John Joseph Adams, Robert Kirkman, Steven Barnes, Tananarive Due, Paula R. Stiles, Adam-Troy Castro, Karina Sumner-Smith, Matt London, Marc Paoletti, Molly Brown, Seth Lindberg, Walter Greatshell, Jamie Lackey, David J. Schow, David Wellington, Brian Keene, Amelia Beamer, Steven Popkes, Barr Kirtley, Brenna Yovanoff, Max Brooks, Charles Coleman Finlay, Mira Grant, Gary A. Braunbeck, Cherie Priest, Mark McLaughlin, Kyra M. Schon, S. G. Browne, Bret Hammond, Bob Fingerman, Kelly Link, Scott Edelman, David Moody, Rory Harper, Simon R. Green, Kelley Armstrong, Paul McAuley, Joe McKinney, Carrie Ryan, Kim Paffenroth, R. J. Sevin, Julia Sevin, Catherine MacLeod, Steven Gould, Catherynne M. Valente, Jonathan Maberry, Genevieve Valentine, John Skipp, Cody Goodfellow, Sarah Langan
The Living Dead 2
© 2010
Introduction by John Joseph Adams
Turns out, zombies really don’t want to die.
When Night Shade Books and I put the first The Living Dead anthology together a couple years ago (which I will refer to hereafter as Volume One), we had the sense that zombies would be big, but I don’t think any of us realized just how big they would become.
When the book actually came out in September of 2008, it seemed like the timing was perfect, that we would be hitting right at the crest of the zombie’s popularity. But now it looks like they’ve only become more popular in the intervening period, spreading throughout an unsuspecting population like zombiism itself.
In the last couple years there have been a slew of new zombie entertainments released, across all media. There have been new movies (Quarantine, REC2, Deadgirl, Diary of the Dead, Survival of the Dead, Dead Snow, Zombie Strippers, Zombieland); video games (Plants vs. Zombies, Dead Rising 2, Dead Space, Left 4 Dead, Left 4 Dead 2); and a veritable horde of books (Pride and Prejudice and Zombies and its sequel, books from several of the contributors to this anthology, and even a Star Wars zombie novel called Death Troopers). Plus, a film adaptation is in the works for Max Brooks’s World War Z, and Robert Kirkman’s The Walking Dead is being made into a television series.
And all of that’s just off the top of my head-if I wanted to make an extensive list, I’m sure it could be ten times longer. If you were inclined to have zombies in all of your entertainment, I expect you’d have very little trouble finding things to watch, play, or read, all of them chock-full of zombie mayhem.
But since zombies have continued to dominate the popular consciousness-and Volume One was so popular with readers and critics-it was an easy decision to do a second volume of zombie stories; after all, even at 230,000 words, I couldn’t fit everything I wanted to into the first book!
And while it’s obvious that the public can’t get enough of zombies, well, I guess it’s just as obvious neither can I.
Let’s talk a bit about this anthology in particular, and how it is similar to and different from Volume One.
Volume One was comprised entirely of reprints (except for one original story, by John Langan), but this volume is mostly original with a mix of selected reprints. Twenty-five of the forty-four stories appear for the first time in this anthology.
With the popularity of zombies infecting the pop culture like it has, more writers than ever have been itching to try their hand at a zombie story, so it was not difficult to find writers eager to participate in the book. I asked some of the top names in zombie fiction-Max Brooks (World War Z), Robert Kirkman (The Walking Dead), David Wellington (Monster Island), Brian Keene (The Rising), and others-along with some bestsellers and rising stars of the science fiction, fantasy, and horror fields-to write me original stories. And boy did they deliver.
For Volume One, I chose stories that I felt represented the best of the best and together showcased the range of what zombie fiction was capable of. This time around, because my intent was to include the best new stories, I focused on finding the best material that had never previously appeared in a zombie anthology before. So while nineteen of the stories are reprints, there’s a good chance that-even if you’re a hardcore zombie fan-they’ll be entirely new to you.
To bring this introduction to a close, let’s bring it back to where it started: Why are zombies so appealing?
Since Volume One came out, that’s one of my most frequently asked questions. (It’s kind of a curious question, as if there’s some reason zombies shouldn’t be popular. Do people ask NFL football players why football is so popular?)
I can’t claim to know exactly why it is that people love zombies so much, but there are a number of common theories about their popularity.
Zombies are:
• an enemy that used to be us, that we can become at any time;
• a canvas writers can use to comment on almost anything;
• a morality-free way to fulfill a world-destruction fantasy;
• a monster that remains scary and cannot be easily romanticized.
I’m sure that’s all part of it, and we could continue to speculate ad nauseam-I’m sure there are dissertations being written on the subject as we speak. But one thing is clear: Zombies aren’t going to be dying off any time soon, and we’d better learn how to live with them.
Alone, Together by Robert Kirkman
Robert Kirkman is best-known for his work in the comics field as the writer and creator of the critically acclaimed, bestselling zombie comic The Walking Dead-which is considered by many (myself included) to be one of the greatest comics series of all-time. Other comics he’s written for include Invincible, Haunt, and The Astounding Wolf-Man. He has also worked on many Marvel titles, such as Marvel Zombies, Captain America, Ultimate X-Men, The Irredeemable Ant-Man, and Fantastic Four. Despite all of these writing credentials, this is his first piece of published prose fiction.
In The Walking Dead, Robert Kirkman set out to tell a different sort of zombie tale. Most such stories focus on a brief period of intense danger-a single night, as in the original Night of the Living Dead-or perhaps a few days or weeks, and concern the characters eluding predators and obtaining the immediate exigencies of survival-food, shelter, weapons.
The Walking Dead follows the characters for month after month after month in their grueling quest to stay alive and, more importantly, to stay sane. The stories present searing portraits of disaster psychology-survivor’s guilt, depression, and hopelessness, as well as the grim humor and small acts of kindness that allow people to carry on. The zombies in this world are an ever-present threat, but for long stretches of the story they fade into the background and the emotional landscapes of the characters take center stage as they feud, break down, fall in love, lose heart, and ultimately endure…or not-for this a gritty, realistic world where no one is safe. The characters learn the hard way that other survivors can be more dangerous than zombies, and that the most dangerous foe of all is your own heart.
Our first story shares this focus on human psychology. This is a zombie story and a love story, the story of an ordinary man in a terrible situation, and of the woman who just might be his only hope to make it out alive.
She was dressed like a private detective from a low-budget TV show-a pair of slacks, modest high heels, and the most ridiculous trench coat I’d ever seen, one of the shorter ones, that hung just above the knees. I couldn’t help but laugh, and it was obvious my reaction annoyed her, but she did her best to hide her feelings as she pressed a finger to my lips, quieting me, and gently nudged me back inside my apartment.
We’d been dating for nearly three months. The next day was our anniversary, and we were supposed to do something together. I can’t remember what now, but she had some sort of last minute work obligation crop up. She called to tell me she wanted to see me that night. I had hung up the phone maybe five minutes before she arrived. She must have called me on the way. She had nothing in her hands. No present. I was suspicious.