He and his sister Charlotte were both slight and small of stature, while the other two were of taller and larger make. I have seen Branwell’s profile; it is what would be generally esteemed very handsome; the forehead is massive, the eye well set, and the expression of it fine and intellectual; the nose too is good; but there are coarse lines about the mouth, and the lips, though of handsome shape, are loose and thick, indicating self-indulgence, while the slightly retreating chin conveys an idea of weakness of will. His hair and complexion were sandy. He had enough of Irish blood in him to make his manners frank and genial, with a kind of natural gallantry about them. In a fragment of one of his manuscripts which I have read, there is a justness and felicity of expression which is very striking. It is the beginning of a tale, and the actors in it are drawn with much of the grace of characteristic portrait-painting, in perfectly pure and simple language, which distinguishes so many of Addison’s papers in the “Spectator.” 1 The fragment is too short to afford the means of judging whether he had much dramatic talent, as the persons of the story are not thrown into conversation. But altogether the elegance and composure of style are such as one would not have expected from this vehement and ill-fated young man. He had a stronger desire for literary fame burning in his heart, than even that which occasionally flashed up in his sisters’. He tried various outlets for his talents. He wrote and sent poems to Wordsworth and Coleridge, who both expressed kind and laudatory opinions, and he frequently contributed verses to the Leeds Mercury. In 1840, he was living at home, employing himself in occasional composition of various kinds, and waiting till some employment, for which he might be fitted without any expensive course of preliminary education, should turn up; waiting, not impatiently; for he saw society of one kind (probably what he called “life”) at the Black Bull; and at home he was as yet the cherished favourite.
Miss Branwell was unaware of the fermentation of unoccupied talent going on around her. She was not her nieces’ confidante—perhaps no one so much older could have been; but their father, from whom they derived not a little of their adventurous spirit, was silently cognisant of much of which Miss Branwell took no note. Next to her nephew, the docile, pensive Anne was her favourite. Miss Branwell had taken charge of her from her infancy; she was always patient and tractable, and would submit quietly to occasional oppression, even when she felt it keenly. Not so her two elder sisters; they made their opinions known when roused by any injustice. At such times, Emily would express herself as strongly as Charlotte, although perhaps less frequently. But, in general, notwithstanding that Miss Branwell might be occasionally unreasonable, she and her nieces went on smoothly enough; and though they might now and then be annoyed by petty tyranny, still she inspired them with sincere respect, and not a little affection. They were, moreover, grateful to her for many habits she had enforced upon them, and which in time had become second nature: order, method, neatness in everything; a perfect knowledge of all kinds of household work; an exact punctuality, and obedience to the laws of time and place, of which no one but themselves I have heard Charlotte say, could tell the value in after life, with their impulsive natures, it was positive repose to have learnt implicit obedience to external laws. People in Haworth have assured me that, according to the hour of day—nay, the very minute—could they have told what the inhabitants of the parsonage were about. At certain times the girls would be sewing in their aunt’s bedroom—the chamber which, in former days, before they had outstripped her in their learning, had served them as a school-room; at certain (early) hours they had their meals; from six to eight, Miss Branwell read aloud to Mr. Brontë; at punctual eight, the household assembled to evening prayers in his study; and by nine he, Miss Branwell, and Tabby, were all in bed,—the girls free to pace up and down (like restless wild animals) in the parlour, talking over plans and projects, and thoughts of what was to be their future life.
At the time of which I write, the favourite idea was that of keeping a school. They thought that, by a little contrivance, and a very little additional building, a small number of pupils, four or six, might be accommodated in the parsonage. As teaching seemed the only profession open to them, and as it appeared that Emily at least could not live away from home, while the others also suffered much from the same cause, this plan of school-keeping presented itself as most desirable. But it involved some outlay; and to this their aunt was averse. Yet there was no one to whom they could apply for a loan of the requisite means, except Miss Branwell, who had made a small store out of her savings, which she intended for her nephew and nieces eventually, but which she did not like to risk. Still, this plan of school-keeping remained uppermost; and in the evenings of this winter of 1839-40, the alterations that would be necessary in the house, and the best way of convincing their aunt of the wisdom of their project, formed the principal subject of their conversation.
This anxiety weighed upon their minds rather heavily, during the months of dark and dreary weather. Nor were external events, among the circle of their friends, of a cheerful character. In January 1840, Charlotte heard of the death of a young girl who had been a pupil of hers, and a school-fellow of Anne’s, at the time when the sisters were together at Roe Head; and had attached herself very strongly to the latter, who, in return, bestowed upon her much quiet affection. It was a sad day when the intelligence of this young creature’s death arrived. Charlotte wrote thus on January 12th, 1840:—
“Your letter which I received this morning, was one of painful interest. Anne C., it seems, is dead; when I saw her last, she was a young, beautiful, and happy girl; and now ‘life’s fitful fever’ is over with her, and she ‘sleeps well.’ I shall never see her again. It is a sorrowful thought; for she was a warm-hearted affectionate being, and I cared for her. Wherever I seek for her now in this world, she cannot be found, no more than a flower or a leaf which withered twenty years ago. A bereavement of this kind gives one a glimpse of the feeling those must have who have seen all drop round them, friend after friend, and are left to end their pilgrimage alone. But tears are fruitless, and I try not to repine.”
During this winter, Charlotte employed her leisure hours in writing a story.2 Some fragments of the manuscript yet remain, but it is in too small a hand to be read without great fatigue to the eyes; and one cares the less to read it, as she herself condemned it, in the preface to the “Professor,” by saying that in this story she had got over such taste as she might once have had for the “ornamental and redundant in composition.” The beginning, too, as she herself acknowledges, was on a scale commensurate with one of Richardson’s novels,i of seven or eight volumes. I gather some of these particulars from a copy of a letter, apparently in reply to one from Wordsworth,j to whom she had sent the commencement of the story, sometime in the summer of 1840.