We called our new home the SuperBall. It’d had a different name before, but the paint got messed up when Juicy pulled the boat up next to the Niña. She’s never been good at parallel parking. But you should have seen her, boldly swimming over to get the boat, with the whip in her teeth, her clothes all wet and clingy. It was all Highwater and me could do not to jump on her, once we got aboard the boat. I saw the way he looked at her, and he saw the way I looked at her. We were both ashamed of ourselves, going after Kelly’s girl. Although it wasn’t like he was taking care of her anymore. And he’d always been flirting with other girls. Rumor had it he’d been screwing around.
We let the old couple stay. They obeyed the whip, like Kelly, and it was their boat, after all. We started calling them Homer and Marge, which are terribly old-fashioned names when you think about it. Their hair was thin and fine and pale, and both of them were balding. They wandered around on the deck, moaning. They were always together. Groping each other, even. Kelly followed them around, but they ignored him.
Us pirates stayed inside the cabin. That way, all of the other boats that went past would think that we were already a ghost ship. We would be safe.
Back on shore, it would be like every zombie movie you’ve ever seen. Here it was peaceful. We played with the Ouija board we found, but we couldn’t contact any ghosts. You’d think with this many dead people around we could find a ghost willing to talk. We checked the radio, but no one would talk to us on that either. Or maybe the batteries were dead. I taught Juicy some hymnals that I remembered from O Brother, Where Art Thou? Also the chorus of a screamer by this band Lordi called “The Night of the Loving Dead.” I couldn’t remember any of the words except for the title, but I sang it and she smiled.
Even then I knew. She’d already chosen Highwater. They hadn’t even kissed yet, not in front of me, but I knew. It shouldn’t have bothered me, but it did.
Juicy asked me to go outside. The look she gave me when she closed the door told me she knew how I felt. Her eyes were wet with desire. Or maybe grief. Or need. She couldn’t stop herself; she was trying to tell me.
I paced, waiting for her to open the door. I wanted to call out her name-her real name-but the only one I could remember was Kelly’s. I opened my mouth to say it, just in case. Then I heard grunting and moaning and wet smacking.
The Crocodiles by Steven Popkes
Steven Popkes is the author of two novels: Caliban Landing and Slow Lightning. His short fiction has appeared in Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Twilight Zone Magazine, Science Fiction Age, Realms of Fantasy, SCI FICTION, and in the annuals the Year’s Best Science Fiction, The Mammoth Book of Best New Science Fiction, and Year’s Best Fantasy. His story “The Color Winter” was a finalist for the Nebula Award. He is currently working on a novel about flying witches.
When it comes to horror, Nazis and zombies are like peanut butter and chocolate-very evil peanut butter and chocolate, that is. Dr. Mengele’s gruesome experiments on living subjects, German technological prowess-as demonstrated by the V2 rockets-and Hitler’s obsession with supermen and the occult make it all too easy to imagine fiendish Nazi experiments reanimating dead soldiers. A well-known example is the video game Wolfenstein, in which you play a lone American agent who must penetrate secret Nazi labs crawling will all manner of grotesque monstrosities. The recent horror movie Dead Snow-which features a memorable scene in which one of the heroes chainsaws off his own arm after it is bitten by a zombie-is about a group of tourists who inadvertently awaken a colony of frozen Nazi zombies left over from World War II. It must be said that these examples, and several others we could name, are pretty campy, with Nazis used as a convenient shorthand for faceless evil.
Our next tale is a completely different sort of story. This is a tale told from the point of view of a World War II-era German scientist, a man who loves his wife and child, which makes his inhuman detachment about his work all the more chilling. This is Nazi zombies as high art, a tale so full of plausible-sounding scientific and historical detail that you’ll start to wonder if maybe these sorts of experiments were real after all.
I could not make a silk purse from a sow’s ear. But I went over the data again to see if I could find a tiny tatter of bright thread in the otherwise disappointing results. There had to be a better use of a well-educated chemical engineer than cannon fodder. Willem, my wife’s uncle, called me.
“Max,” he said, a happy disembodied voice over the phone. “Very sorry about your work and all that. How was it going?”
It didn’t surprise me he already knew. “We didn’t get the results we’d hoped for,” I said. “But there are other areas in the war effort where fuel filtration research would be entirely applicable. Aircraft engines, for instance-”
“No doubt,” he said, chuckling. “However, by an astonishing coincidence I was planning to call you anyway. I have a good use for your skills.”
“Oh, really?” I said with a sinking feeling. I had no desire to work for the Gestapo. Uncomfortable work at the very least.
“Yes. There’s a Doctor Otto Weber doing some very interesting biological work in Buchenwald. He can use your help.”
“What sort of work?”
“I’m sure I’d be the wrong person to discuss it with you, not being a scientist or an engineer. I’ll work out the details of the transfer and send round the papers and tickets.”
“I really ought to find out how I can be of service-”
“There’s always the regular army. I’m sure a man of your caliber-”
“I’ll be looking for your messenger.”
“Fine. Oh, and Max?”
“Yes?”
“Weekly reports. On everything and everybody. All right?”
“Of course,” I said.
You don’t argue with the Gestapo. Even my Elsa’s uncle.
Otto Weber was a thin, elderly gentleman. Once he had been quite tall. He was now stooped with age. His eyes were washed out and watery, like blue glass underwater. But his hands were steady as he first lit my cigarette, then his own.
Weber called them tote Männer. Once he showed me their decomposing condition and single-minded hunger, I thought the term apt.
Weber was brought the first host in 1938 and had to keep the disease alive with new hosts from the Gestapo-which they were always willing to supply, though in small lots so he never had more than a few laboratory subjects at a time. He was never told where that first host came from but he surmised South America. Later, in 1940 when the laboratory was at Buchenwald, the Gestapo supplied him with a slow but steady trickle of Gypsies.
What he had discovered when I joined the project in 1941 was that infection was only successful by fluid transport from the infected host, infection was in two phases, and there were at least two components to the disease.
In one experiment, Weber took fluid from a toter Mann and filtered three samples, one through a 100 micron filter, one through a 50 micron filter, and one through a Chamberland filter. The 100 micron wash caused full infection. The 50 micron also caused a partial infection involving quick and sudden pain, followed by an inevitably fatal stroke. He called this partial infection type I-A. The Chamberland wash caused a particularly quick and virulent form of rabies-Weber referred to that as type I-B. Hence, Weber’s hypothesis of two components for a full infection, one large and the other the rabies virus. He had isolated a worm as the possible large component in that, when collected and washed of any contaminants, it seemed to cause an I-A infection similar to the infection caused by the 50 micron wash. When the Chamberland wash was recombined with the worm, full infection ensued.