"I need another drink," I said, and waved at the waiter. "I feel an icy breath on the back of my neck. Could you by any chance be related to the Potter family, Mrs. Loring?"
"Sylvia Lennox was my sister," she said simply. "I thought you would know."
The waiter drifted over and I gave him an urgent message. Mrs. Loring shook her head and said she didn't want anything more, When the waiter took off I said:
"With the hush old man Potter-excuse me, Mr. Harlan Potter-put on this affair, I would be lucky to know for sure that Terry's wife even had a sister."
"Surely you exaggerate. My father is hardly that powerful, Mr. Marlowe-and certainly not that ruthless. I'll admit he does have very old-fashioned ideas about his personal privacy. He never gives interviews even to his own newspapers. He is never photographed, he never makes speeches, he travels mostly by car or in his own plane with his own crew. But he is quite human for all that. He liked Terry. He said Terry was a gentleman twenty-four hours a day instead of for the fifteen minutes between the time the guests arrive and the time they feel their first cocktail."
"He slipped a little at the end. Terry did."
The waiter trotted up with my third gimlet. I tried it for flavor and then sat there with a finger on the edge of the round base of the glass.
"Terry's death was quite a blow to him, Mr. Marlowe. And you're getting sarcastic again. Please don't. Father knew it would all look far too neat to some- people. He would much rather Terry had just disappeared. If Terry had asked him for help, I think he would have given it."
"Oh no, Mrs. Loring. His own datighter had been murdered."
She made an irritable motion and eyed me coldly.
"This is going to sound pretty blunt, I'm afraid. Father had written my sister off long ago. When they met he barely spoke to her. If he expressed himself, which he hasn't and won't, I feel sure he would be just as doubtful about Terry as you are. But once Terry was dead, what did it matter? They could have been killed in a plane crash or a fire or a highway accident. If she had to die, it was the best possible time for her to die. In another ten years she would have been a sex-ridden hag like some of these frightful women you see at Hollywood parties, or used to a few years back. The dregs of the international set."
All of a sudden I got mad, for no good reason. I stood up and looked over the booth. The next one was still empty. In the one beyond a guy was reading a paper all by himself, quietly. I sat down with a bump, pushed my glass out of the way, and leaned across the table. I had sense enough to keep my voice down.
"For hell's sake, Mrs. Loring, what are you trying to sell me? That Harlan Potter is such a sweet lovely character he wouldn't dream of using his influence on a political D.A. to drop the blanket on a murder investigation so that the murder was never really investigated at all? That he had doubts about Terry's guilt but didn't let anyone lift a finger to find out who was really the killer? That he didn't use the political power of his newspapers and his bank account and the nine hundred guys who would trip over their chins trying to guess what he wanted done before he knew himself? That he didn't arrange it so that a tame lawyer and nobody else, nobody from the D.A.'s office or the city cops, went down to Mexico to make sure Terry actually had put a slug in his head instead of being knocked off by some Indian with a hot gun just for kicks? Your old man is worth a hundred million bucks, Mrs. Loring. I wouldn't know just -how he got it, but I know damn well he didn't get it without building himself a pretty far-reaching organization. He's no softie. He's a bard tough man, You've got to be in these days to make that kind of money. And you do business with some funny people. You may not meet them or shake hands with them, but they are there on the fringe doing business with you."
"You're a fool," she said angrily. "I've had enough of you."
"Oh sure. I don't make the kind of music you like to hear. Let me tell you something. Terry talked to your old man the night Sylvia died. What about? What did your old man say to him? 'Just run on down to Mexico and shoot yourself, old boy. Let's keep this in the family. I know my daughter is a tramp and that any one of a dozen drunken bastards might have blown his top and pushed her pretty face down her throat for her, But that's incidental, old boy. The guy will be sorry when he sobers up. You've had it soft and now is the time you pay back. What we want is to keep the fair Potter name as sweet as mountain lilac. She married you because she needed a front, She needs it worse than ever now she's dead. And you're it. If you can get lost and stay lost, fine. But if you get found, you check out. See you in the morgue.'"
"Do you really think," the woman in black asked with dry ice in her voice, "that my father talks like that?"
I leaned back and laughed unpleasantly. "We could polish up the dialogue a little if that helps."
She gathered her stuff together and slid along the seat. "I'd like to give you a word of warning," she said slowly and very carefully, "a very simple word of warning. If you think my father is that kind of man and if you go around broadcasting the kind of thoughts you have just expressed to me, your career in this city in your business or In any business is apt to be extremely short and terminated very suddenly."
"Perfect, Mrs. Loring, Perfect. I get it from the law, I get it from the hoodlum element, I get it from the carriage trade. The words change, but the meaning is the same. Lay off. I came in here to drink a gimlet because a man asked me to. Now look at me. I'm practically in the boneyard."
She stood up and nodded briefly. "Three gimlets. Doubles. Perhaps you're drunk."
I dropped too much money on the table and stood up beside her. "You had one and a half, Mrs. Loring. Why even that much? Did a man ask you too, or was it all your own idea? Your own tongue got a little loose."
"Who knows, Mr. Marlowe? Who knows? Who really knows anything? There's a man over there at the bar watching us. Would it be anyone you know?"
I looked around, surprised that she had noticed. A lean dark character sat on the end stool nearest the door,
"His name is Chick Agostino," I said. "He's a gun toter for a gambling boy named Menendez. Let's knock him down and jump on him."
"You certainly are drunk," she said quickly and started to walk. I went after her. The man on the stool swung around and looked to his front. When I came abreast I stepped up behind him and reached in under both his arms quickly. Maybe I was a little drunk.
He swung around angrily and slid off the stool. "Watch it, kiddo," he snarled. Out of the corner of my eye I saw that she had stopped just inside the door to glance back
"No guns, Mr. Agostino? How reckless of you. It's almost dark. What if you should run into a tough midget?"
"Scram!" he said savagely.
"Aw, you stole that line from the New Yorker."
His mouth worked but he didn't move. I left him and followed Mrs. Loring out through the door into the space under the awning. A gray-haired colored chauffeur stood there talking to the kid from the parking lot. He touched his cap and went off and came back with a flossy Cadillac limousine. He opened the door and Mrs. Loring got in. He shut the door as though he was putting down the lid of a jewel box. He went around the car to the driver's seat.
She ran the window down and looked out at me, half smiling.
"Goodnight, Mr. Marlowe. It's been nice-or has it?"
"We had quite a fight."
"You mean you had-and mostly with yourself."
"It usually is. Goodnight, Mrs. Loring. You don't live around here, do you?"
"Not exactly. I live in Idle Valley. At the far end of the lake. My husband is a doctor."
"Would you happen to know any people named Wade?"
She frowned. "Yes, I know the Wades. Why?"