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James Ingram turned away to look across at Nicholas.

‘Do not ask me to mourn him,’ he said. ‘I will not.’

Chapter Nine

Lawrence Firethorn was still bemused as his horse trotted in through the looming bulk of Bishopsgate that morning. A promised night of passion with an uninhibited lover had turned into an unseemly squabble with a disappointed wife. Thanks to the intercession of Edmund Hoode, the actor-manager spent the hours of darkness in a cold and cheerless bed. And yet he was not really angry with the playwright. Irritation was the most he could muster. Where he should have been thirsting for the man’s blood, he was instead stupefied by his boldness.

Hoode entered the lion’s den to deliver his ultimatum. He had to be admired for that. Even in the face of extreme conjugal frustration, he did not flinch. Firethorn could usually stifle him at will and his wife could vanquish Hoode with a glance, yet their combined powers had no impact on him this time. He had lain between them like a naked sword and kept two urgent bodies agonisingly chaste.

Who had changed a taciturn playwright into a brave knight? What had made him enter the lists so purposefully on behalf of his work? Why had he chosen to interrupt lawful copulation in a Shoreditch bedchamber at that particular moment? Only one explanation sufficed.

‘A pox on his pizzle!’ groaned Firethorn. ‘He’s in love.’

It posed a real problem for Westfield’s Men. They could no longer take their resident playwright for granted. Hoode was forcing them to choose between his proven reliability and Jonas Applegarth’s potential wizardry. What should they stage at The Rose-The Faithful Shepherd or The Misfortunes of Marriage? Hoode’s romantic comedy would be an undoubted success, but it was Applegarth’s trenchant satire which would reverberate throughout London.

Firethorn was in despair. To lose Hoode would cause him deep personal pain; to sacrifice Applegarth would be an act of professional folly. He was still weighing the two men in the balance as his horse picked its way through the crowd and turned into the yard of the Queen’s Head.

Chaos awaited him. Bodies dashed hither and thither in wild confusion. Alexander Marwood charged around in everdecreasing circles, bewailing his lot to those who would listen and upbraiding those who would not. Thomas Skillen was shaking his head in disbelief, George Dart was pacing up and down in cold fear, and the four apprentices were weeping openly. Edmund Hoode sat on a barrel in a complete daze. Owen Elias strutted frenziedly around the edge of the yard with a sword in his hand.

Firethorn saw a large coffin being unloaded from a cart by two men. He kicked his horse to take him across to Hoode.

‘Edmund!’ he said. ‘What means this commotion?’

‘Jonas Applegarth has been murdered!’

‘Here at the Queen’s Head?’

‘Hanged by the neck.’

The news hit Firethorn like a body blow. He quivered in the saddle. The implications would be horrendous and far-reaching. One problem had been solved: Hoode would now stay with the company which Applegarth had deserted for ever. But a hundred other problems had just been created. On top of a night of enforced celibacy, it was too much to endure.

***

Nicholas Bracewell worked as quickly as he could in the limited time at his disposal. To prevent any unnecessary intrusion, he stationed James Ingram and Nathan Curtis, respectively, outside each of the two doors. Ingram’s reaction to the murder had been almost callous, but Nicholas could not spare a moment to reflect upon such an unexpected response from such a caring man. Jonas Applegarth pushed all else from the book holder’s mind. Before examining the dead body, he first removed the rope and noted how carefully the noose had been tied. The playwright had not been dispatched from the world with the aid of a crude knot. The Laughing Hangman knew his craft.

Inspecting the body, Nicholas was surprised to find no sign of blood. Applegarth would not have gone willingly to the makeshift gallows. His killer would have had to disable him first or he would have fought and yelled. Nicholas eventually located the large swelling on the back of the victim’s head. He had been knocked unconscious from behind. A sturdy mallet lay on the floor. The carpenter had unwittingly provided the weapon just as Westfield’s Men had unwittingly provided the rope. The scene of the execution had been chosen with care.

When he turned the body on its side, Nicholas was puzzled by the sight of sawdust sticking to the doublet and breeches. Curtis was a tidy carpenter. Though he used the room as his workshop, he always swept the floor clean. Nicholas went over to the roughhewn table in the corner. Pinches of sawdust still lay in the grooves and knot-holes of the carpenter’s workbench. How had it found its way onto the victim’s attire?

Bending over the prostrate Applegarth once more, he searched the man’s pockets but found only one item that might be a clue. The brief note scribbled on a piece of paper went into Nicholas’s own pocket. Mute and unprotesting, Applegarth lay on his back with his eyes searching the ceiling. In his brief stay with Westfield’s Men, he had made a forceful impact and he would be missed. Nicholas offered up a silent prayer for him, then reached down with delicate fingers to close his eyelids.

The sound of raised voices outside the door told him that he did not have much time left. He used it to search for parallels between this murder and that of Cyril Fulbeck. The similarities were too obvious to ignore. Both were rendered unconscious before the noose was fitted. Both were hanged by a man who celebrated his crime with mocking laughter. Both died in buildings from which the killer could make an easy escape. Nicholas was musing on the other common factors when there was a banging on the door.

Constables had arrived and the official investigation began. Nicholas and Curtis gave statements, the scene of the crime was thoroughly searched and the body was scrutinised. Unable to get it into their coffin, the two men had to perch it on top and cover it with a black cloth. More tears were shed in the yard as the corpse of Jonas Applegarth was carried solemnly out to the cart and driven away to the morgue. Westfield’s Men were bereaved.

When Nicholas finally emerged, Lawrence Firethorn was standing outside the door. He took the book holder by the arm and led him aside for a hissed interrogation.

‘Do you know what this will do to the company?’

‘My thoughts are with his poor wife.’

‘Mine, too,’ said Firethorn defensively. ‘Mine, too. The woman will be destroyed. But we suffer an act of destruction as well. Today’s performance has been hanged by the neck and Marwood is in such a state of superstitious panic that he is talking of renouncing our contract. What are we to do, Nick?’

‘Try to keep calm.’

‘When one of our number has been murdered?’

‘Reassure the rest of the company,’ advised Nicholas. ‘They need kindness and support at a time like this. I’ll speak with the landlord and smooth his ruffled feathers.’

‘Who did this, Nick?’

‘I do not know.’

‘And why did he have to do it here?’

‘That question is easier to answer.’

‘Why not stab Jonas in some dark alleyway?’

‘Because the killer wanted to inflict the most damage on Westfield’s Men. You see the disarray it has caused.’

‘It was like Bedlam out in that yard,’ said Firethorn. ‘Marwood was prancing around like some lunatic at full moon. Why could not the hangman put his scrawny neck into a noose? If our landlord were swinging from the rafters, we’d have something to celebrate.’ He pulled Nicholas close. ‘Tell me what happened from the moment you arrived here.’