It is singular how strong a yearning the whole family had towards the art of drawing. Mr. Brontë had been very solicitous to get them good instruction; the girls themselves loved every thing connected with it—all descriptions or engravings of great pictures; and, in default of good ones, they would take and analyse any print or drawing which came in their way, and find out how much thought had gone to its composition, what ideas it was intended to suggest, and what it did suggest. In the same spirit, they laboured to design imaginations of their own; they lacked the power of execution, not of conception. At one time, Charlotte had the notion of making her living as an artist, and wearied her eyes in drawing with pre-Raphaelite minuteness, but not with pre-Raphaelite accuracy, for she drew from fancy rather than from nature.
But they all thought there could be no doubt about Branwell’s talent for drawing. I have seen an oil painting of his, done I know not when, but probably about this time. It was a group of his sisters, life size, three-quarters’ length; not much better than sign-painting, as to manipulation; but the likenesses were, I should think, admirable. I could only judge of the fidelity with which the other two were depicted, from the striking resemblance which Charlotte, upholding the great frame of canvas, and consequently standing right behind it, bore to her own representation, though it must have been ten years and more since the portraits were taken. The picture was divided, almost in the middle, by a great pillar. On the side of the column which was lighted by the sun, stood Charlotte, in the womanly dress of that day of jigot sleeves and large collars. On the deeply shadowed side, was Emily, with Anne’s gentle face resting on her shoulder. Emily’s countenance struck me as full of power; Charlotte’s of solicitude; Anne’s of tenderness. The two younger seemed hardly to have attained their full growth, though Emily was taller than Charlotte; they had cropped hair, and a more girlish dress. I remember looking on those two sad, earnest, shadowed faces, and wondering whether I could trace the mysterious expression which is said to foretell an early death. I had some fond superstitious hope that the column divided their fates from hers, who stood apart in the canvas, as in life she survived. I liked to see that the bright side of the pillar was towards her—that the light in the picture fell on her: I might more truly have sought in her presentment—nay, in her living face—for the sign of death in her prime. They were good likenesses, however badly executed. From thence I should guess his family augured truly that, if Branwell had but the opportunity, and, alas! had but the moral qualities, he might turn out a great painter.
The best way of preparing him to become so appeared to be to send him as a pupil to the Royal Academy. I dare say, he longed and yearned to follow this path, principally because it would lead him to that mysterious London—that Babylon the great—which seems to have filled the imaginations and haunted the minds of all the younger members of this recluse family. To Branwell it was more than a vivid imagination, it was an impressed reality. By dint of studying maps, he was as well acquainted with it, even down to its by-ways, as if he had lived there. Poor misguided fellow! this craving to see and know London, and that stronger craving after fame, were never to be satisfied. He was to die at the end of a short and blighted life. But in this year of 1835, all his home kindred were thinking how they could best forward his views, and how help him up to the pinnacle where he desired to be. What their plans were, let Charlotte explain. These are not the first sisters who have laid their lives as a sacrifice before their brother’s idolized wish. Would to God they might be the last who met with such a miserable return!
“Haworth, July 6th, 1835.
“I had hoped to have had the extreme pleasure of seeing you at Haworth this summer, but human affairs are mutable, and human resolutions must bend to the course of events. We are all about to divide, break up, separate. Emily is going to school, Branwell is going to London, and I am going to be a governess. This last determination I formed myself, knowing that I should have to take the step sometime, ‘and better sune as syne,’ to use the Scotch proverb; and knowing well that papa would have enough to do with his limited income, should Branwell be placed at the Royal Academy, and Emily at Roe Head. Where am I going to reside? you will ask. Within four miles of you, at a place neither of us are unacquainted with, being no other than the identical Roe Head mentioned above. Yes! I am going to teach in the very school where I was myself taught. Miss Wooler made me the offer, and I preferred it to one or two proposals of private governess-ship, which I had before received. I am sad—very sad—at the thoughts of leaving home; but duty—necessity—these are stern mistresses, who will not be disobeyed. Did I not once say you ought to be thankful for your independence? I felt what I said at the time, and I repeat it now with double earnestness; if anything would cheer me, it is the idea of being so near you. Surely, you and Polly will come and see me; it would be wrong in me to doubt it; you were never unkind yet. Emily and I leave home on the 27th of this month; the idea of being together consoles us both somewhat, and, truth, since I must enter a situation, ‘My lines have fallen in pleasant places.’ I both love and respect Miss Wooler.”
CHAPTER VIII.
On the 29th of July, 1835, Charlotte, now little more than nineteen years old, went as teacher to Miss Wooler’s. Emily accompanied her, as a pupil; but she became literally ill from home-sickness, and could not settle to anything, and after passing only three months at Roe Head, returned to the parsonage and the beloved moors.
Miss Brontë gives the following reasons as those which prevented Emily’s remaining at school, and caused the substitution of her younger sister in her place at Miss Wooler’s:—1
“My sister Emily loved the moors. Flowers brighter than the rose bloomed in the blackest of the heath for her;—out of a sullen hollow in a livid hill-side, her mind could make an Eden. She found in the bleak solitude many and dear delights; and not the least and best-loved was—liberty. Liberty was the breath of Emily’s nostrils; without it she perished. The change from her own home to a school, and from her own very noiseless, very secluded, but unrestricted and unartificial mode of life, to one of disciplined routine (though under the kindest auspices), was what she failed in enduring. Her nature proved here too strong for her fortitude. Every morning, when she woke, the vision of home and the moors rushed on her, and darkened and saddened the day that lay before her. Nobody knew what ailed her but me. I knew only too well. In this struggle her health was quickly broken: her white face, attenuated form, and failing strength, threatened rapid decline. I felt in my heart she would die, if she did not go home, and with this conviction obtained her recall. She had only been three months at school; and it was some years before the experiment of sending her from home was again ventured on.”