“Go out,” he said, and lobbed it to little Bobby, who made a basket catch and hauled away with his head down and the other kids in pursuit.
When he turned to peek at Harriet he saw her watching him, her palms pressed hard against her knees. He waited for her to look away, but she didn’t, and finally he took her steady gaze as an invitation to approach.
He crossed to the fountain, sat down beside her. He was still working out how to begin his apology, when she spoke.
“I wrote you. You stopped writing back,” she said. Her bare feet were wrestling with each other again.
“I hate how overbearing your right foot is,” he said. “Why can’t it give the left foot a little space?” But she wasn’t listening to him.
“It didn’t matter,” she said. Her voice was congested and hoarse. The makeup was oil-based, and in spite of her tears, hadn’t streaked. “I wasn’t mad. I knew we couldn’t have a relationship, just seeing each other when you came home for Christmas.” She swallowed thickly. “I really thought someone would put you in their sitcom. Every time I thought about that—about seeing you on TV, and hearing people laugh when you said things—I’d get this big stupid smile on my face. I could float through a whole afternoon thinking about it. I don’t understand what in the world could’ve made you come back to Monroeville.”
But he had already said what in the world drew him back to his parents and his bedroom over the garage. Dean had asked in the diner, and Bobby had answered him truthfully.
One Thursday night, only last spring, he had gone on early in a club in the Village. He did his twenty minutes, earned a steady if-not-precisely-overwhelming murmur of laughter, and a spatter of applause when he came off. He found a place at the bar to hear some of the other acts. He was just about to slide off his stool and go home when Robin Williams leaped on stage. He was in town for SNL, cruising the clubs, testing material. Bobby quickly shifted his weight back onto his stool and sat listening, his pulse thudding heavily in his throat.
He couldn’t explain to Harriet the import of what he had seen then. Bobby saw a man clutching the edge of a table with one hand, his date’s thigh with the other, grabbing both so hard his knuckles were drained of all color. He was bent over with tears dripping off his face, and his laughter was high and shrill and convulsive, more animal than human, the sound of a dingo or something. He was shaking his head from side to side and waving a hand in the air, stop, please, don’t do this to me. It was hilarity to the point of distress.
Robin Williams saw the desperate man, broke away from a discourse on jerking off, pointed at him and shouted, “You! Yes, you, frantic hyena-man! You get a free pass to every show I do for the rest of my motherfucking life!” And then there was a sound rising in the crowd, more than laughter or applause, although it included both. It was a low, thunderous rumble of uncontained delight, a sound so immense it was felt as much as heard, a thing that caused the bones in Bobby’s chest to hum.
Bobby himself didn’t laugh once, and when he left his stomach was churning. His feet fell strangely, heavily against the sidewalk, and for some time he did not know his way home. When at last he was in his apartment, he sat on the edge of his bed, his suspenders pulled off, and his shirt unbuttoned, and for the first time felt things were hopeless.
He saw something flash in Harriet’s hand. She was jiggling some quarters.
“Going to call someone?” he asked.
“Dean,” she said. “For a ride.”
“Don’t.”
“I’m not staying. I can’t stay.”
He watched her tormented feet, toes struggling together, and finally nodded. They stood at the same time. They were, once again, standing uncomfortably close.
“See you then,” she said.
“See you,” he said. He wanted to reach for her hand, but didn’t, wanted to say something, but couldn’t think what.
“Are there a couple people around here who want to volunteer to get shot?” George Romero asked, from less than three feet away. “It’s a guaranteed close-up in the finished film.”
Bobby and Harriet put their hands up at the same time.
“Me,” Bobby said.
“Me,” said Harriet, stepping on Bobby’s foot as she moved forward to get George Romero’s attention. “Me!”
“It’s going to be a great picture, Mr. Romero,” Bobby said. They were standing shoulder to shoulder, making small talk, waiting for Savini to finish wiring Harriet with her squib—a condom partially filled with cane syrup and food coloring that would explode to look like a bullet hit. Bobby was already wired… in more than one sense of the word. “Someday everyone in Pittsburgh is going to claim they walked dead in this movie.”
“You kiss ass like a pro,” Romero said. “Do you have a show-biz background?”
“Six years off-Broadway,” Bobby said. “Plus I played most of the comedy clubs.”
“Ah, but now you’re back in greater Pittsburgh. Good career move, kid. Stick around here, you’ll be a star in no time.”
Harriet skipped over to Bobby, her hair flouncing. “I’m going to get my tit blown off!”
“Magnificent,” Bobby said. “People just have to keep on going, because you never know when something wonderful is going to happen.”
George Romero led them to their marks, and walked them through what he wanted from them. Lights pointed into silver spangly umbrellas, casting an even white glow, and a dry heat, over a ten-foot stretch of floor. A lumpy striped mattress rested on the tiles, just to one side of a square pillar.
Harriet would get hit first, in the chest. She was supposed to jerk back, then keep coming forward, showing as little reaction to the shot as she could muster. Bobby would take the next bullet in the head and it would bring him down. The squib was hidden under one Latex fold of his scalp wound. The wires that would cause the Trojan to explode were threaded through his hair.
“You can slump first, and slide down and to the side,” George Romero said. “Drop to one knee if you want, and then spill yourself out of the frame. If you’re feeling a bit more acrobatic you can fall straight back, just be sure you hit the mattress. No one needs to get hurt.”
It was just Bobby and Harriet in the shot, which would picture them from the waist up. The other extras lined the walls of the shopping mall corridor, watching them. Their stares, their steady murmuring, induced in Bobby a pleasurable burst of adrenaline. Tom Savini knelt on the floor, just outside the framed shot, with a hand-held metal box in hand, wires snaking across the floor toward Bobby and Harriet. Little Bob sat next to him, his hands cupped under his chin, squeezing the spleen, his eyes shiny with anticipation. Savini had told little Bob all about what was going to happen, preparing the kid for the sight of blood bursting from his mother’s chest, but little Bob wasn’t worried. “I’ve been seeing gross stuff all day. It isn’t scary. I like it.” Savini was letting him keep the spleen as a souvenir.
“Roll,” Romero said. Bobby twitched—what, they were rolling? Already? He only just gave them their marks! Christ, Romero was still standing in front of the camera!—and for an instant Bobby grabbed Harriet’s hand. She squeezed his fingers, let go. Romero eased himself out of the shot. “Action.”
Bobby rolled his eyes back in his head, rolled them back so far he couldn’t see where he was going. He let his face hang slack. He took a plodding step forward.
“Shoot the girl,” Romero said.
Bobby didn’t see her squib go off, because he was a step ahead of her. But he heard it, a loud, ringing crack that echoed; and he smelled it, a sudden pungent whiff of gunpowder. Harriet grunted softly.