But Rickie turned to none of these friends, for just then he loved his rooms better than any person. They were all he really possessed in the world, the only place he could call his own. Over the door was his name, and through the paint, like a grey ghost, he could still read the name of his predecessor. With a sigh of joy he entered the perishable home that was his for a couple of years. There was a beautiful fire, and the kettle boiled at once. He made tea on the hearth-rug and ate the biscuits which Mrs. Aberdeen had brought for him up from Anderson's. "Gentlemen," she said, "must learn to give and take." He sighed again and again, like one who had escaped from danger. With his head on the fender and all his limbs relaxed, he felt almost as safe as he felt once when his mother killed a ghost in the passage by carrying him through it in her arms. There was no ghost now; he was frightened at reality; he was frightened at the splendours and horrors of the world.
A letter from Miss Pembroke was on the table. He did not hurry to open it, for she, and all that she did, was overwhelming. She wrote like the Sibyl; her sorrowful face moved over the stars and shattered their harmonies; last night he saw her with the eyes of Blake, a virgin widow, tall, veiled, consecrated, with her hands stretched out against an everlasting wind. Why should she write? Her letters were not for the likes of him, nor to be read in rooms like his.
"We are not leaving Sawston," she wrote. "I saw how selfish it was of me to risk spoiling Herbert's career. I shall get used to any place. Now that he is gone, nothing of that sort can matter. Every one has been most kind, but you have comforted me most, though you did not mean to. I cannot think how you did it, or understood so much. I still think of you as a little boy with a lame leg,—I know you will let me say this,—and yet when it came to the point you knew more than people who have been all their lives with sorrow and death."
Rickie burnt this letter, which he ought not to have done, for it was one of the few tributes Miss Pembroke ever paid to imagination. But he felt that it did not belong to him: words so sincere should be for Gerald alone. The smoke rushed up the chimney, and he indulged in a vision. He saw it reach the outer air and beat against the low ceiling of clouds. The clouds were too strong for it; but in them was one chink, revealing one star, and through this the smoke escaped into the light of stars innumerable. Then—but then the vision failed, and the voice of science whispered that all smoke remains on earth in the form of smuts, and is troublesome to Mrs. Aberdeen.
"I am jolly unpractical," he mused. "And what is the point of it when real things are so wonderful? Who wants visions in a world that has Agnes and Gerald?" He turned on the electric light and pulled open the table-drawer. There, among spoons and corks and string, he found a fragment of a little story that he had tried to write last term. It was called "The Bay of the Fifteen Islets," and the action took place on St. John's Eve off the coast of Sicily. A party of tourists land on one of the islands. Suddenly the boatmen become uneasy, and say that the island is not generally there. It is an extra one, and they had better have tea on one of the ordinaries. "Pooh, volcanic!" says the leading tourist, and the ladies say how interesting. The island begins to rock, and so do the minds of its visitors. They start and quarrel and jabber. Fingers burst up through the sand-black fingers of sea devils. The island tilts. The tourists go mad. But just before the catastrophe one man, integer vitae scelerisque purus, sees the truth. Here are no devils. Other muscles, other minds, are pulling the island to its subterranean home. Through the advancing wall of waters he sees no grisly faces, no ghastly medieval limbs, but—But what nonsense! When real things are so wonderful, what is the point of pretending?
And so Rickie deflected his enthusiasms. Hitherto they had played on gods and heroes, on the infinite and the impossible, on virtue and beauty and strength. Now, with a steadier radiance, they transfigured a man who was dead and a woman who was still alive.
VII
Love, say orderly people, can be fallen into by two methods: (1) through the desires, (2) through the imagination. And if the orderly people are English, they add that (1) is the inferior method, and characteristic of the South. It is inferior. Yet those who pursue it at all events know what they want; they are not puzzling to themselves or ludicrous to others; they do not take the wings of the morning and fly into the uttermost parts of the sea before walking to the registry office; they cannot breed a tragedy quite like Rickie's.
He is, of course, absurdly young—not twenty-one and he will be engaged to be married at twenty-three. He has no knowledge of the world; for example, he thinks that if you do not want money you can give it to friends who do. He believes in humanity because he knows a dozen decent people. He believes in women because he has loved his mother. And his friends are as young and as ignorant as himself. They are full of the wine of life. But they have not tasted the cup—let us call it the teacup—of experience, which has made men of Mr. Pembroke's type what they are. Oh, that teacup! To be taken at prayers, at friendship, at love, till we are quite sane, efficient, quite experienced, and quite useless to God or man. We must drink it, or we shall die. But we need not drink it always. Here is our problem and our salvation. There comes a moment—God knows when—at which we can say, "I will experience no longer. I will create. I will be an experience." But to do this we must be both acute and heroic. For it is not easy, after accepting six cups of tea, to throw the seventh in the face of the hostess. And to Rickie this moment has not, as yet, been offered.
Ansell, at the end of his third year, got a first in the Moral Science Tripos. Being a scholar, he kept his rooms in college, and at once began to work for a Fellowship. Rickie got a creditable second in the Classical Tripos, Part I., and retired to sallow lodgings in Mill bane, carrying with him the degree of B.A. and a small exhibition, which was quite as much as he deserved. For Part II. he read Greek Archaeology, and got a second. All this means that Ansell was much cleverer than Rickie. As for the cow, she was still going strong, though turning a little academic as the years passed over her.
"We are bound to get narrow," sighed Rickie. He and his friend were lying in a meadow during their last summer term. In his incurable love for flowers he had plaited two garlands of buttercups and cow-parsley, and Ansell's lean Jewish face was framed in one of them. "Cambridge is wonderful, but—but it's so tiny. You have no idea—at least, I think you have no idea—how the great world looks down on it."