Two realizations rob Keera of breath: first, she sees that she has been wrong, terribly wrong, to think the mother the greatest danger to the infant; and second, she comprehends that the father’s apparent love for the child has been perverted into something else; something not directed toward saving the babe, at all …
“No!” Keera cries again, with every bit of her exhausted heart; but, protest as she may, the man, now amid the cloudy spray sent up by the Ayerzess-werten, never halts his slow advance to the fatal precipice. And as he goes, he begins to raise the child up gently, holding it as far out as the excruciating pain afflicting his body will permit.
Keera realizes that, quick as she may be, she cannot move quickly enough to subdue the man — particularly as she must approach him over wet, mossy rocks that only become more difficult and dangerous, the faster one tries to cross them. And so, perceiving no other choice, she spins about and signals to her brother in wild-eyed dismay.
“Veloc!” she cries, so strongly that he can hear her over the falling waters. “Your bow — bring him down! Kill him!”
But Veloc, on the crag’s higher perch with Heldo-Bah, has left both his arrows and his short bow below. He begins climbing down to retrieve them, but manages only a short part of the descent before he hears Keera call out in protest again. Veloc looks up to see that the man holding the babe is sobbing, clearly on the verge of surrendering to every form of torment a human can feel. The man offers a final entreaty to the Moon, raising the child up toward it—
And then lets the infant slip from his hands. Still screaming in uncomprehending agony and terror, the child plummets into the sharply protruding rocks and mercilessly churning waters below. The sight is so terrible — but worse, it is so very much against Nature — that Keera’s knees buckle beneath her, like those of the shag steer she earlier helped to kill. She drops to the ground to watch as the young mother — now, it seems, so fully in the grip of her frantic grief and physical agony that she can no longer muster the will or the power to even weep — crawls resignedly to another spot on the same precipice, and looks up at the defeated, broken countenance of the weeping man.
Veloc senses further tragedy, and gets quickly to the ground to start toward his sister, without retrieving his bow. And surely enough, before he reaches Keera, the nightmare spins on: The woman who lies on the ledge uses the last of her strength to simply roll off of it, silently disappearing into the falls, perhaps desiring, in her distraction, to be reunited with the infant in the realm that lies beyond death, the realm that, the Bane believe, is governed by the benevolence of the Moon.
By the time Veloc does reach Keera, he finds his sister so aghast that she cannot move from the spot where she kneels. The old woman ahead of them staggers unsurely but steadily toward the man on the ledge, in precisely the manner that the younger women did moments ago: slowly, tormentedly, without hope or even desire for salvation.
“Stop them,” Keera says to Veloc, getting to her feet in a display of desperate purpose, as if her desire to know that her own family survives has become bound up with the fates of the wretches on the rocks. “We must stop them, Veloc — we must know why they are doing this …”
Keera and Veloc begin a cautious progress toward the two remaining Bane, who now stand together, as steadily as their conditions will allow, on the shelf above the Ayerzess-werten, their hands clasped, their eyes looking up at the Moon. Their shared determination causes both brother and sister forager to begin to move faster; and because of this, they issue small noises of alarm when an entirely new man appears before them, so suddenly that it almost seems that the mists of the Ayerzess-werten have coalesced to form a skehsel,† the breed of malevolent spirit that all Bane dread most — for the evil Natures of the skehsel would surely attract them to such terribly stricken people as these, to work the unnatural idea of self-destruction into their confused minds. In reality, the man has simply been secluded behind the trunk of a gnarled oak that stands rooted to the last patch of rich forest floor that borders the rock formation onto which the pain-racked Bane have made their way. This vantage point, and the fact that the man has kept himself hidden, suggest that his purpose is to ensure that events on the ledge unfold in the manner that the foragers have witnessed — and to prevent any passers-by from interfering. In a dutiful, routine manner, the man blocks Keera and Veloc’s path, preventing them from getting closer to the two remaining members of the apparently doomed Bane family, and silently tells the foragers to stop with one upturned hand.
So bewildered that they are momentarily robbed of their self-possession, Keera and Veloc obey the silent order: for the man before them, while not so imposing as the average citizen of Broken, is taller than both of the foragers — or, indeed, than almost any other Bane — by a good measure. But it is only when brother and sister notice the newcomer’s garb that the matter is clarified. A shirt of expertly crafted chain mail — not iron or scale mail, but shimmering steel chain — that covers his body from elbows to thighs is layered by a leather tunic, as well as a wool cape and cowl, all black, the last with ox-blood crimson wool lining. Crimson breeches lead down to knee-high black leather boots of a quality to indicate importance, an impression that is deepened by a long, bejeweled dagger in a dark sheath that hangs from the first pass of a double belt, while from the second winding dangles a short-sword, a weapon that, to judge by its brass-banded sheath, is the exceptional work of one of Broken’s blade smiths. Finally, a well-crafted bow is slung over his right shoulder, completing an effect that is so sinister and imposing as to seem calculated. But the expression on the man’s face is sincere; and as he tosses the left side of his cloak over his shoulder, he crescent Moon stitched to the upper left-hand portion of his tunic — the emblem of a long tradition of terrible violence.
Keera and Veloc say nothing, less out of fear than stupefaction. On the crest of the crag, Heldo-Bah experiences no such befuddlement:
“Great Moon,” he whispers, once the man has revealed the emblem on his chest. “Or whatever woodland demon has arranged this—” He begins to scramble quickly down that crag. “I thank you for it …” He takes the last ten feet to the ground in one strong jump, landing almost silently and looking up with sincere and gleeful hatred:
“An Outrager …”
With these words, Heldo-Bah glances about, making sure his various knives are still at the ready—
And disappears, apparently abandoning his friends to their fate.
In the clear ground between the oak tree and the rocks surrounding the Ayerzess-werten, the black-clad man immediately takes a commanding tone with Keera and Veloc: “Stay back, foragers,” he calls. “You know who and what I am?”