She deserves to know the truth.
There were a few houses in the area and a lot of daylight left. We decided to explore them, and see if we could find more supplies. Over the course of the day we found clothes, another bottle of shampoo, some soap, toothpaste, and a whole mess of food: canned soup, crackers, and various things that were either completely unspoiled or edible, but only if you were really hungry.
There were a few walkers milling about, in or around the houses but we saw them early and easily avoided them. This was a small miracle, as distracted as I was. I couldn’t stop thinking about what I had to tell Alicia, what I was going to say to her tonight. By the time we returned to the apartment across the street from the grocery store, darkness had already come.
The thing that kept running through my head all day-the thing I had to tell Alicia-was how James really died.
The day James died, it had just been the three of us-James, Alicia, and I-for weeks. I missed Diane so much. My grief over losing her was still fresh in my mind. I like to think I wasn’t myself. I just wanted things to go back to the way they were before, and knowing that that would never be possible made me more angry than I’d ever been in my life.
They say people are capable of doing things when they’re grieving that they would never consider otherwise.
Seeing Diane die right in front of me scarred me. Watching those things tear into her, unable to do anything about it. Seeing the terror in her eyes as she screamed for help, only to see her life fade away moments later. There are things that we’re now forced to deal with on a daily basis that I don’t think we should have ever had to deal with.
I loved Diane. Alicia loved James. I didn’t want to see her go through that much pain. I didn’t want to kill James.
But I thought about it.
He and I were alone that day, all day. I knew that if he were to die, maybe I wouldn’t get Diane back, but at the very least, I wouldn’t have to see the two of them together anymore. I wouldn’t have to see, in them, exactly what I wanted for myself.
I had opportunities. My knife in hand, his back to me. I wouldn’t have even had to see his face. In the end, I couldn’t do it. It was too much, I could never go that far. I couldn’t kill him myself.
Luckily, it was a dangerous world we were living in.
The day was nearly over. We were talking, deciding whether or not to search one last house for medicine before starting our journey back.
I saw them coming.
He didn’t.
There was a moment, just after he saw them-too late!-that he looked at me, screaming for help. In that moment I could have stepped in and helped him fight them off. Instead, I stepped back. Everything I’d been thinking about that day affected that split-second decision.
Immediately, I realized what I’d done, and I suddenly wanted to help him but by then it was too late, there were too many of them.
James was dead.
It was only a second-a brief moment where the pain of seeing them together had reached a crescendo within me and made me do that awful thing.
People were dying every second of every day. Most everyone I’d ever known was probably dead. What’s one more? I thought. What’s one more if it means I’ll be happier?
What’s one more if she never has to know what I’ve done?
But now Alicia loves me, and I can’t keep this from her any longer.
Maybe we were meant to be together. Maybe Diane and James were meant to die. Maybe that was necessary to bring Alicia and me together to ensure our survival.
Standing in the apartment, moonlight filling the room from the open window, I embrace Alicia and tell her I love her. She responds in kind, like I knew she would. I take one final look at her, and take a mental snapshot of the Alicia who is unaware of the evil I have done.
Then I tell her everything.
I tell her because I love her. I tell her because I respect her. I tell her because I hope she’ll forgive me.
When I’m done, the look on her face surprises me. She looks at me not with anger, but with sorrow. She looks at me as if I told her I’d killed myself, and maybe that’s what I just did. The man she’d fallen in love with was a lie. She starts crying, and before long is sobbing heavily.
I didn’t expect the screaming.
“I’m sorry,” I say.
She begins pounding on my chest with her fists, hitting me repeatedly, but it’s all I can say: “I’m sorry. I’m sorry. I’m sorry.”
I weather the storm; it’s what I deserve. Before long her anger fades and she collapses. I embrace her and we cry together for a while.
All we have to lean on is each other. Neither of us can get through this alone.
She has forgiven me, I think, as we lie together in the darkness. I’m all she has. She can’t stay mad at me forever. The fact that I told her has to count for something, doesn’t it? She has to know this is something I regret, that it will haunt me for as long as I live.
I think it will be a long time before things will be back to normal between us. But we’ll get there and when we do our bond will be that much stronger now that there are no secrets between us.
We’re going to have to make the best of this world around us if we’re going to survive. Everything is going to be okay. That’s what I think as I drift off to sleep, Alicia sobbing in my arms.
The sun of a new morning shines through the open window, waking me. The bedding beside me is colder than it should be. I reach for Alicia but she’s not there. My eyes open, I look around.
Gone.
She’s gone. And she’s taken all our food, all our supplies, and all of our weapons.
Whether she’s meant to or not, she has killed me.
I won’t last more than five days alone.
Truth be told-without her, I don’t want to.
Danger Word by Steven Barnes & Tananarive Due
Steven Barnes and Tananarive Due are frequent collaborators; in fiction, they’ve produced film scripts, this story, and three Tennyson Hardwick detective novels, the latest of which is From Cape Town with Love (written with actor Blair Underwood). In life, they’re married.
Barnes is the bestselling author of many novels, such as Lion’s Blood, Zulu Heart, Great Sky Woman, and Shadow Valley. He’s also worked on television shows such as The Twilight Zone, The Outer Limits, Andromeda, and Stargate. Due is a two-time finalist for the Bram Stoker Award, and her novels include the My Soul to Keep series, The Between, The Good House, and Joplin’s Ghost.
Barnes’s short work has appeared in Analog and Asimov’s Science Fiction, while Due’s has been published in The Magazine of Fantasy & Science Fiction, Dark Delicacies II, and Voices from the Other Side. Stories by both have been included in the anthologies Dark Dreams (where this story first appeared), Dark Matter, and Mojo: Conjure Stories.
It’s a universal human urge to leave the world a better place than you found it, and to pass on to your children a world where they can have a happier, more prosperous life than you had. This has mostly been the case throughout human history, as ever-expanding infrastructure and knowledge have generally made life more secure and comfortable generation after generation, through innovations such as fertilizers, vaccines, antibiotics, indoor plumbing, and electronics. But now adults are facing the despairing sense that today’s youth will experience significantly more hardship than the previous generation, as today’s young people confront a world of economic ruin and environmental catastrophe that they had no hand in creating.
Recent works have grappled with this generational guilt in different ways. One of the best-known examples is Cormac McCarthy’s novel The Road, a post-apocalyptic story in which a father attempts to guide his young son through a devastated landscape, all the while knowing that their situation is hopeless. The notion of enduring anything to protect your children is a primal one, and one of the worst things that most people can imagine is being helpless to aid their children. Our next story deals with this theme in a powerful way.