The woman they’d come to visit was a tiny thing. Her body was so slight that it seemed as though she couldn’t hold herself upright without the support of the wheelchair. Mabel had tufts of white cotton-candy hair and rheumy blue eyes, but when she heard Billinger’s voice, she smiled and blinked away the fog of memory and held out a fragile hand, marked with age spots and swollen rivulets of blue veins, and reached for him.
Billinger squatted down and looked at Mabel with genuine affection, accepting her hand and gently placing his over the thin flesh. He wheeled her alongside a nearby bench and gestured for Olivia to join them.
The professor had told her that Mabel was only in her seventies, so Olivia was caught off guard by the woman’s appearance. She wore all the marks of someone who’d struggled, kicking and clawing, through life. The years had shrunken her and bit away at her curves until she had the body of an undernourished child—all sharp angles and skin stretched tight across the bones. Her face was carved with deep wrinkles, like those on a walnut shell, but there were many fanning from the corner of her eyes, indicating that she’d born her troubles with a healthy dose of good humor.
“How lovely to meet a friend of Emmett’s,” Mabel said to Olivia in a voice as insubstantial as a leaf pushed about in the breeze. “He’s such a dear.” She gazed at Billinger fondly.
Instead of taking a seat next to the professor, Olivia stood directly in front of Mabel. “May I show you something?”
As the older woman nodded in assent, a stray shaft of sunlight broke through the protective boughs of the oak tree to the northwest and illuminated Mabel’s face, erasing away the decades. For a fraction of a second, Olivia saw how handsome this woman had been in her youth and that the ghost of this beauty coexisted with her brittle bones and mottled skin.
Olivia froze for a moment. Had her mother survived, would she be like Mabel? Would her radiance have shone through the sea blue eyes she shared with her daughter? Or would a lifetime spent growing old alongside an erratic man have robbed her of all her softness and grace, replacing them with furrows of worry and hard edges of regret?
Mabel turned her hands over, showing Olivia her palms and inviting her to come back to the present moment. Happy to obey, she unwrapped Kamler’s painting and, keeping it anchored on a piece of cardboard, tenderly placed the watercolor on Mabel’s lap.
The woman slipped on a pair of bifocals that had been hanging from her neck on a chain of finch yellow and gasped. “This is one of Henry’s!” Then, assaulted by doubt. “Isn’t it?”
Olivia and Billinger exchanged looks.
“Henry?” Billinger prompted in a patient voice.
Mabel covered her mouth as though she’d let loose a secret entrusted to her long ago by a dear friend. “I sometimes forget that Henry wasn’t his real name, but Evie called him that instead of Heinrich. Almost from the beginning. To her, he was Henry.” Mabel’s eyes drank in the winter scene. It was almost a tangible thing, to see her slip away from the senior center’s garden and travel back to Camp New Bern, to her girlhood, to Evelyn White.
Barely breathing, Olivia imagined she could follow Mabel through this wormhole of time, spying the pair of teenage girls in starched dresses and Mary Janes, schoolbooks clutched against their chests as they giggled at the sight of a group of cute boys hunched over glasses of cherry cola at the drugstore counter.
“Evie’d never been sweet on a boy before,” Mabel said. “It was like she was waiting for that German boat to get sunk, waiting for those young men with their strange language and their strange uniforms to wash up onto the beach like a group of mermen. Henry was the best looking and the sweetest. He never acted like a prisoner. It was more like he’d come to visit distant relatives. The first time Evie and I went to take lunch to our daddies, she spotted Heinrich through the chain fence, and it was . . .” She trailed off, nostalgia tugging her lips into a grin.
Billinger tried to finish her thought. “Love at first sight?”
Mabel’s finger rose, hovered over the cabin, trembling a little. “No. Evie was so pretty that her parents fretted over her. She was raised to be careful, modest, to not even talk to older men outside the family. But when their eyes met, Henry’s and hers, it was as if they recognized each other. Something deep inside each of them reached out to the other. No power on this earth could’ve stopped it, no matter how foolish folks thought they were. I’ve never seen anything like it, and it was a long, long war.”
Her finger came so close to touching the painted cabin that Olivia almost moved to interfere, but she merely held her breath and waited.
“The way they were when they were together . . . so easy, so sure. They were just like this little house—all light and laughter and warm rooms in the middle of a crazy, cold world that couldn’t seem to comfort any of us, especially when the food started running out and then telegrams came and half the town dressed in black.”
Olivia met Billinger’s eyes. Mabel, who’d known both the players in this drama, had taken one look at the browns and yellows that Kamler had blended together to create the cabin and had immediately recognized it as a pledge from one lover to another.
“Then why did Henry leave Evelyn?” Olivia asked, reluctantly playing devil’s advocate. “Why try to escape? Were they planning to elope?”
Mabel put her hand back on the armrest of her wheelchair and shook her head firmly. “She would have told me. Evie was . . . broken by what happened that night. On the last day I saw her, she swore on her Bible that Henry didn’t want to escape, that he’d never kill that guard . . . Oh, I can’t remember his name . . .” The realization that there was a gap in her memory disconcerted Mabel so greatly that she stopped speaking, only making soft scratching sounds in the back of her throat.
Billinger tried to coax Mabel back by asking after her family, but her eyes had grown misty again, her thoughts blanketed by a fog too thick to be shaken off by the professor’s voice speaking the cherished names of children and grandchildren.
Gently, Olivia turned the painting over and placed it back on Mabel’s lap. “I think Henry wrote this note to Evie.” She read it aloud and watched for a reaction. Nothing.
“Mabel?” Billinger whispered and then shook his head at Olivia. “This is how it’s been. She fades in and out.”
The professor left the bench and strolled away to exchange a few words with the nurse. Olivia lifted Kamler’s watercolor from Mabel’s lap, but the older woman didn’t even seem to notice when the weight of it was no longer there.
Olivia repackaged the work of art, slipped it into the canvas tote, and sat back on the bench with a sigh. Thinking that Haviland would be delighted that their visit had been so short, she waited for Billinger to wrap up his conversation with the nurse.
Noises spilled out of the closest set of double doors, and a family of five stepped onto the sun-dappled patio. A little boy of five or six came running over the flagstones, his arms outstretched as he raced toward an elderly man leaning on a walker.
“Jimmy!” the man called in a cheery albeit tobacco-rough voice and smiled as the child hugged his skinny leg. His family encircled him, and the three adults began to chat as the two children tried to one-up each other in volume and enthusiasm. There was a baby too, held in the protective cradle of the mother’s arm. Olivia assumed he was quite young, for his small limbs were encased in a blue cotton sleeper with feet, as if the parents feared the effects of the light on the fragile, new skin.
Using his right hand to steady himself on the walker, the grandfather reached out with his left to touch the baby’s plump cheek. The mother pivoted the child so that his face was turned toward the old man. Their eyes met, the two males separated by a gulf of age, united by blood. The baby held still and then sucked in a great breath only to release it in an ear-splitting wail.