They are zombies; they will only walk and walk and walk, the word spreading step by step across continents and oceans and islands, year by year. And the word, to them, will feel like hunger.
When the zombies win, their quest to eat and infect human flesh will continue unabated. They will have known only gorging, only feasting; they will not understand the world as anything other than a screaming buffet on the run.
Yet there will be only silence and vacant rooms where once there was food, and the zombies, in their slow and stumbling way, will be surprised. Stomachs once perpetually distended will feel empty and curve inward towards their spines, the strength of even animated corpses beginning to fail without fuel. They will look about, cloudy eyes staring, and they will groan, unbreathing lungs wheezing as they try to push out enough air to ask slowly, hungrily, “Brains?”
But there will be no one left to find. Only each other.
Zombies, they will learn, do not taste good.
When the zombies win, they will become restless. There is little to do when one is dead.
Their old pastimes-their favorite pastimes-will hold no satisfaction. They will shamble down streets, arms outstretched as they groan and wail, yet inspire no fear. Together they will pound on doors, beat on windows with decaying hands until the glass shatters, hide in rivers and lakes, stumble after cars on the highway. But the cars will all be stopped, forever in park; the breaking glass will elicit no screams; and no swimmer’s hands or feet will break the water’s surface to be grabbed. When the doors burst open there will be no one cowering behind.
There will be no people to stalk, no food to eat, no homes to build, no deaths to die. Lost and aimless they will turn as if seeking a leader’s guidance, and find none. With zombies, the only leader is the one who happens to be walking first.
So they will walk alone, all of them alone, with no destinations, only the need to keep putting one unsteady foot in front of the other, over and over without end. The world is a big place to wander, even when inhabited only by the dead.
When the zombies win, they will not think of the future. There will be no next generation of zombies, no newborn zombie children held in rotting arms. The zombies will not find comfort in each other, will not rediscover concepts like friendship or companionship, will not remember sympathy or empathy or kindness. They will not learn or dream, or even know that they cannot.
They will build no buildings, fix no cars, write no histories, sing no songs. They will not fall in love. For zombies, there is only an endless today-this moment, this place, this step, this need, this hunger, this hunger unrelenting.
And the streets will begin to crumble, and windows break, and buildings fall. Cities will burn and flood, towns will be reclaimed by grassland and forest, desert and ocean.
The human world will go to pieces, decaying to nothing as empty eyes stare.
When the zombies win, they will not fear. They will not laugh or rejoice, they will not regret, they will not mourn. And the world will turn and turn, seasons burning and freezing across the landscape, the sun flashing through the sky, and they will continue.
When they zombies win, they will not stop. They will still moan and cry and whisper, on and on until the lips rot from their faces, their vocal cords slide away. They will never truly think again, never know the meaning of the words they try to utter, only flutter endlessly on the edge of remembering. Still they will try to speak, bone scraping on bone as their ruined jaws move, and they will not know why.
One by one they will fall. In the streets they will fall, legs no longer working, arms too broken to drag them forward. Inside buildings they will fall, tumbling down stairs and collapsing in hallways, slipping behind beds and in closets, curling into the gap between toilet and wall, not knowing, not seeing, not understanding these trappings of the places they once called home. They will sink to the bottoms of rivers and oceans, and lie down in fields, and tumble from mountainsides, and fall apart on the gravel edges of highways.
One by one they will stop moving, flesh and bone and brain too broken to do anything more. And in that silence and stillness they will struggle-trapped and ruined, they will still yearn, still hunger, always reaching for that which was taken from them. That which they granted to so many of us, in such great numbers.
To stop. To sleep. To rest, just rest, and let the darkness come.
Mouja by Matt London
Matt London is an author and filmmaker who lives in New York City. He is a graduate of the Clarion Writers Workshop, and a columnist for Tor.com. This story is his first piece of published fiction. He has no less than three escape plans should the zombies take Manhattan.
The samurai were a warrior caste in feudal Japan who wore distinctive armor and often fought with a sword in either hand, one long (a katana or tachi) and one short (a wakizashi or tantō). Though they were feared because they had the authority to execute any commoner who displeased them, they were bound by a strict code of honor-Bushido-which demanded they commit seppuku-ritual suicide-should they dishonor themselves.
Samurai have had a massive impact on popular culture, everything from westerns (The Magnificent Seven and A Fistful of Dollars are remakes of Akira Kurosawa samurai movies) to Star Wars (the film is heavily influenced by the Kurosawa film Hidden Fortress, and Darth Vader’s helmet is modeled after a samurai helmet).
Our next story explores what happens when these highly trained soldiers face off against their first horde of zombies. The author says, “Lore would have us believe that samurai were almost superhuman in their devotion, but of course people are people. I wanted to create a character who is a slave to what he is, much as the zombies are slaves to what they are. I studied film at NYU, where I had a passionate interest in Kurosawa and horror cinema. Seven Samurai essentially has the same plot as most zombie movies: protagonists improve the defenses of a location, deal with social problems among the survivors, and then fight off the horde.”
London’s primary resource in writing the story was the Hagakure by Tsunetomo Yamamoto, a samurai how-to pamphlet written in the eighteenth century. Its opening line is: “I have found the essence of Bushido: to die! In other words, when you have a choice between life and death, then always choose death.” Which somehow seems appropriate as a lead-in to a zombie story.
From the window of his guard hut, Takashi Shimada watched the trees. Three of the mouja lurked at the edge of the forest on the far side of the rice paddies. Takashi could just make out their shapes through the thick misty rain that made the flooded paddies seem to boil. Two of the figures at the edge of the forest were men in muddy tunics, caked with blood; the third was a woman, her kimono shamelessly open. Takashi watched, waiting, as the shadowy figures shambled toward the village. It did not matter if they traveled one mile per day or a hundred. The dead were coming, and they carried with them a hunger for human flesh.
A loud twang pierced the silence, like the string of a shamisen harshly plucked; an arrow whizzed through the air, cutting through raindrops as they fell to the earth. It struck one of the men in the forehead, splitting his rotting skull like a ripe kabocha. Undeterred, the other mouja lumbered forward as the man’s body fell to the ground in a heap.
In the next hut over, Seiji stood motionless, unwavering since letting the arrow fly, his falcon eyes peering into the distance. Takashi wondered if Seiji was admiring his precise shot, or if his mind was elsewhere, asking himself why he had come to this inconsequential farming village to fight these monsters. All of the samurai had doubted their mission since arriving at the village, though none of them shared their concern with the others-such behavior was unbefitting of a samurai. Seiji finally lowered his bow, then knelt on the ground. After a moment of silent meditation, he drew an arrow from his rabbit-hide quiver, nocked it, and rose to his feet once more.