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“I do hope and believe the changes you have been having this summer will do you permanent good, notwithstanding the pain with which they have been too often mingled. Yet I feel glad that you are soon coming home; and I really must not trust myself to say how much I wish the time were come when, without let or hindrance, I could once more welcome you to Haworth. But oh! I don’t get on; I feel fretted—incapable—sometimes very low. However, at present, the subject must not be dwelt upon; it presses me too hardly—nearly—and painfully. Less than ever can I taste or know pleasure till this work is wound up. And yet I often sit up in bed at night, thinking of and wishing for you. Thank you for the ‘Times’; what it said on the mighty and mournful subject was well said. All at once the whole nation seems to take a just view of that great character. There was a review too of an American book, which I was glad to see. Read ‘Uncle Tom’s Cabin’:ci probably, though, you have read it.

“Papa’s health continues satisfactory, thank God! As for me, my wretched liver has been disordered again of late, but I hope it is now going to be on better behaviour; it hinders me in working—depresses both power and tone of feeling. I must expect this derangement from time to time.”

Haworth was in an unhealthy state, as usual; and both Miss Brontë and Tabby suffered severely from the prevailing epidemics. The former was long in shaking off the effects of this illness. In vain she resolved against allowing herself any society or change of scene until she had accomplished her labour. She was too ill to write; and with illness came on the old heaviness of heart, recollections of the past, and anticipations of the future. At last Mr. Brontë expressed so strong a wish that her friend should be asked to visit her, and she felt some little refreshment so absolutely necessary, that on October the 9th she begged her to come to Haworth, just for a single week.

“I thought I would persist in denying myself till I had done my work, but I find it won’t do; the matter refuses to progress, and this excessive solitude presses too heavily; so let me see your dear face, E., just for one reviving week.”

But she would only accept of the company of her friend for the exact time specified. She thus writes to Miss Wooler on October the 21st:—

“E—has only been my companion one little week. I would not have her any longer, for I am disgusted with myself and my delays; and consider it was a weak yielding to temptation in me to send for her at all; but in truth, my spirits were getting low—prostrate sometimes—and she has done me inexpressible good. I wonder when I shall see you at Haworth again; both my father and the servants have again and again insinuated a distinct wish that you should be requested to come in the course of the summer and autumn, but I have always turned rather a deaf ear; ‘not yet,’ was my thought,’ ‘I want first to be free;‘ work first, then pleasure.”

Miss—’s visit had done her much good. Pleasant companionship during the day produced, for the time, the unusual blessing of calm repose at night; and, after her friend’s departure, she was well enough to “fall to business,” and write away, almost incessantly, at her story of “Villette,” now drawing to a conclusion. The following letter to Mr. Smith, seems to have accompanied the first part of the MS.

“Oct. 30th, 1852.

“My dear Sir,—You must notify honestly what you think of ‘Villette’ when you have read it. I can hardly tell you how I hunger to hear some opinion besides my own, and how I have sometimes desponded, and almost despaired, because there was no one to whom to read a line, or of whom to ask a counsel. ‘Jane Eyre’ was not written under such circumstances, nor were two-thirds of ‘Shirley.’ I got so miserable about it, I could bear no allusion to the book. It is not finished yet; but now I hope. As to the anonymous publication, I have this to say: If the withholding of the author’s name should tend materially to injure the publisher’s interest, to interfere with booksellers’ orders, &c., I would not press the point; but if no such detriment is contingent, I should be most thankful for the sheltering shadow of an incognito. I seem to dread the advertisements—the large-lettered ‘Currer Bell’s New Novel,’ or ‘New Work, by the Author of Jane Eyre.’ These, however, I feel well enough, are the transcendentalisms of a retired wretch; so you must speak frankly..... I shall be glad to see ‘Colonel Esmond.’ My objection to the second volume lay here: I thought it contained decidedly too much history—too little story.”

In another letter, referring to “Esmond,” she uses the following words:—

“The third volume seemed to me to possess the most sparkle, impetus, and interest. Of the first and second my judgment was, that parts of them were admirable; but there was the fault of containing too much History—too little Story. I hold that a work of fiction ought to be a work of creation; that the real should be sparingly introduced in pages dedicated to the ideal. Plain household bread is a far more wholesome and necessary thing than cake; yet who would like to see the brown loaf placed on the table for dessert? In the second volume, the author gives us an ample supply of excellent brown bread; in his third, only such a portion as gives substance, like the crumbs of bread in a well-made, not too rich, plum-pudding.”

Her letter to Mr. Smith, containing the allusion to “Esmond,” which reminded me of the quotation just given, continues:—

“You will see that ‘Villette’ touches on no matter of public interest. I cannot write books handling the topics of the day; it is of no use trying. Nor can I write a book for its moral. Nor can I take up a philanthropic scheme, though I honour philanthropy; and voluntarily and sincerely veil my face before such a mighty subject as that handled in Mrs. Beecher Stowe’s work, ‘Uncle Tom’s Cabin.’ To manage these great matters rightly, they must be long and practically studied—their bearings known intimately, and their evils felt genuinely; they must not be taken up as a business matter, and a trading speculation. I doubt not Mrs. Stowe had felt the iron of slavery enter into her heart, from childhood upwards, long before she ever thought of writing books. The feeling throughout her work is sincere, and not got up. Remember to be an honest critic of ‘Villette,’ and tell Mr. Williams to be unsparing: not that I am likely to alter anything, but I want to know his impressions and yours.”

To G. Smith, Esq.

“Nov. 3rd.

“My dear Sir,—I feel very grateful for your letter; it relieved me much, for I was a good deal harassed by doubts as to how ‘Villette’ might appear in other eyes than my own. I feel in some degree authorised to rely on your favourable impressions, because you are quite right where you hint disapprobation. You have exactly hit two points at least where I was conscious of defect;—the discrepancy, the want of perfect harmony, between Graham’s boyhood and manhood,—the angular abruptness of his change of sentiment towards Miss Fanshawe. You must remember, though, that in secret he had for some time appreciated that young lady at a somewhat depressed standard—held her a little lower than the angels. But still the reader ought to have been better made to feel this preparation towards a change of mood. As to the publishing arrangements, I leave them to Cornhill. There is, undoubtedly, a certain force in what you say about the inexpediency of affecting a mystery which cannot be sustained; so you must act as you think is for the best. I submit, also, to the advertisements in large letters, but under protest, and with a kind of ostrich-longing for concealment. Most of the third volume is given to the development of the ‘crabbed Professor’s’ character. Lucy must not marry Dr. John; he is far too youthful, handsome, bright-spirited, and sweet-tempered; he is a ‘curled darling’ of Nature and of Fortune, and must draw a prize in life’s lottery. His wife must be young, rich, pretty; he must be made very happy indeed. If Lucy marries anybody, it must be the Professor—a man in whom there is much to forgive, much to ‘put up with.’ But I am not leniently disposed towards Miss Frost: from the beginning, I never meant to appoint her lines in pleasant places. The conclusion of this third volume is still a matter of some anxiety: I can but do my best, however. It would speedily be finished, could I ward off certain obnoxious headaches, which, whenever I get into the spirit of my work, are apt to seize and prostrate me....................