So he returned, full of pleasant disconnected thoughts. He had had a rare good time. He liked every one—even that poor little Elliot—and yet no one mattered. They were all out. On the landing he saw the housemaid. He felt skittish and irresistible. Should he slip his arm round her waist? Perhaps better not; she might box his ears. And he wanted to smoke on the roof before dinner. So he only said, "Please will you stop the boy blacking my brown boots," and she with downcast eyes, answered, "Yes, sir; I will indeed."
His room was in the pediment. Classical architecture, like all things in this world that attempt serenity, is bound to have its lapses into the undignified, and Cadover lapsed hopelessly when it came to Stephen's room. It gave him one round window, to see through which he must lie upon his stomach, one trapdoor opening upon the leads, three iron girders, three beams, six buttresses, no circling, unless you count the walls, no walls unless you count the ceiling and in its embarrassment presented him with the gurgly cistern that supplied the bath water. Here he lived, absolutely happy, and unaware that Mrs. Failing had poked him up here on purpose, to prevent him from growing too bumptious. Here he worked and sang and practised on the ocharoon. Here, in the crannies, he had constructed shelves and cupboards and useless little drawers. He had only one picture—the Demeter of Onidos—and she hung straight from the roof like a joint of meat. Once she was in the drawing-room; but Mrs. Failing had got tired of her, and decreed her removal and this degradation. Now she faced the sunrise; and when the moon rose its light also fell on her, and trembled, like light upon the sea. For she was never still, and if the draught increased she would twist on her string, and would sway and tap upon the rafters until Stephen woke up and said what he thought of her. "Want your nose?" he would murmur. "Don't you wish you may get it" Then he drew the clothes over his ears, while above him, in the wind and the darkness, the goddess continued her motions.
Today, as he entered, he trod on the pile of sixpenny reprints. Leighton had brought them up. He looked at the portraits in their covers, and began to think that these people were not everything. What a fate, to look like Colonel Ingersoll, or to marry Mrs. Julia P. Chunk! The Demeter turned towards him as he bathed, and in the cold water he sang—
and sprang upward through the skylight on to the roof. Years ago, when a nurse was washing him, he had slipped from her soapy hands and got up here. She implored him to remember that he was a little gentleman; but he forgot the fact—if it was a fact—and not even the butler could get him down. Mr. Failing, who was sitting alone in the garden too ill to read, heard a shout, "Am I an acroterium?" He looked up and saw a naked child poised on the summit of Cadover. "Yes," he replied; "but they are unfashionable. Go in," and the vision had remained with him as something peculiarly gracious. He felt that nonsense and beauty have close connections,—closer connections than Art will allow,—and that both would remain when his own heaviness and his own ugliness had perished. Mrs. Failing found in his remains a sentence that puzzled her. "I see the respectable mansion. I see the smug fortress of culture. The doors are shut. The windows are shut. But on the roof the children go dancing for ever."
Stephen was a child no longer. He never stood on the pediment now, except for a bet. He never, or scarcely ever, poured water down the chimneys. When he caught the cat, he seldom dropped her into the housekeeper's bedroom. But still, when the weather was fair, he liked to come up after bathing, and get dry in the sun. Today he brought with him a towel, a pipe of tobacco, and Rickie's story. He must get it done some time, and he was tired of the six-penny reprints. The sloping gable was warm, and he lay back on it with closed eyes, gasping for pleasure. Starlings criticized him, snots fell on his clean body, and over him a little cloud was tinged with the colours of evening. "Good! good!" he whispered. "Good, oh good!" and opened the manuscript reluctantly.
What a production! Who was this girl? Where did she go to? Why so much talk about trees? "I take it he wrote it when feeling bad," he murmured, and let it fall into the gutter. It fell face downwards, and on the back he saw a neat little resume in Miss Pembroke's handwriting, intended for such as him. "Allegory. Man = modern civilization (in bad sense). Girl = getting into touch with Nature."
In touch with Nature! The girl was a tree! He lit his pipe and gazed at the radiant earth. The foreground was hidden, but there was the village with its elms, and the Roman Road, and Cadbury Rings. There, too, were those woods, and little beech copses, crowning a waste of down. Not to mention the air, or the sun, or water. Good, oh good!
In touch with Nature! What cant would the books think of next? His eyes closed. He was sleepy. Good, oh good! Sighing into his pipe, he fell asleep.
XIII
Glad as Agnes was when her lover returned for lunch, she was at the same time rather dismayed: she knew that Mrs. Failing would not like her plans altered. And her dismay was justified. Their hostess was a little stiff, and asked whether Stephen had been obnoxious.
"Indeed he hasn't. He spent the whole time looking after me."
"From which I conclude he was more obnoxious than usual." Rickie praised him diligently. But his candid nature showed everything through. His aunt soon saw that they had not got on. She had expected this—almost planned it. Nevertheless she resented it, and her resentment was to fall on him.
The storm gathered slowly, and many other things went to swell it. Weakly people, if they are not careful, hate one another, and when the weakness is hereditary the temptation increases. Elliots had never got on among themselves. They talked of "The Family," but they always turned outwards to the health and beauty that lie so promiscuously about the world. Rickie's father had turned, for a time at all events, to his mother. Rickie himself was turning to Agnes. And Mrs. Failing now was irritable, and unfair to the nephew who was lame like her horrible brother and like herself. She thought him invertebrate and conventional. She was envious of his happiness. She did not trouble to understand his art. She longed to shatter him, but knowing as she did that the human thunderbolt often rebounds and strikes the wielder, she held her hand.
Agnes watched the approaching clouds. Rickie had warned her; now she began to warn him. As the visit wore away she urged him to be pleasant to his aunt, and so convert it into a success.
He replied, "Why need it be a success?"—a reply in the manner of Ansell.
She laughed. "Oh, that's so like you men—all theory! What about your great theory of hating no one? As soon as it comes in useful you drop it."
"I don't hate Aunt Emily. Honestly. But certainly I don't want to be near her or think about her. Don't you think there are two great things in life that we ought to aim at—truth and kindness? Let's have both if we can, but let's be sure of having one or the other. My aunt gives up both for the sake of being funny."