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Then to the guests he’d add significantly: “There usually is. It’s a Stor-Mor.”

“Oh, a Stor-Mor,” the male visitor would say and elevate his eyebrows in the manner of someone who appreciates quality cooling. “We thought about getting a Stor-Mor ourselves, but in the end we went for a Philco Shur-Kool. Alice loved the EZ-Glide vegetable drawer and you can get a full quart of ice cream in the freezer box. That was a big selling point for Wendell Junior, as you can imagine!”

They’d all have a good laugh at that and then sit around drinking iced tea and talking appliances for an hour or so. No human beings had ever been quite this happy before.

People looked forward to the future, too, in ways they never would again. Soon, according to every magazine, we were going to have underwater cities off every coast, space colonies inside giant spheres of glass, atomic trains and airliners, personal jet packs, a gyrocopter in every driveway, cars that turned into boats or even submarines, moving sidewalks to whisk us effortlessly to schools and offices, dome-roofed automobiles that drove themselves along sleek superhighways allowing Mom, Dad, and the two boys (Chip and Bud or Skip and Scooter) to play a board game or wave to a neighbor in a passing gyrocopter or just sit back and enjoy saying some of those splendid words that existed in the fifties and are no longer heard: mimeograph, rotisserie, stenographer, icebox, dime store, rutabaga, Studebaker, panty raid, bobby socks, Sputnik, beatnik, canasta, Cinerama, Moose Lodge, pinochle, daddy-o.

For those who couldn’t wait for underwater cities and self-driving cars, thousands of smaller enrichments were available right now. If you were to avail yourself of all that was on offer from advertisers in a single issue of, let’s say, Popular Science from, let’s say, December 1956, you could, among much else, teach yourself ventriloquism, learn to cut meat (by correspondence or in person at the National School of Meat Cutting in Toledo, Ohio), embark on a lucrative career sharpening skates door to door, arrange to sell fire extinguishers from home, end rupture troubles once and for all, build radios, repair radios, perform on radio, talk on radio to people in different countries and possibly on different planets, improve your personality, get a personality, acquire a manly physique, learn to dance, create personalized stationery for profit, or “MAKE BIG $$$$” in your spare time at home building lawn figures and other novelty ornaments.

My brother, who was normally quite an intelligent human being, once invested in a booklet that promised to teach him how to throw his voice. He would say something unintelligible through rigid lips, then quickly step aside and say, “That sounded like it came from over there, didn’t it?” He also saw an ad in Mechanics Illustrated that invited him to enjoy color television at home for 65 cents plus postage, placed an order, and four weeks later received in the mail a multicolored sheet of transparent plastic that he was instructed to tape over the television screen and watch the image through.

Having spent the money, my brother refused to accept that it was a touch disappointing. When a human face moved into the pinkish part of the screen or a section of lawn briefly coincided with the green portion, he would leap up in triumph. “Look!

Look! That’s what color television’s gonna look like,” he would say. “This is all just experimental, you see.”

In fact, color television didn’t come to our neighborhood until nearly the end of the decade, when Mr. Kiessler on St. John’s Road bought an enormous RCA Victor Consolette, the flagship of the RCA fleet, for a lot of money. For at least two years his was the only known color television in private ownership, which made it a fantastic novelty. On Saturday evenings the children of the neighborhood would steal into his yard and stand in his flower beds to watch a program called My Living Doll through the double window behind his sofa. I am pretty certain that Mr. Kiessler didn’t realize that two dozen children of various ages and sizes were silently watching the TV with him or he wouldn’t have played with himself quite so enthusiastically every time the nubile Julie Newmar bounded onto the screen. I assumed it was some sort of isometrics.

EVERY YEAR FOR NEARLY FORTY YEARS, from 1945 until his retirement, my father went to the World Series for the Register. It was, by an immeasurably wide margin, the high point of his working year. Not only did he get to live it up for two weeks on expenses in some of the nation’s most cosmopolitan and exciting cities—and from Des Moines all cities are cosmopolitan and exciting—but he also got to witness many of the most memorable moments of baseball history: Al Gionfriddo’s miraculous one-handed catch of a Joe DiMaggio line drive in 1947, Don Larsen’s perfect game in 1956, Bill Mazeroski’s series-winning homer of 1960. These may mean nothing to you—they would mean nothing to most people these days, I suppose—but they were moments of near ecstasy that were shared by a nation.

In those days, World Series games were played during the day, so you had to play hooky or develop a convenient chest infection (“Jeez, Mom, the teacher said there’s a lot of TB going around”) if you wanted to see a game. Crowds would lingeringly gather wherever a radio was on or a TV played. Getting to watch or listen to any part of a World Series game, even half an inning at lunchtime, became a kind of illicit thrill. And if you did happen to be present when something monumental occurred, you would remember it for the rest of your life. My father had an uncanny knack for being there when such moments were made—never more so than in the seminal (and what an apt word that can sometimes be) season of 1951 when our story begins.

In the National League, the Brooklyn Dodgers had been cruising toward an easy pennant when, in mid-August, their crosstown rivals, the Giants, suddenly stirred to life and began a highly improbable comeback. Baseball in those days dominated the American psyche in a way that can scarcely be imagined now. Professional football and basketball existed, of course, and were followed, but essentially as minor spectacles that helped to pass the colder months until the baseball season resumed. The Super Bowl was years from its invention. The only sporting event that gripped the nation—the one time in the year when even your mom knew what was going on in the sporting world—was the World Series. And seldom did the race to reach the series hold America more firmly in thrall than in the late summer and early fall of 1951.

After months of comatose play, the Giants suddenly could do no wrong. They won thirty-seven of forty-four games down the home stretch, cutting away at the Dodgers’

once-unassailable lead in what began to seem a fateful manner. By mid-September people talked of little else but whether the Dodgers could hold on. All across the nation fans dropped dead from the heat and excitement. When the dust cleared after the last day’s play, the standings showed the two teams with identical records, so a three-game playoff was hastily arranged to determine who could claim the pennant. The Register, like nearly all distant papers, didn’t dispatch a reporter to these impromptu playoffs, but elected to rely on wire services for its coverage until the series proper got under way.

The playoffs added three days to the nation’s exquisite torment. The two teams split the first two games, so it came down to a third, deciding game. At last the Dodgers appeared to recover their invincibility, taking a comfortable 4 to 1 lead into the ninth inning and needing just three outs to win. But the Giants scored a late run and put two more runners aboard when Bobby Thomson stepped to the plate. What Thomson did that afternoon in the gathering dusk of autumn has many times been voted the greatest moment in baseball history.