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Vajuvi led me into his house, a cavernous space filled with smoke from a wood-burning fire. He introduced me to two handsome women who had long jet-black hair that fanned down over their bare backs. The older woman had a tattoo of three vertical stripes on her upper arms, and the younger one wore a necklace with glittering white shells. “My wives,” Vajuvi said.

Before long, more people stepped out of the shadows: children and grandchildren, sons-in-law and daughters-in-law, aunts and uncles, brothers and sisters. Vajuvi said that nearly twenty people lived in the house. It seemed less like a home than like a self-contained village. In the center of the room, near a pole supporting the roof, from which corn had been hung to dry, one of Vajuvi's daughters knelt in front of a large wooden loom, weaving a hammock, and next to her was a boy wearing a blue-beaded belt, holding fish in an elaborately detailed, brightly painted ceramic pot, and beside him an elderly hunter sat on a large hardwood bench carved in the shape of a jaguar, sharpening a five-foot-long arrow. Fawcett wrote of the southern basin of the Amazon, “The whole of this region is saturated with Indian traditions of a most interesting kind,” which “cannot be founded upon nothing” and which suggest the prior presence of “a once-great civilization.”

The village, which had about a hundred and fifty residents, was highly stratified. These people were not wandering hunter-gatherers. Chiefs were anointed by bloodlines, as with European kings. There were taboos on diet which forbade them to eat most red meats, including tapir, deer, and boar-dietary restrictions that were among the strictest of any in the world and seemed to contradict the notion that the Indians were threatened with a constant state of starvation. At puberty, boys and girls were held in extended seclusion, during which a designated elder taught them the rituals and the responsibilities of adulthood. (The son who was in line to become chief was sequestered for up to four years.) Dyott, during his journey in the Xingu with Aloique, passed through the Kalapalo village and was so impressed by the scene that he wrote, “There is reason to believe that Fawcett's stories of a forgotten civilization are based on fact.”

I asked Vajuvi whether he knew if the people of this region, who were known as Xinguanos, had once descended from a larger civilization, or if there were any significant ruins in the surrounding jungle. He shook his head. According to legend, however, the spirit Fitsi-fitsi built giant moats in the area. (“Everywhere he went that seemed like a nice place to stay, Fitsi-fitsi would make long, deep ditches and leave part of his people there, and he himself would continue traveling.”)

While Vajuvi, Paolo, and I were talking, a man named Vanite Kala-palo entered the house and sat down beside us. He seemed despondent. It was his job, he said, to guard one of the posts on the reservation. The other day, an Indian had come to him and said, “Listen, Vanite. You must come with me down the river. The white people are building something in Afasukugu.” The word “Afasukugu” meant “the place of the big cats;” at this site, the Xinguanos believe, the first humans were created. Vanite picked up a stick and drew a map on the mud floor. “Here is Afasukugu,” he said. “It is by a waterfall.”

“It is outside the park,” Vajuvi, the chief, added. “But it is sacred.”

I remembered Fawcett had mentioned in one of his last letters that he had learned from the Indians of a sacred waterfall in the same area, which he hoped to visit.

Vanite continued with his story: “So I said, ‘I will go with you to Afasukugu, but you are crazy. Nobody would build anything at the place of the jaguars.' But when I get there the waterfall is destroyed. They blew it up with thirty kilos of dynamite. The place was so beautiful, and now it is gone. And I ask a man working there, ‘What are you doing?' He says, ‘We are building a hydroelectric dam.' ”

“It is in the middle of the Kuluene River,” Vajuvi said. “All the water from there flows right into our park and into our territory.”

Vanite, who was becoming agitated, didn't seem to hear the chief. He said, “A man from the Mato Grosso government comes to the Xingu and tells us, ‘Do not worry. This dam will not hurt you.' And he offers each of us money. One of the chiefs from another tribe took the money, and the tribes are now fighting with each other. For me, the money means nothing. The river has been here for thousands of years. We don't live forever, but the river does. The god Taugi created the river. It gives us our food, our medicines. You see, we don't have a well. We drink water right from the river. How will we live without it?”

Vajuvi said, “If they succeed, the river will disappear and, with it, all our people.”

Our search for Fawcett and the City of Z suddenly felt trivial- another tribe appeared to be on the verge of extinction. But later that night, after we bathed in the river, Vajuvi said that there was something he had to tell Paolo and me about the Englishmen. The next day, he promised, he would take us by boat to where the bones had been discovered. Before going to bed, he added, “There are many things about the Englishmen that only Kalapalo people know.”

THE NEXT MORNING, as we got ready to depart, one of the girls in our house removed a piece of cloth from a large object in the corner of the room, near an array of masks. Underneath was a television set, which was powered by the village's sole generator.

The girl turned a knob, sat down on the mud floor, and began watching a cartoon featuring a raucous Woody Woodpecker-like bird. Within minutes, at least twenty other children and several adults from the village had gathered around the set.

As Vajuvi came to retrieve us, I asked him how long he had owned a television. “Only a few years,” he said. “At first, all everyone did is stare at it in a trance. But now I control the generator, and it is on only a few hours a week.”

Several of the men watching the television got their bows and arrows and went out to hunt. Meanwhile, Paolo and I followed Vajuvi and one of his sons, who was five years old, down to the river. “I thought we would catch our lunch, the way Kalapalos do,” Vajuvi said.

We climbed into one of the motorboats and headed upriver. A mist that covered the forest slowly dissipated as the sun rose. The river, dark and muddy, occasionally narrowed into a chute so tight that tree branches hung over our heads like bridges. Eventually, we entered an inlet covered by a tangle of floating leaves. “The green lagoon,” Vajuvi said.

He cut the engine, and the boat slid quietly through the water. Terns with yellow beaks fluttered amid the rosewood and cedar trees, and swallows zigzagged above the lagoon, shimmering white specks on the blanket of green. A pair of macaws cackled and screamed, and on the shore deer stood as still as the water. A small caiman scurried up the banks.

“You must always be careful in the jungle,” Vajuvi said. “I listen to my dreams. If I have a dream of danger, then I stay in the village. Many accidents happen to white people because they don't believe their dreams.”

The Xinguanos were famous for fishing with bows and arrows, their bodies perched silently on the fronts of canoes-a pose that Jack and Raleigh had excitedly caught on camera, sending the images back to the Museum of the American Indian. Vajuvi and his son, however, took out some fishing lines and baited the hooks. Then they spun the lines over their heads like lassos and sent the hooks sailing into the center of the lagoon.