“I think she feels the same way about Baltimore. It’s imperfect. Boy, is it imperfect. And there are parts of its past that make you wince. It’s not all marble steps and waitresses calling you ‘hon,’ you know. Racial strife in the ’60s, the riots during the Civil War. F. Scott Fitzgerald said it was civilized and gay and rotted and polite. The terms are slightly anachronistic now, but I think he was essentially right.
“The bottom line,” Ransome says, turning around to head back to the Point, “is that Tess really can’t handle change. When I first knew her, she had been eating the same thing for breakfast-at Jimmy’s in Fell’s Point-for something like two years straight. Oh, she will change, but it’s very abrupt and inexplicable, and the new regimen will simply supplant the old one. When she crosses the threshold of our neighborhood coffeehouse, they start fixing her latte before she gets to the cash register. She’s that predictable.
“Truthfully, I keep worrying that I’ll wake up one morning and I’ll no longer be one of Tess’s ruts.”
But Ransome’s smile belies his words. He clearly feels no anxiety about his relationship with Monaghan, whatever its ups and downs in the past.
What about marriage or children?
Unlike Monaghan, he doesn’t sidestep the question. “If children, then marriage. But if children-could Tess continue to do what she does, the way she does it? The risks she takes, her impulsiveness. All of that would have to change. I don’t want her on surveillance with our baby in the car seat, or taking the child on her Dumpster-diving escapades. I’m well suited to be a stay-at-home father, but that doesn’t mean I’ll give Tess carte blanche to do whatever she wants professionally.”
Is he signaling, ever so subtly, an end of Monaghan’s involvement in Keys Investigations?
“Everything comes to an end,” he says. “When you’ve had near-death experiences, as Tess and I both have, that’s more than a pat saying or a cliché.”
Yes-about those near-death experiences-but here Ransome proves as guarded as his girlfriend.
“She doesn’t talk about it, and I don’t talk about it. But I’ll tell you this much-when she reaches for her knee? She’s thinking about it. She has a scar there, where she fell on a piece of broken glass the night she was almost killed. Sometimes I think the memory lives in that scar.”
Not a Lone Wolf
The private detective has been a sturdy archetype in American pop culture for sixty-plus years, and it’s hard not to harbor romantic notions about Monaghan. But she is quick to point out that she has little in common with the characters created by Raymond Chandler and Dashiell Hammett, and not just because Philip Marlowe and Sam Spade are fictional.
“I’m not a loner, far from it. I live with someone; I have friends. I have so much family it’s almost embarrassing at times. My father was one of seven, my mother one of five. I was an only child, but I was never a lonely one. In fact, most of my clients are referrals from people I know.” A rueful smile. “That’s made for some interesting times.”
A favor for her father, in fact, led to Monaghan’s identifying a Jane Doe homicide victim-and unraveling an unseemly web of favors that showed, once again, that Maryland is always in the forefront when it comes to political scandals. Her uncle Donald asked her to find the missing family of furrier Mark Rubin. And it was Talbot who, inadvertently, gave Monaghan the assignment that almost led to her death. Once one pores over Monaghan’s case work, it begins to seem as if almost all her jobs have been generated by nepotism.
“Whew,” she says. “Strong word. A loaded word, very much a pejorative. How did you get your job?” When no answer is forthcoming, she goes on: “How does anyone get anywhere, get anything in this world? I got into Washington College on my own merits, I guess, but otherwise I’ve needed family and friends. Not to pull me through or cover for me, but to help me here and there. Is that wrong? Does it undercut what I have done?”
Then what’s her greatest solo accomplishment? What can she take credit for?
Monaghan waits a long time before answering. We are in the Brass Elephant, her favorite bar, and she is nursing a martini-gin, not vodka, to which she objects on principle. Monaghan is full of such idiosyncratic principles. She won’t drink National Bohemian since the brewery pulled up stakes in Baltimore. She says Matthew’s serves the best pizza in town, but confesses that her favorite is Al Pacino’s. She doesn’t like women who walk to work in athletic shoes, or people who let their dogs run off lead as a sneaky way to avoid cleaning up after them. She hates the Mets even though she wasn’t alive for the indignity of 1969, and has a hard time rooting for the Ravens because of “bad karma.” (Cleveland Browns owner Art Modell brought the team here in the mid-’90s, and although the NFL made sure Cleveland kept its name and records-a concession not made to Baltimore when the Colts decamped for Indianapolis-it still bothers Monaghan.)
“I’ve managed, more or less, to live according to what I think is right. Not always-I can be unkind. I’ve indulged in gossip, which should be one of the seven deadly sins. I’m quick to anger, although seldom on my own behalf. Overall, though, I’m not a bad person. I’m a good friend, a decent daughter, and a not-too-infuriating girlfriend.”
She slaps her empty glass on the counter and says, “Look at the time. We have to go.”
Where?
“Just follow me.”
She runs out of the bar, down the Brass Elephant’s elegant staircase and into Charles Street, heading south at an impressive clip. In a few blocks, she mounts the steps to the Washington Monument, throwing a few dollars into the honor box at its foot.
“Come on, come on, come on,” she exhorts. “It’s only 228 steps.”
So this is the run that Monaghan planned to take this evening. The narrow, winding stairwell is claustrophobically close and smells strongly of ammonia, not the best fragrance on top of a gin martini, but Monaghan’s pace and footing seem unaffected by her cocktail hour. She jogs briskly, insistent that everyone keep up.
At the top, the reason for her rush becomes clear. The sun is just beginning to set, and the western sky is a brilliant rose shade that is kind to the city’s more ramshackle neighborhoods, while the eastern sky is an equally flattering inky blue. To the north, Penn Station is a bright white beacon dominated by the monstrous man-woman statue with its glowing purple heart. To the south, lights begin to come on along the waterfront. Monaghan points out the Continental Building on Calvert Street.
“Hammett worked there, as a Pinkerton. And the birds that are used as ornamentation, the falcons? They’re gold now, but it’s said they were black back in Hammett’s day, so we might be looking at the birthplace of the Maltese Falcon. Look to the southwest, toward Hollins Market, and you can see where Mencken lived, and Russell Baker. Anne Tylerville is out of sight, but you were there this morning, when you visited my home. That church, virtually at our feet? It’s where Francis Scott Key worshipped, while his descendant F. Scott Fitzgerald liked to drink at the Owl Bar in the Belvedere, only a few blocks to the north.”
She inhales deeply, a little raggedly; even Monaghan isn’t so fit that the climb has left her unaffected. She seems drunker now than she did at the bottom, giddy with emotion. She throws open her arms as if to embrace the whole city.
“I mean, really,” she says. “Why would anyone live anywhere else?”
DAVID MORRELL
David Morrell is the author of First Blood, the award-winning novel in which Rambo was created. He holds a PhD in American literature from Pennsylvania State University and taught in the English department at the University of Iowa until he gave up his tenure to devote himself to a full-time writing career. “The mild-mannered professor with the bloody-minded visions,” as one reviewer described him, Morrell is a cofounder of the International Thriller Writers organization. His numerous bestselling novels include The Brotherhood of the Rose (the basis for a top-rated NBC miniseries), The Fraternity of the Stone, The Fifth Profession, and Extreme Denial (set in Santa Fe, New Mexico, where he lives). He is also the author of The Successful Novelist: A Lifetime of Lessons about Writing and Publishing.