I read a bit of the Samos material in the mornings as well, and as I write this I’m within a few days of finishing the second book, describing the summer of 1978. I don’t like it.
It’s about the month after I met Martin in Stockholm’s Gamla Stan, and it’s possible that the increasing unease I feel as I read it has to do with this fact. It is before our life together began, but I recall thinking back to the garden party and that man Martin Holinek during the summer that followed. I’m sure I never imagined things would progress so far that we would get married and have children, but I had the feeling that there would be some kind of continued contact. However, I am never mentioned in Samos, June-July 1978: but there are references to lots of other women.
For the first time he admits in writing that he has had sex with somebody. With two women, in fact, about a week apart. One is called Heather and is a ‘red-haired Celtic nymph’; the other is American and is simply referred to as ‘Bell’. The intercourse is described in roughly the same tone as a Vespa ride to Ormos to buy groceries, or a discussion of receptivity aesthetics with a Danish philosopher by the name of Bjerre-Hansen.
But what makes me feel uneasy is neither the intercourse nor the receptivity aesthetics. It is something else, something that isn’t actually mentioned.
Or perhaps it is just imagination, I can’t be sure yet. I have two diaries left to read, plus the typewritten material and what is on the computer; but I have no idea what Martin had in mind when he told Bergman that he was sitting on material such that anybody would go down on their knees in order to get permission to publish it.
Well, perhaps I do have a suspicion: but I don’t dare to spell it out yet.
Anyway, his Norwegian friend Finn Halvorsen — the one who originally told Martin about the collective on Samos — has turned up this second summer, and they spend quite a lot of time together. In the middle of July Tadeusz Soblewski from Gdansk also puts in an appearance: he is a poet, a doctor of philosophy and the editor of a literary magazine, and he soon becomes a highly rated participant in conversations. These three — Martin, Finn and Soblewski — are also invited to private get-togethers at Tom Herold’s and Bessie Hyatt’s house, on more than one occasion, and I have the impression that they are forming a sort of inner circle. That would include those mentioned — including Hyatt and Herold of course — plus the two German women writers, Doris Guttmann and Gisela Fromm.
Holinek, Soblewski and Halvorsen. Guttmann and Fromm, Herold and Hyatt, yes, those are the ones. Plus Gusov: the annoying Russian muscles in on the get-togethers, and they evidently find it difficult to get rid of him. Martin writes that he can’t understand why Herold persists in tolerating him.
But he doesn’t have sex with Doris or Gisela — or at least, he writes nothing about any such activity. They like to sunbathe in the nude — but then all German do, is all he says.
On one occasion, and as far as I can ascertain it is the only time, he finds himself alone with Bessie Hyatt. It’s only for an hour, but he devotes four pages to that hour. One doesn’t need to be an exegete in order to understand why.
They go for a short walk together. Bessie Hyatt is going in search of a certain herb that grows quite some way up the mountainside, and Martin goes along to keep her company. He never mentions which herb they are looking for, but he describes Bessie’s movements as ‘her girlish enthusiasm’, and her mop of long hair fluttering in the evening breeze is described as ‘a sail that has finally caught sight again of its Ithaca’. On the way back home, with a bunch of herbs in each hand, Bessie treads awkwardly on a stone and twists her ankle: Martin has to support her during the rest of the walk. When they return to the terrace darkness is falling and lanterns have been lit; Herold and Gusov are involved in a game of chess which is apparently a fight to the death. Whoever loses must drink three glasses of ouzo without blinking.
And Doris and Gisela are singing a Cohen song, accompanied on the guitar by Finn Halvorsen.
‘Sisters of Mercy’.
It was not until this evening that Mark Britton turned up again at The Royal Oak. I have just left there, I can’t get to sleep, and that’s why I’m sitting here writing this. I had just been served my starter, grilled salmon with capers — it has become a favourite of mine — when he came into the room, and just as on the previous occasion I was reminded of my old religious studies teacher, Wallinder. I seem to recall that the similarity occurred to me later rather than at the time, but in any case the impression was even stronger this evening, due to the fact that he’d had his hair cut. Mark seemed more neat and tidy than I remember him looking, and Wallinder was always neat and tidy to his very fingertips. I remember his name now.
He caught sight of me immediately, gave me a friendly smile and hesitated for a moment. Then he came over to my table, and asked if I was busy working or whether he might join me. I felt grateful for the fact that he hadn’t gone to sit somewhere else. It was more than a week since I’d had something that could be called a conversation with another person: Alfred Biggs at the Winsford Community Computer Centre, and to be honest that hadn’t been much of a conversation either.
‘Of course you may. Please sit down.’
‘You’re sure I won’t be preventing you from enjoying your meal?’
‘Of course not. Are you going to eat as well?’ He said that he was; and then he added that he was pleased to see me here again. I explained that I was now in the habit of sitting here most evenings, but I hadn’t seen him since that last time.
He shrugged, and gestured towards my notebook, which I had closed when my starter was served. ‘So you work even when you’re eating, do you?’
‘Revising and checking,’ I said apologetically, and he nodded seriously as if he knew what I was talking about. As if he had seen into my mind again. He stroked Castor, then went over to Rosie at the bar and placed his order. I finished my salmon and realized that I was feeling a bit nervous. I assumed it was because of that face in the window, but wasn’t sure. Nevertheless, I took up the matter when he came and sat down again.
‘I think I walked past your house the other day.’
He looked at me in surprise. I noticed that he was wearing the same pullover as last time, but with a lighter coloured shirt underneath it. His eyes were the same shade as his jumper, and I thought I could detect a trace of unease in them.
‘You don’t say. And how do you know it was my house?’
I suddenly felt in a bit of a quandary. Ought I to explain that it was Alfred Biggs who had told me? Admit that I’d been talking to him about the face in the window?
‘It’s a bit further up the hill towards Halse Farm, isn’t it?’ I asked by way of diversion. ‘There’s a path going past it from the part of the moor where I’m living, and we walked along it one morning. Castor and I. I must say. .’
‘What must you say?’
‘I must say it’s very beautifully situated. And. . remote.’
He didn’t repeat his question about how I knew it was his house, and I was grateful for that.
‘That’s true,’ was all he said. ‘We live there, Jeremy and I.’
‘Jeremy?’
‘My son.’
I wondered if I ought to mention that I had seen him, but Mark had suddenly become subdued, as if he had no wish to talk about his personal circumstances. Or at least as if he were wondering whether he ought to. I had a clear memory of Alfred Biggs saying that it was ‘a sad story’, and began regretting the fact that I had said anything at all about the house. I felt that I had been tactless, and that it was because I was becoming increasingly unused to talking to other people.