of Raymond; he held her hand: he kissed her sunken tear-stained cheek. He told her, that her sufferings were now over: no one possessed the art of consoling like Raymond; he did not reason or declaim, but his look shone with sympathy; he brought pleasant images before the sufferer; his caresses excited no distrust, for they arose purely from the feeling which leads a mother to kiss her wounded child; a desire to demonstrate in every possible way the truth of his feelings, and the keenness of his wish to pour balm into the lacerated mind of the unfortunate.