Molly held him so fiercely that he gave a mouselike squeak of protest. "Do you know the way?" she asked, as eagerly as Prince Lнr had demanded of her. "Tell me the way, tell me where we must go." She put the cat down on the table and took her hands off him.
The cat made no answer for a long time, but his eyes grew brighter and brighter: gold shivering down to cover the green. His crooked ear twitched, and the black tip of his tail, and nothing more.
"When the wine drinks itself," he said, "when the skull speaks, when the clock strikes the right time – only then will you find the tunnel that leads to the Red Bull's lair." He tucked his paws under his chest and added, "There's a trick to it, of course."
"I'll bet," Molly said grimly. "There is a horrible, crumbly old skull stuck up high on a pillar in the great hall, but it hasn't had anything to say for some time. The clock that stands nearby is mad, and strikes when it pleases – midnight every hour, seventeen o'clock at four, or perhaps not a sound for a week. And the wine – oh, cat, wouldn't it be simpler just to show me the tunnel? You know where it is, don't you?"
"Of course I know," answered the cat, with a glinting, curling yawn. "Of course it would be simpler for me to show you. Save a lot of time and trouble."
His voice was becoming a sleepy drawl, and Molly realized that, like King Haggard himself, he was losing interest. Quickly she asked him, "Tell me one thing, then. What became of the unicorns? Where are they?"
The cat yawned again. "Near and far, far and near," he murmured. "They are within sight of your lady's eyes, but almost out of reach of her memory. They are coming closer, and they are going away." He closed his eyes.
Molly's breath came like rope, fretting against her harsh throat. "Damn you, why won't you help me?" she cried. "Why must you always speak in riddles?"
One eye opened slowly, green and gold as sunlight in the woods. The cat said, "I am what I am. I would tell you what you want to know if I could, for you have been kind to me. But I am a cat, and no cat anywhere ever gave anyone a straight answer."
His last few words drowsed away into a deep, regular purr, and he was asleep with the one eye partly open. Molly held him on her lap and stroked him, and he purred in his sleep, but he did not speak again.
XI
Prince Lнr came home three days after he set out to slay the maiden-fancying ogre, with the Great Ax of Duke Alban slung behind him and the ogre's head bumping at his saddlebow. He offered neither prize to the Lady Amalthea, nor did he rush to find her with the monster's blood still brown on his hands. He had made up his mind, as he explained to Molly Grue in the scullery that evening, nevermore to trouble the Lady Amalthea with his attentions, but to live quietly in the thought of her, serving her ardently until his lonely death, but seeking neither her company, her admiration, nor her love. "I will be as anonymous as the air she breathes," he said, "as invisible as the force that holds her on the earth." Thinking about it for a little, he added, "I may write a poem for her now and then, and slip it under her door, or just leave it somewhere for her to chance upon. But I won't ever sign the poem."
"It's very noble," Molly said. She felt relieved that the prince was giving up his courtship, and amused as well, and somewhat sad. "Girls like poems better than dead dragons and magic swords," she offered. "I always did, anyway, when I was a girl. The reason I ran off with Cully -"
But Prince Lнr interrupted her, saying firmly, "No, do not give me hope. I must learn to live without hope, as my father does, and perhaps we will understand each other at last." He dug into his pockets, and Molly heard paper crackling. "Actually, I've already written a few poems about it – hope and her, and so on. You might look them over if you wanted to."
"I'd be very pleased," Molly said. "But will you never go out again, then, to fight with black knights and ride through rings of fire?" The words were meant teasingly, but she found as she spoke that she would have been a little sorry if it were so, for his adventures had made him much handsomer and taken off a lot of weight, and given him, besides, a hint of the musky fragrance of death that clings to all heroes. But the prince shook his head, looking almost embarrassed.
"Oh, I suppose I'll keep my hand in," he muttered. "But it wouldn't be for the show of it, or for her to find out. It was like that at first, but you get into the habit of rescuing people, breaking enchantments, challenging the wicked duke in fair combat – it's hard to give up being a hero, once you get used to it. Do you like the first poem?"
"It certainly has a lot of feeling," she said. "Can you really rhyme 'bloomed' and 'ruined'?"
"It needs a bit of smoothing out," Prince Lнr admitted. "'Miracle' 's the word I'm worried about."
"I was wondering about 'grackle' myself."
"No, the spelling. Is it one r and two ls, or the other way round?"
"One r, anyway, I think," Molly said. "Schmendrick" – for the magician had just stooped through the doorway – "how many rs in 'miracle'?"
"Two," he answered wearily. "It has the same root as 'mirror.'" Molly ladled him out a bowl of broth, and he sat down at the table. His eyes were hard and cloudy as jade, and one of the lids was twitching.
"I can't do this very much longer," he said slowly. "It isn't this horrible place, and it isn't having to be listening for him all the time – I'm getting rather good at that – it's the wretched cheapjack flummery he has me perform for him, hours on end – all night last night. I wouldn't mind if he asked for the real magic, or even for simple conjuring, but it's always the rings and the goldfish, the cards and the scarves and the string, exactly as it was in the Midnight Carnival. I can't do it. Not much more."
"But that was what he wanted you for," Molly protested. "If he wanted real magic, he'd have kept the old magician, that Mabruk." Schmendrick raised his head and gave her a look that was almost amused. "I didn't mean it like that," she said. "Besides, it's only for a little while, until we find the way to the Red Bull that the cat told me about."
She lowered her voice to a whisper as she spoke this last, and both of them glanced quickly over at Prince Lнr; but he was sitting on a stool in the corner, evidently writing another poem. "Gazelle," he murmured, tapping his pen against his lips. "Demoiselle, citadel, asphodel, philomel, parallel…" He chose 'farewell,' and scribbled rapidly.
"We will never find the way," Schmendrick said very quietly. "Even if the cat told the truth, which I doubt, Haggard will make sure we never have time to investigate the skull and the clock. Why do you suppose he piles more work on you every day, if not to keep you from prowling and prying in the great hall? Why do you think he keeps me entertaining him with my carnival tricks? – why do you think he took me as his wizard in the first place? Molly, he knows, I'm sure of it! He knows what she is, though he doesn't quite believe it yet – but when he does, he'll know what to do. He knows. I see it in his face sometimes."
"The lift of longing, and the crash of loss," Prince Lнr said. "The bitterness of tumpty-umpty-oss. Cross, boss, moss. Damn."
Schmendrick leaned across the table. "We can't stay here and wait for him to strike. The only hope we have is to escape at night – by sea, perhaps, if I can lay hold of a boat somewhere. The men-at-arms will look the other way, and the gate -"
"But the others!" she cried softly. "How can we leave, when she has come so far to find the other unicorns, and we know they are here?" Yet one small, tender, treacherous part of her was suddenly eager to be convinced of the quest's failure, and she knew it, and was angry at Schmendrick. "Well, but what about your magic?" she asked, "what about your own little search? Are you going to give that up too? Will she die in human shape, and you live forever? You might as well let the Bull have her then."