"It is not a savoury subject," he continued, with sudden stiffness. "I understand why Rickie is so hysterical. My impulse"—he laid his hand on her shoulder—"is to abandon it at once. But if I am to be of any use to you, I must hear it all. There are moments when we must look facts in the face."
She did not shrink from the subject as much as he thought, as much as she herself could have wished. Two years before, it had filled her with a physical loathing. But by now she had accustomed herself to it.
"I am afraid, Bertie boy, there is nothing else to bear, I have tried to find out again and again, but Aunt Emily will not tell me. I suppose it is natural. She wants to shield the Elliot name. She only told us in a fit of temper; then we all agreed to keep it to ourselves; then Rickie again mismanaged her, and ever since she has refused to let us know any details."
"A most unsatisfactory position." "So I feel." She sat down again with a sigh. Mrs. Failing had been a great trial to her orderly mind. "She is an odd woman. She is always laughing. She actually finds it amusing that we know no more."
"They are an odd family."
"They are indeed."
Herbert, with unusual sweetness, bent down and kissed her.
She thanked him.
Their tenderness soon passed. They exchanged it with averted eyes. It embarrassed them. There are moments for all of us when we seem obliged to speak in a new unprofitable tongue. One might fancy a seraph, vexed with our normal language, who touches the pious to blasphemy, the blasphemous to piety. The seraph passes, and we proceed unaltered—conscious, however, that we have not been ourselves, and that we may fail in this function yet again. So Agnes and Herbert, as they proceeded to discuss the Jackson's supper-party, had an uneasy memory of spiritual deserts, spiritual streams.
XXVI
Poor Mr. Ansell was actually sitting in the garden of Dunwood House. It was Sunday morning. The air was full of roasting beef. The sound of a manly hymn, taken very fast, floated over the road from the school chapel. He frowned, for he was reading a book, the Essays of Anthony Eustace Failing.
He was here on account of this book—at least so he told himself. It had just been published, and the Jacksons were sure that Mr. Elliot would have a copy. For a book one may go anywhere. It would not have been logical to enter Dunwood House for the purpose of seeing Rickie, when Rickie had not come to supper yesterday to see him. He was at Sawston to assure himself of his friend's grave. With quiet eyes he had intended to view the sods, with unfaltering fingers to inscribe the epitaph. Love remained. But in high matters he was practical. He knew that it would be useless to reveal it.
"Morning!" said a voice behind him.
He saw no reason to reply to this superfluous statement, and went on with his reading.
"Morning!" said the voice again.
As for the Essays, the thought was somewhat old-fashioned, and he picked many holes in it; nor was he anything but bored by the prospect of the brotherhood of man. However, Mr. Failing stuck to his guns, such as they were, and fired from them several good remarks. Very notable was his distinction between coarseness and vulgarity (coarseness, revealing something; vulgarity, concealing something), and his avowed preference for coarseness. Vulgarity, to him, had been the primal curse, the shoddy reticence that prevents man opening his heart to man, the power that makes against equality. From it sprang all the things that he hated—class shibboleths, ladies, lidies, the game laws, the Conservative party—all the things that accent the divergencies rather than the similarities in human nature. Whereas coarseness—But at this point Herbert Pembroke had scrawled with a blue penciclass="underline" "Childish. One reads no further."
"Morning!" repeated the voice.
Ansell read further, for here was the book of a man who had tried, however unsuccessfully, to practice what he preached. Mrs. Failing, in her Introduction, described with delicate irony his difficulties as a landlord; but she did not record the love in which his name was held. Nor could her irony touch him when he cried: "Attain the practical through the unpractical. There is no other road." Ansell was inclined to think that the unpractical is its own reward, but he respected those who attempted to journey beyond it. We must all of us go over the mountains. There is certainly no other road.
"Nice morning!" said the voice.
It was not a nice morning, so Ansell felt bound to speak. He answered: "No. Why?" A clod of earth immediately struck him on the back. He turned round indignantly, for he hated physical rudeness. A square man of ruddy aspect was pacing the gravel path, his hands deep in his pockets. He was very angry. Then he saw that the clod of earth nourished a blue lobelia, and that a wound of corresponding size appeared on the pie-shaped bed. He was not so angry. "I expect they will mind it," he reflected. Last night, at the Jacksons', Agnes had displayed a brisk pity that made him wish to wring her neck. Maude had not exaggerated. Mr. Pembroke had patronized through a sorrowful voice and large round eyes. Till he met these people he had never been told that his career was a failure. Apparently it was. They would never have been civil to him if it had been a success, if they or theirs had anything to fear from him.
In many ways Ansell was a conceited man; but he was never proud of being right. He had foreseen Rickie's catastrophe from the first, but derived from this no consolation. In many ways he was pedantic; but his pedantry lay close to the vineyards of life—far closer than that fetich Experience of the innumerable tea-cups. He had a great many facts to learn, and before he died he learnt a suitable quantity. But he never forgot that the holiness of the heart's imagination can alone classify these facts—can alone decide which is an exception, which an example. "How unpractical it all is!" That was his comment on Dunwood House. "How unbusiness-like! They live together without love. They work without conviction. They seek money without requiring it. They die, and nothing will have happened, either for themselves or for others." It is a comment that the academic mind will often make when first confronted with the world.
But he was becoming illogical. The clod of earth had disturbed him. Brushing the dirt off his back, he returned to the book. What a curious affair was the essay on "Gaps"! Solitude, star-crowned, pacing the fields of England, has a dialogue with Seclusion. He, poor little man, lives in the choicest scenery—among rocks, forests, emerald lawns, azure lakes. To keep people out he has built round his domain a high wall, on which is graven his motto—"Procul este profani." But he cannot enjoy himself. His only pleasure is in mocking the absent Profane. They are in his mind night and day. Their blemishes and stupidities form the subject of his great poem, "In the Heart of Nature." Then Solitude tells him that so it always will be until he makes a gap in the wall, and permits his seclusion to be the sport of circumstance. He obeys. The Profane invade him; but for short intervals they wander elsewhere, and during those intervals the heart of Nature is revealed to him.
This dialogue had really been suggested to Mr. Failing by a talk with his brother-in-law. It also touched Ansell. He looked at the man who had thrown the clod, and was now pacing with obvious youth and impudence upon the lawn. "Shall I improve my soul at his expense?" he thought. "I suppose I had better." In friendly tones he remarked, "Were you waiting for Mr. Pembroke?"
"No," said the young man. "Why?"
Ansell, after a moment's admiration, flung the Essays at him. They hit him in the back. The next moment he lay on his own back in the lobelia pie.
"But it hurts!" he gasped, in the tones of a puzzled civilization. "What you do hurts!" For the young man was nicking him over the shins with the rim of the book cover. "Little brute-ee—ow!"